New Songs

Piano Lullaby

acoustic

acoustic, melodic, piano, violin, flute, electro

My Best Friend

Pop - Rock

Pop - Rock

великий дар

Melancholic Jazz-funk fusion

Melancholic Jazz-funk fusion, Virtuosic electric basses, including fretless one, performance bursts forth with rapid melodic runs, percussive slapping techniques, harmonics, and syncopated plucking, Jazz fusion undertones shine through shifting

Independence

Gutter Glory

Dark grunge-industrial track in Drop D tuning

Dark grunge-industrial track in Drop D tuning, 90 bpm. Guitar uses distorted low-mid power chords, palm-muted for verses, open ringing for pre-chorus, sustained heavy distortion in choruses, lead fills with slides and vibrato in bridge. Bass follows root notes, occasional slides for tension. Drums are lo-fi club style, minimal cymbals, snare with room ambience, kick emphasizing 2 & 4, syncopated hits to mimic chaotic club energy. Vocals are deep raspy, intimate in verses, near-shout in choruses, layered doubles on key lines, slight pitch drift, parallel compression, subtle vocoder texture, consonant delay, airy tails, dry reverb. Sparse ambient pads and low-level noise floor maintain grit. Chorus and bridge dynamics full, mix emphasizes mid-range guitar, low-end fullness, vocals forward, nihilistic chaotic tone preserved, raw, dark, and club-ready.

Not Gone Yet

alt-pop

alt-pop, emo trap, post-grunge, folk, ambient atmosphere, dream pop textures, lo-fi indie pop, 120 bpm female vocal: hard raspy husky, breathy, soft vibrato, voice must crack, clear vocal delivery, strong aggressive intro shout, emotionally expressive but controlled acoustic guitar 1: slow heavy slap style, metallic snap attack, percussive minimal plucks, tight and dry, high-pass above 150Hz acoustic guitar 2: dreamy ambient arpeggio, shimmering reverb, wide ethereal layers, delayed swell after attack, no low-end tremolo guitar: high shimmer, wide stereo, clear presence during spotlight section handpan: metallic hollow resonance, ambient delay, controlled low-end piano: staccato, hard mechanical attack, slightly detuned, focused mid-high clarity drums: tight punchy kick, clean controlled 808 sub bass, no distortion overlap, trap hi-hats clean separation, no muddy mix, each layer distinct, balanced low-end

Franchement Je Sais Pas 2

Grungy French alt-rock

Grungy French alt-rock, mid-tempo groove, crunchy guitars and overdriven bass. Female vocals with a raspy edge, verses half-spoken then pushed into a sneer; chorus explodes with doubled vocals and gang shouts on key phrases. Tight drums with roomy snare, subtle chorus on the rhythm guitar and a fuzzed lead answering vocal lines. Final chorus hits hardest, then cuts to a dry a cappella tag.

Jesus Woke Me Up

rap

rap, Modern Christian rap with warm keys, subby low-end, and tight trap hats; intimate male vocals up close in the verses, hook explodes with layered gang-style shouts and airy pads. Start sparse around a filtered piano loop, then gradually widen the mix with choir textures and uplifting strings after the accident moment, ending in a big, triumphant final chorus with extra ad-libs and drops.

Ode To Kitty Belly

eurodance

eurodance, europop, 132 BPM, synthetic brass stabs, gated snare claps, rubbery bassline, octave synth lead, arpeggiated synth hooks, choir pad layers, punchy sidechain kick, call and response hooks, crowd chant breaks, breakdown drop, bright chorus lift, neon heartbreak

In The Quiet Of The Room

Ambient indie folk

Ambient indie folk, 82 BPM, motorik brushed drums, fingerpicked acoustic guitar, lap steel swells, string quartet harmonics, dulcimer ostinato, frame drum percussion, upright bass, tape saturation, room reverb, cycle of fourths, major key lift, bittersweet calm, cinematic drift

Lonely Star

full orchestra

full orchestra, sad, pop, melancholic yet uplifting, electric guitar-driven with a steady drumbeat and emotional male vocals, happy, rock

Gir Kanıma

remix

remix

Wielkanoc z teściową

humorystyczny punk

humorystyczny punk

Meu Porto Seguro [Short Remix]:::?

Portuguese Christian worship remix

Portuguese Christian worship remix, intimate and healing atmosphere, soft felt piano intro, warm layered acoustic guitars with fingerpicked accents, lyrical 5-string fretless bass, airy ambient synth pads, gentle percussion building into crisp syncopated drums, emotional front-center vocals, clear lyrical delivery, stacked harmonies in the chorus, subtle choir textures, cinematic swells, dynamic bridge, bigger final chorus with uplifting energy, dense warm spacious live-room mix, hopeful, comforting, radiant, reverent

Blow Through

trap metal

trap metal, industrial metal, industrial-leaning metal rap

Cyber Soul

Style: 1993 Euro-Techno

Style: 1993 Euro-Techno, Captain Hollywood Project style. 126 BPM, high-fidelity studio production. CRYSTAL-CLEAR DIGITAL SOUND, sharp transients, NO MUD. Heavy industrial FM Lately Bass, punchy TR-909 kick drum, snappy gated reverb snare. Deep rhythmic male rap, powerful soaring emotional female vocals. High-definition high-end, wide stereo image, urban high-tech atmosphere, polished 90s masterpiece

Vagabond - Sin Peso

Anthemic Country-Corrido Fusion

Anthemic Country-Corrido Fusion, Stadium Rock, Spanglish, Heartfelt Soul, Gospel-Blues background vocals, 118 BPM, Gritty Acoustic Guitar intro, Powerful Brass Section (Banda style), Cinematic Percussion, Male Raspy Vocals mixed with Powerful Mexican Tenor

I Am The Dark

Dark cinematic pop featuring a female vocalist with a breathy

Dark cinematic pop featuring a female vocalist with a breathy, intimate delivery that transitions into a powerful, belted chest voice. The arrangement centers on a staccato, rhythmic piano motif and a deep, distorted sub-bass that pulses on the downbeats. Orchestral elements include sharp string staccatos and low brass swells. Percussion consists of heavy, processed cinematic hits, a crisp snare on beats 2 and 4, and a ticking hi-hat pattern. The track is in the key of B minor at 75 BPM in 4/4 time. Atmospheric synth pads and subtle vocal echoes create a wide stereo field. The bridge features a stripped-back section with solo piano before a final crescendo with layered vocal harmonies and driving percussion.

أبدًا و یومًا – לְעָלְמֵי עָלְמִין – تا ابد و یک روز

rap

rap, Ethereal trilingual spokenword over sparse fingerpicked oud and nylon guitar, breathy female vocals in close ASMR proximity, layered with soft male mumble-rap doubles. Verses drift between Arabic, Aramaic, and Persian, tying into a hovering, mantra-like English hook. Reverb-soaked harmonies swell on the bridges; occasional wordless vocal runs float above gentle string swells. Dynamics rise from intimate whispers to a soaring, weightless climax, then fall back to a single, fragile vocal and one guitar string humming., sensual, soaring

Embrace the shadows

witch house

witch house, 160 BPM, detuned shamisen melody, distorted 808 slides, Memphis drum samples, metallic percussion, spectral synth stabs, reversed pad washes, plate reverb snare, tape saturation, mono low end, wide stereo haze, minor key hook, nocturnal menace