New Songs

стан твого життя

Melancholic Jazz-funk fusion

Melancholic Jazz-funk fusion, Virtuosic electric basses, including fretless one, performance bursts forth with rapid melodic runs, percussive slapping techniques, harmonics, and syncopated plucking, Jazz fusion undertones shine through shifting

Empty Room Blues V 5.5

Genre: Slow

Genre: Slow, melancholic blues ballad Tempo: ~62–66 BPM, slow and emotional Instruments: Soulful electric blues guitar with expressive bends and solos, warm upright piano, subtle Hammond organ, upright bass, and gentle brush drums. Sparse instrumentation leaves space for emotion. Vocals: Deep, soulful, emotional male vocals with a weary, heartbroken tone. Intimate delivery in the verses, more powerful and aching in the choruses. Occasional subtle vocal growls. Mood: Lonely, vulnerable, sorrowful. Evokes the feeling of sitting alone in a smoky room, haunted by memories of lost love. Production: Warm, vintage blues mix with natural reverb, focus on vocals and guitar. Long guitar solo in the bridge.

DOVI808 - Backstreets on My Back

funk

funk, Modern Memphis phonk banger at 140 BPM; male vocals. Punchy, upfront kick with tight snare and deep, rubbery bass line locking to a bright, syncopated cowbell lead that shifts every few bars. Short, pitched vocal chops weave between chant-style hooks. Quick intro into a hard-hitting hook, verse stays sparse and gritty, then a second hook brings extra ad-libs and drops. Use abrupt mutes and bass cuts for tension, then slam back in for viral, high-energy moments., strong, vocal, deep, simple, bright, dynamic

Ohhh click

Deep house groove at 123 BPM

Deep house groove at 123 BPM, warm sidechained pads, rubbery bass, and a bright, reverb-kissed flute as the lead motif. Male vocals sit smoky and close in the verses, with airy doubles on the hook. Arrangement starts sparse and hypnotic, then unfolds with rising filter sweeps, percussive shakers, and a late-song breakdown where the flute freestyles over the beat before the final chorus hits.

NÓMADE

doom-thrash

doom-thrash, 1990s death metal, drop C guitars, tube amp saturation, fuzz bass, double-kick barrage, sharp rimshots, cymbal polyrhythms, syncopated breakdowns, tempo shifts, explosive thrash bursts, analog room mics, parallel compression, gated reverb, raw ferocity, minor key, fragmented nomad, desarraigo creed

Franchement Je Sais Pas 1

Grungy French alt-rock

Grungy French alt-rock, mid-tempo groove, crunchy guitars and overdriven bass. Female vocals with a raspy edge, verses half-spoken then pushed into a sneer; chorus explodes with doubled vocals and gang shouts on key phrases. Tight drums with roomy snare, subtle chorus on the rhythm guitar and a fuzzed lead answering vocal lines. Final chorus hits hardest, then cuts to a dry a cappella tag.

I feel the magic when you hold my hand in English and Spanish

techno

techno, female voice

Я люблю

Russian synth-pop track featuring a prominent four-on-the-floor kick drum and a syncopated

Russian synth-pop track featuring a prominent four-on-the-floor kick drum and a syncopated, rubbery synth bassline. The arrangement is built around a bright, staccato synth pluck melody that doubles the bass rhythm. female vocals are processed with light pitch correction and moderate reverb, alternating between a rhythmic delivery in the verses and a melodic, sustained style in the chorus. A secondary synth pad provides harmonic filling during the transitions. The tempo is 120 BPM in the key of A minor. The percussion includes a crisp snare on the backbeat and a consistent 16th-note closed hi-hat pattern., female voice

