New Songs

よーいドン

folk rock

folk rock,new age,city pop.minor.116BPM.rich male vocal.gut guitar(fingerpicking),2nd gut guitar(arpeggio),tenor saxophone(breathy melodic lines),electric piano(soft chords),cello(sustained legato),drums(light brushwork),orchestra(warm string backing).a man reflects on a long marriage,their grandchild now the same age he was when they wed,and declares this is not an ending but a new start—yoi-don—wishing only for her happiness

“THE MAN IN THE STATIC” (Edit)

Progressive Rock

Progressive Rock, Psychedelic Rock, Classic Rock, Art Rock style i the signal intro verse 1 theme a man hears a mysterious signal in the static maybe from outside maybe from inside himself musical direction slow fade in of synth pads distant radio chatter clean guitar with long delay vocals almost spoken ii the machine room verse 2 chorus theme society s machinery expectations systems pressures drowns out the signal musical direction drums enter roomy slow deliberate bass becomes the emotional anchor guitar bends echo the vocal melody clean delayed electric guitar gilmour style bends iii the break bridge instrumental theme he questions reality is he the dreamer or the dream? instrumental long gilmour style solo wide stereo field rising tension then collapse into ambience iv the return final verse outro theme he follows the signal inward and finds himself again outro heartbeat like bass pulse wind soft static fading guitar harmonics

Do You Come Back?

rock

rock, Hyper-melodic UK street punk, fast 2-minute blast. Raw distorted guitars locked to simple, driving drums; male vocals in a thick, sneering Cockney accent. Verses spat tight and snotty, choruses explode into football-chant gang vocals with sparse “oh”s and “doo doo” hooks. Mix feels like a sweaty basement gig, crowd shouting along, everything slightly overblown and wild., raw, simple, rock-and-roll, street punk, punk, football, oi

Im a pancake (dubstep instrumental)

funny then turns into a dubstep drop

funny then turns into a dubstep drop

最後の直線で

Explosive emotional J-pop ballad with cinematic build

Explosive emotional J-pop ballad with cinematic build, male vocal only, 75-90 BPM intro expanding to 130 BPM climax, grand piano intro (no singing first 5 seconds), gradual string orchestra layering, deep emotional progression, nostalgic and heroic atmosphere, no female voice, no spoken intro, strong dynamic contrast (quiet verse → explosive final chorus), massive emotional climax, final chorus key change (+2), powerful soaring vocal, cinematic drums and low-end impact, stadium reverb feeling, evokes legendary race comeback moment, sense of speed and transcendence, uplifting yet tear-inducing, human-like emotional expression, no section labels sung, no narration

The Mob - We paint houses...

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs, Crisp swing kit locks with a walking upright bass, brass bursts and guitar stabs trading call-and-response with the piano, Bold, repeatedly returning piano hook functions as an instrumental “chorus, ” building in intensity each time, Arranged like a club band in a smoky back room, swaggering tempo, big-room dynamics, and a proud, vintage gangster strut, playful, dynamic, swing, extended cinematic structure 4 minutes

Same Sky, Same Heart

Pop

Pop, rock, punk

If I Don’t Come Home

A heartfelt worship song driven by a vibrant

A heartfelt worship song driven by a vibrant, moving bassline and dynamic drums lays down an energetic groove, Layered electric guitars and expressive piano add depth, swelling and receding with the song’s evolving dynamics, Soaring, powerful vocals convey a sense of awe throughout

Maçonnerie mécanique

The Mob - No funny business

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs, Crisp swing kit locks with a walking upright bass, brass bursts and guitar stabs trading call-and-response with the piano, Bold, repeatedly returning piano hook functions as an instrumental “chorus, ” building in intensity each time, Arranged like a club band in a smoky back room, swaggering tempo, big-room dynamics, and a proud, vintage gangster strut, playful, dynamic, swing, extended cinematic structure 4 minutes

インディゴ・ナイトスケープ

Lo-fi Soulful R&B / Slow Jam / Muffled Sub Bass / Breathy Female Vocals / Nostalgic & Impure Atmosphere

