New Songs

Explore trending AI-generated songs from MusicMint. Discover the most popular New Songs tracks created with artificial intelligence.

Title: “Soft Code Heart”

Genre: J-Core Rap × Hip-Hop × Kawaii Idol🎤 Vocal Style (EN): A very kawaii

Genre: J-Core Rap × Hip-Hop × Kawaii Idol🎤 Vocal Style (EN): A very kawaii, sweet female voice with a soft, high-pitched tone. Light, airy, and playful delivery with a cute idol-like expression. The voice feels innocent, warm, and comforting, with smooth phrasing and a gentle emotional touch. Suddenly, in emotional peaks, the voice breaks into slightly raspy, rough-edged shouts, adding intensity and raw feeling. These moments are brief but powerful, creating a contrast between softness and hidden emotional strength.Mood (EN): Soft, kawaii, and warm with a glowing nostalgic feeling. The song feels like a safe space—cute and comforting on the surface, but with a deeper emotional meaning underneath. Playful and light with digital sparkles, yet quietly introspective, like holding onto small memories that keep your heart together.🎧 Extra Details: Cute, breathy high tone Soft and gentle delivery Sudden raspy, emotional shouts Sweet ↔ raw contrast Subtle vocal cracks

Sweet Dreams 2026

Genre: melodic house / tech house | BPM: 126–128 | Energy: high festival | Vocal: female

Genre: melodic house / tech house | BPM: 126–128 | Energy: high festival | Vocal: female, clean, wide, emotive | Instruments: piano (original melody), supersaw & detuned leads, pluck synths, rolling sub + mid bass, atmospheric pads, arp sequences, percussive loops (claps, hi-hats, rimshots), FM/acid synth textures | FX: risers, reverse impacts, tape stops, crowd ambience, long reverb tails | Vocal chops: “feel it / see it / dreaming / feeling” | Style Influence: 90% | Weirdness: 25% | Festival ready | Realistic synth instruments: 95%

Shattered Dreams

Glossy synth-forward disco-pop at 122 BPM

Glossy synth-forward disco-pop at 122 BPM, male vocals with warm soulful grit over a rubbery sidechained bass, Four-on-the-floor groove drives shimmering analog synth arps, chorus-drenched funk guitar accents, and bright poly-synth chords, Verses stay sleek and intimate with drier vocal and pulsing pads, pre-chorus swells with risers, clap stacks, and melodic synth fills, Chorus hits wide with layered call-and-response hooks, airy atmospheric pads, and subtle vocoder harmonies, Clean, radio-ready mix with a sunlit, feelgood party energy and lush electronic textures

《まだやめてないだけ》

Japanese alt-pop

Japanese alt-pop, faster tempo (126–132 BPM), light but slightly unstable groove, tight dry drums with subtle syncopation and occasional ghost notes, minimal but driving rhythm, deep bass with slight reverb tail (not warm, slightly hollow), restrained arrangement, clean electric piano and muted guitar textures, subtle ambient space, emotionally detached and understated tone, sense of forward motion without resolution, no uplifting energy, no grand climax, -edm, -hard rock, -hyperpop, -rap

BE YOU

Contemporary R&B and Trap Soul. The track features a prominent

Contemporary R&B and Trap Soul. The track features a prominent, syncopated sub-bass line that follows a 140 BPM tempo in the key of G# minor. A clean, electric guitar plays a repetitive four-bar melodic loop with light chorus and reverb. The drum kit consists of a crisp, dry snare on the third beat, rapid-fire 32nd-note hi-hat rolls with pitch automation, and a heavy, distorted 808 kick. Atmospheric, pitched-down vocal chops are used as a melodic texture in the background. A bright, digital synth pluck enters periodically to accent the chord changes. The arrangement is minimalist, focusing on the interplay between the dry percussion and the lush, ambient guitar layers.

This Story Isn’t Ours (StasShurins Cover-Remix) - SAN1project & SUNO

Dark synthpop + Eastern European post-punk/new wave. 122 BPM

Dark synthpop + Eastern European post-punk/new wave. 122 BPM, A minor. Hypnotic analog synth-bass riff; tight kick, gated snare; metallic industrial clicks. Glassy arpeggios, cold pads, occasional thunder stabs. Minimal chorus-soaked guitar motif (no solos). Vocals: deep, detached yet intimate, close-mic; short symbolic phrases with lots of space; whispered doubles. Chorus: chant-like, repetitive hook (“Reluctant eyes… turn the screen to black…”). ARRANGEMENT: whisper intro → minimal verse → rising pre-chorus → big chorus → verse 2 → half-time breakdown bridge (sparse, darker) → final chorus with extra octave synth + wider reverb → fade. MIX: Retro-modern, wide stereo, dark reverb tails, punchy low end.

Holly Marketing

Doom metal

Doom metal, Alt indie rock, pentatonics, electro blues, judged strings, aggressive drums

Fire On The Dust Road

GENRE: cinematic western soul

GENRE: cinematic western soul, vintage soul, smoky jazz BPM: 78 STYLE INFLUENCE: - 45% cinematic western soul - 35% vintage soul (60s powerhouse female vocals) - 20% smoky jazz noir MOOD: dramatic, dusty, powerful, smoky, widescreen, desert-night tension INSTRUMENTATION: tremolo electric guitar, upright bass, brushed drums, soulful horns, muted trumpet, gospel backing vocals, subtle jazz chords, cinematic strings VOCALS: powerful female lead, bluesy vibrato, soulful belts, smoky jazz phrasing, dramatic dynamic shifts, vintage microphone tone PRODUCTION: warm analog saturation, wide reverb, desert echo, vintage soul compression, cinematic low-end

Деревенька моя / Mi aldea pequeña (Cover by La voz de Ángel Razzano)

Argentinian tango with folk influences. Features a bright

Argentinian tango with folk influences. Features a bright, strummed acoustic guitar, two bandoneons, one of which sets the rhythm, while the other bandoneon plays melodies. Piano and flute play counter-melodies. The tempo is 124 BPM in the key of A Minor.

