New Songs

I can’t reach you

deep UK house

deep UK house, 124 BPM, A♯ minor, low-register piano stabs, rubbery donk bassline, sidechained kick, clipped clap pattern, shuffle hi-hats, distorted diva vocals, light autotune, plate reverb, tape saturation, vocal hook repeats, peak-time bounce, bittersweet longing, early 2000s club mix

Rio

rock

rock, Gothic metal / goth-rock hybrid at 130 BPM: fuzz-drenched rhythm guitars over a slippery, funky bass; jazz-leaning drums teasing samba patterns with sharp percussion accents. Male vocals: brooding baritone in verses, lifting to gritty melodic hooks in the chorus. Verses veiled in synth pads and shadowy Latin guitar lines; chorus blooms with stacked harmonies and brighter lead synth. Dynamic arc from restrained, stalking groove to crashing, cathartic refrains., gothic metal, samba, funky, jazz, latin, gothic rock

TILT - IRENE & SEULGI

2 Female vocals Kpop

2 Female vocals Kpop, female voice , edgy, powerful ,experimental hip hop, idol, heavy bass, catchy, edgy sounds, rap, and vocals , high notes , Apocalyptic Pop, trap , future bass

Açık Gözler [Open Eyes] SedCel Music

Atlanta Bass

Atlanta Bass, Deep 808 sub-bass und Double-time hi-hats 100-102BPM. Atlanta Bass, Deep 808 sub-bass und Double-time hi-hats, Aggressive Miami Bass Electro fused with Dark Modern Turkish R&B Arabeske, Turkish clarinet solo, slow melancholic, arabesque, melodic, emotional, microtonal, clarinet, darbuka, r&b, powerful, bass

Mind In a Locked Room

Use a tape recorder to create a distinct and aggressive rapping voice persona

Use a tape recorder to create a distinct and aggressive rapping voice persona

Crash sur Jupiter 2

Crunchy French alt-rock with female vocals; fuzzed-out guitars and overdriven bass locked to a mid-tempo stomp. Verses stay talky and sardonic

Crunchy French alt-rock with female vocals; fuzzed-out guitars and overdriven bass locked to a mid-tempo stomp. Verses stay talky and sardonic, kick and floor tom pounding; chorus explodes with wide power chords, gang shouts, and bright overheads. Brief noisy bridge with feedback swells and a shouted vocal that rides just on the edge of distortion., drone

Willkommen

slavic women's choir

slavic women's choir, requiem female vocals, melancholic, sad, dark, experimental, gothik, pagan folk, energetic flute, sentimental, accordion, gipsy, drums, [joy welcome] balalaika

👁️‍🗨️🌑Tokoloshe🥁⚡

Dark Afro-Electronic

Dark Afro-Electronic, Zulu Tribal House, Horror Dance Tempo: 128 BPM, driving rhythm from the first beat, no long intro Instruments: Traditional Zulu percussion (isigubu drums, rattles), modern 808 bass, distorted synth pads, haunting vocal samples, isicathamiya choir chants processed with reverb and delay, electronic glitches, mbira thumb piano with heavy effects Mood: Mystical, terrifying, hypnotic, ritualistic, dark, danceable but unsettling Production: Modern electronic production meets traditional Zulu music, heavy bass, syncopated rhythms, eerie atmosphere, tribal elements fused with techno/house Vocals: Minimal, whispered and chanted, call and response pattern, mix of Zulu and English

Silence First

trap

trap, cyber, female vocals, coldwave, doomtrap, precision, epic, banger

TURTLENECK ▽ PYROCLES △ REMIX V3

electronic dance music (EDM)

electronic dance music (EDM), synthwave, cinematic electro (dark club)

Scrap Metal (Rust Fan Made Song) Country ver.

Genres: Post-Apocalyptic Blues-Rock

Genres: Post-Apocalyptic Blues-Rock, Grit-Folk, Industrial Stomp Vibe/Lore & Singer Description: This track feels like sitting by a dying campfire made of reclaimed tires and broken pallets, with the smell of salt spray and gunpowder in the air. It opens with the rhythmic, hollow thud of a metal pipe hitting an empty oil drum, joined by a weary, slide-guitar melody that sounds like it’s weeping. The singer is a gravel-voiced wanderer, a weathered baritone who sounds like he’s smoked a thousand packs of low-tier cigarettes and survived a dozen raids, delivering lines with a mix of exhaustion and a "nothing-left-to-lose" defiance.

Pirates of the Beat Club Mix I - Dolby Vision

A vibrant Dolby vision dance club scene with a Caribbean pirate theme

A vibrant Dolby vision dance club scene with a Caribbean pirate theme, blending the eerie yet adventurous spirit of ‘Pirates of the Caribbean’ with the hypnotic beats of 432 Hz deep house music. Warm Slavic techno male voice, The club is illuminated with neon lights and pirate-themed decorations, while a DJ booth sits on a pirate ship deck, surrounded by dancers in pirate attire. The atmosphere is electric, with swirling fog, glowing accents, and a deep, immersive rhythm pulsing through the crowd.

Get it together

acid-classical

acid-classical, cinematic, classical

RIP Bigfoot

rap

rap, Chicago rap, drill rap, mellow, chill, trap, fast-pace lyrics

Mokra Będę Cała

Punk rock

Punk rock, Polish folk, Lublin region folk, upbeat village dance song, warm female lead vocals, mixed choir harmonies, call and response, acoustic violin, hammered dulcimer, folk flute, tambourine, hand claps, lively and joyful, radio-polished folk production, traditional folk ornamentation, spring celebration, śmigus-dyngus, danceable, bright and playful

Sugar Rush

deep UK house

deep UK house, 124 BPM, A♯ minor, low-register piano stabs, rubbery donk bassline, sidechained kick, clipped clap pattern, shuffle hi-hats, distorted diva vocals, light autotune, plate reverb, tape saturation, vocal hook repeats, peak-time bounce, bittersweet longing, early 2000s club mix

LEOPOLDO: FAMOUS FOR NOTHING

Blood Eagle

viking folk metal

viking folk metal, slow metal, doom metal, male vocals, dark ambience, melancholic, rhytmic, ritual ambience

Tonight

Hard rock

Hard rock, glam metal ballad, distinctive and versatile male vocal, defined by a massive five-plus octave range, a unique blend of guttural baritone growls, and high-pitched, raspy, or screeching falsetto, combines intense, aggressive distortion with melodic, emotional urgency and pain, dynamic performance, shifting from a tender, vulnerable whisper in the verses to a passionate, strained cry in the chorus, production balances soft acoustic moments with heavy, layered electric guitars and a driving, solid drum beat, full passion, pain and anger

Северяне

Russian pop-rock with jazz-fusion and funk influences. Features a clean

Russian pop-rock with jazz-fusion and funk influences. Features a clean, compressed electric guitar playing syncopated rhythmic stabs and melodic fills. A fretless electric bass performs melodic slides and walking patterns. The drum kit uses a crisp snare and active hi-hat work with occasional jazz-style fills. A bright, staccato brass section provides punchy accents. Lead male vocals are delivered in a smooth, baritone range with theatrical phrasing. The arrangement includes a prominent electric piano and a clean guitar solo with light overdrive. Tempo is 115 BPM in 4/4 time, key of G major.