Petőfi Sándor: VOLTAK FEJEDELMEK (a 2026-os választás margójára)

dark progressive house + folk fusion

dark progressive house + folk fusion, protest anthem, Otto’s Kitchen spirit, intense, rebellious, acoustic guitar, dark folk motifs, bowed strings, deep bass, steady 4/4 beat, punchy kick, distorted bassline, supersaw leads, aggressive stabs, minimal intro, tension builds, snare rolls, risers, choir pads, cinematic atmosphere, political protest energy, emotional, dramatic, heavy drops, echo vocals, dark ambience, festival + underground fusion, raw, powerful, truth vs lies theme, organic + electronic blend, haunting, epic финал energy

Crow's on the Wire 2

metal

metal, Slow grinding dark bass and detuned synth drones under deep tenor male vocals, rough almost whispered at first, growing into a harsh, full-chest belt on the chorus; sparse, pounding toms and metallic hits, with eerie reversed textures between lines and distant gang shouts doubling key phrases, deep, male vocals

СТАРОЕ ФОТО. V 2.0

שרביט קרח

Piano Lullaby

acoustic

acoustic, melodic, piano, violin, flute, electro

My Best Friend

Pop - Rock

Pop - Rock

великий дар

Melancholic Jazz-funk fusion

Melancholic Jazz-funk fusion, Virtuosic electric basses, including fretless one, performance bursts forth with rapid melodic runs, percussive slapping techniques, harmonics, and syncopated plucking, Jazz fusion undertones shine through shifting

Independence

Gutter Glory

Dark grunge-industrial track in Drop D tuning

Dark grunge-industrial track in Drop D tuning, 90 bpm. Guitar uses distorted low-mid power chords, palm-muted for verses, open ringing for pre-chorus, sustained heavy distortion in choruses, lead fills with slides and vibrato in bridge. Bass follows root notes, occasional slides for tension. Drums are lo-fi club style, minimal cymbals, snare with room ambience, kick emphasizing 2 & 4, syncopated hits to mimic chaotic club energy. Vocals are deep raspy, intimate in verses, near-shout in choruses, layered doubles on key lines, slight pitch drift, parallel compression, subtle vocoder texture, consonant delay, airy tails, dry reverb. Sparse ambient pads and low-level noise floor maintain grit. Chorus and bridge dynamics full, mix emphasizes mid-range guitar, low-end fullness, vocals forward, nihilistic chaotic tone preserved, raw, dark, and club-ready.

Not Gone Yet

alt-pop

alt-pop, emo trap, post-grunge, folk, ambient atmosphere, dream pop textures, lo-fi indie pop, 120 bpm female vocal: hard raspy husky, breathy, soft vibrato, voice must crack, clear vocal delivery, strong aggressive intro shout, emotionally expressive but controlled acoustic guitar 1: slow heavy slap style, metallic snap attack, percussive minimal plucks, tight and dry, high-pass above 150Hz acoustic guitar 2: dreamy ambient arpeggio, shimmering reverb, wide ethereal layers, delayed swell after attack, no low-end tremolo guitar: high shimmer, wide stereo, clear presence during spotlight section handpan: metallic hollow resonance, ambient delay, controlled low-end piano: staccato, hard mechanical attack, slightly detuned, focused mid-high clarity drums: tight punchy kick, clean controlled 808 sub bass, no distortion overlap, trap hi-hats clean separation, no muddy mix, each layer distinct, balanced low-end

Franchement Je Sais Pas 2

Grungy French alt-rock

Grungy French alt-rock, mid-tempo groove, crunchy guitars and overdriven bass. Female vocals with a raspy edge, verses half-spoken then pushed into a sneer; chorus explodes with doubled vocals and gang shouts on key phrases. Tight drums with roomy snare, subtle chorus on the rhythm guitar and a fuzzed lead answering vocal lines. Final chorus hits hardest, then cuts to a dry a cappella tag.

Jesus Woke Me Up

rap

rap, Modern Christian rap with warm keys, subby low-end, and tight trap hats; intimate male vocals up close in the verses, hook explodes with layered gang-style shouts and airy pads. Start sparse around a filtered piano loop, then gradually widen the mix with choir textures and uplifting strings after the accident moment, ending in a big, triumphant final chorus with extra ad-libs and drops.