07. Opium Den (The Flowers of Evil)

Theatrical gothic power metal with a dark cathedral atmosphere. Dominant cathedral pipe organ used as a primary instrument

Theatrical gothic power metal with a dark cathedral atmosphere. Dominant cathedral pipe organ used as a primary instrument, playing dramatic chords and eerie melodic lines alongside heavy distorted guitars. Instrumentation: pipe organ lead, heavy rhythm guitars, melodic lead guitar, bass guitar, powerful metal drums, large male choir, Gregorian chant choir, occasional church bells. No orchestra and no symphonic strings. Tempo: steady 100 BPM, with slow heavy verse feel and faster, driving choruses created by double kick drums Vocal style: deep dramatic male baritone lead vocal, dark, decadent and theatrical. Backing vocals: large male choir chanting Latin phrases with ritualistic call-and-response. Atmosphere: decadent, intoxicating, ritualistic corruption Production: epic professional studio sound, wide stereo mix, huge cathedral acoustics, deep reverberation, powerful organ pedal tones, clear powerful mix. Very prominent pipe organ, sometimes louder than guitars.

Gospel Knuckle-Music by ZL Zeal

classical piano solo

classical piano solo, 72 BPM, ragtime syncopation, tango left hand, gospel chord swells, honky tonk accents, chamber strings, brushed snare, plate reverb, tape warmth, rubato intro, steady backbeat, bittersweet nostalgia, contemplative lift

System of Power

Live jam session

Live jam session, 80s Melodic hard rock, 80s Funky heavy Metal, Dark, driving, with a bluesy edge, Vocal style: male powerful, soulful, raspy in verses, soaring and clear in chorus with high-register wails, Guitar tone: Crunchy, slightly compressed, with wah and pinch harmonics, Bass: Prominent, slinky, funky - syncopated with the kick drum, Drums: Heavy snare backbeat, busy hi-hat, big tom fills before the chorus

Because of Mercy

epic christian rock emotional and powerful dynamic build from somber to triumphant male lead with strong choir backing cinematic atmosphere ambient pads clean electric intro building into heavy distorted guitars soaring lead guitar melodies steady driving drums dramatic pauses anthemic chorus arena worship vibe modern production wide stereo mix huge reverb on vocals inspirational and victorious tone similar to Contemporary Worship, Christian, Rock, Pop meets skillet with cinematic rock energy hard hitting master punchy mix loud commercial mastering heavy compression parallel compression tight low end powerful sub bass aggressive transient attack wide stereo image saturated warmth analog grit high energy mix crisp drums upfront vocals dynamic impact modern loudness polished but raw

I can’t reach you

deep UK house

deep UK house, 124 BPM, A♯ minor, low-register piano stabs, rubbery donk bassline, sidechained kick, clipped clap pattern, shuffle hi-hats, distorted diva vocals, light autotune, plate reverb, tape saturation, vocal hook repeats, peak-time bounce, bittersweet longing, early 2000s club mix

Rio

rock

rock, Gothic metal / goth-rock hybrid at 130 BPM: fuzz-drenched rhythm guitars over a slippery, funky bass; jazz-leaning drums teasing samba patterns with sharp percussion accents. Male vocals: brooding baritone in verses, lifting to gritty melodic hooks in the chorus. Verses veiled in synth pads and shadowy Latin guitar lines; chorus blooms with stacked harmonies and brighter lead synth. Dynamic arc from restrained, stalking groove to crashing, cathartic refrains., gothic metal, samba, funky, jazz, latin, gothic rock

TILT - IRENE & SEULGI

2 Female vocals Kpop

2 Female vocals Kpop, female voice , edgy, powerful ,experimental hip hop, idol, heavy bass, catchy, edgy sounds, rap, and vocals , high notes , Apocalyptic Pop, trap , future bass

Açık Gözler [Open Eyes] SedCel Music

Atlanta Bass

Atlanta Bass, Deep 808 sub-bass und Double-time hi-hats 100-102BPM. Atlanta Bass, Deep 808 sub-bass und Double-time hi-hats, Aggressive Miami Bass Electro fused with Dark Modern Turkish R&B Arabeske, Turkish clarinet solo, slow melancholic, arabesque, melodic, emotional, microtonal, clarinet, darbuka, r&b, powerful, bass

Mind In a Locked Room

Use a tape recorder to create a distinct and aggressive rapping voice persona

Crash sur Jupiter 2

Crunchy French alt-rock with female vocals; fuzzed-out guitars and overdriven bass locked to a mid-tempo stomp. Verses stay talky and sardonic

Crunchy French alt-rock with female vocals; fuzzed-out guitars and overdriven bass locked to a mid-tempo stomp. Verses stay talky and sardonic, kick and floor tom pounding; chorus explodes with wide power chords, gang shouts, and bright overheads. Brief noisy bridge with feedback swells and a shouted vocal that rides just on the edge of distortion., drone

Willkommen

slavic women's choir

slavic women's choir, requiem female vocals, melancholic, sad, dark, experimental, gothik, pagan folk, energetic flute, sentimental, accordion, gipsy, drums, [joy welcome] balalaika