Lo-fi Soulful R&B / Slow Jam / Muffled Sub Bass / Breathy Female Vocals / Nostalgic & Impure Atmosphere

Midnight Floorbreath

nu metal

nu metal, trap rock, big double-kick drums, down-tuned guitar chugs, palm-muted riffing, octave bass reinforcement, snare flam accents, gang shout hooks, distorted bass layer, punchy kick compression, parallel drum smash, minor key breakdowns, halftime chorus, arena defiance, 140 BPM, cinematic rock build, tight low end, aggressive dropouts, emotive delivery, fast drumming, heavy chorus, rhythmic guitars

Trucking In My Blood

rap

rap, Country trap bounce with twangy acoustic riff loop, gritty male vocals. Tight 808-style low end and snapped snares under stomps and handclaps. Verses stay close and conversational, subtle slide guitar accents; chorus explodes with stacked gang vocals and bright banjo fills. Second half adds subtle organ pad and ad-lib echoes for a bigger, anthemic feel., country

Bleach Scar Spine

rap

rap, reggae, country, low-tempo, violins, soft piano, bouncy beat, synthwave, house

The Mob - Murder Inc.

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs

funk Explosive golden-era boogie-woogie romp; piano front and center with a stomping left-hand bass and dazzling right-hand riffs, Crisp swing kit locks with a walking upright bass, brass bursts and guitar stabs trading call-and-response with the piano, Bold, repeatedly returning piano hook functions as an instrumental “chorus, ” building in intensity each time, Arranged like a club band in a smoky back room, swaggering tempo, big-room dynamics, and a proud, vintage gangster strut, playful, dynamic, swing, extended cinematic structure 4 minutes

Joker AHAHAH hihihi Ahahah

Dark club rap with heavy basslines

Dark club rap with heavy basslines, eerie synths, and twisted carnival melodies—Joker energy meets trap and electro vibes. Punchy drums, catchy chants, and chaotic laughter create a wild, theatrical sound built for the dancefloor

Sácame a bailar

phonk house

phonk house, Brazilian phonk, rave hooks, baile funk percussion, distorted 808s, sub bass slides, chopped vocal stabs, whispered ad libs, gated snare, metallic clap layers, tape saturation, club PA mono mix, spring reverb snare, four-on-the-floor kick, syncopated dembow accents, 126 BPM, call-and-response chorus, defiant bravado

IN UTERO DEI

obscure liturgical doom

obscure liturgical doom, industrial ritual procession, neoclassical dark ambient, 62 BPM, E Phrygian, spoken female vocals, collective female choir, pipe organ drones, ritual floor toms, tolling bell, dissonant cello, sub-bass drone, synthetic choir pads, distant brass, extended reverb tail, cavernous low frequencies, sidechained pulse, sacred judicial wrath, languid procession.

The Last Light in Her Chest

Synth‑driven French pop funk with warm analog pads

Synth‑driven French pop funk with warm analog pads, soft vocoder harmonies, and a gentle funky bassline. Use filtered drums, shimmering arpeggios, and a smooth French‑touch groove. Verses should feel warm and intimate, with soft synth chords and light funk guitar. Pre‑choruses should bloom with vocoder harmonies. Choruses should be dreamy, romantic, and groovy, with a bright synth‑funk pulse. Drop the beat entirely during sad emotional lines, using only pads and reverb. Bring the groove back gently after emotional dips. Final “I love you” should be dry vocal with long echo. Overall mood: retro‑future romance, neon‑soft, tender, and cinematic.

Do You Even Know_Apr 2026

**Style Heavy Metal-Pagan Metal-Folk-Thai Traditional Classic Melody **vox: vox_MaiSirivimol_ultra_deep_power_contralto_18

**Style Heavy Metal-Pagan Metal-Folk-Thai Traditional Classic Melody **vox: vox_MaiSirivimol_ultra_deep_power_contralto_18, dark, resonant chest voice, heavy and expansive tone, wide cinematic presence, slightly breathy edge, close to mic for intimacy but projecting with weight and authority production: natural, wide, crystal-clear guitar tone with rich, powerful, expansive mood: Crystal Sounds & Vocals — emotional, graceful, and powerful