New Songs

وينك؟ (Iraq) (B)

Female vocal

Female vocal, Iraqi pop, emotional modern Arabic sound, light trap beat with Middle Eastern strings, warm intimate close-mic vocal, slight melancholy but catchy hook, Baghdad night vibe, subtle qanun and oud textures, contemporary Arabic pop mix, rhythmic claps, smooth transitions, cinematic but TikTok-friendly.

Dance With Me

Four-on-the-floor kick driving at 126 BPM

Four-on-the-floor kick driving at 126 BPM, swung hi-hats ticking like glass on a midnight deck, lush Rhodes chords bathing in reverb, sultry sax lead gliding over a steady house groove, filtered disco strings rising into a warm, romantic intro—then snap—low-pass opens into snarling dubstep bass at halftime, 140 BPM drop layered beneath the pulse, LFO-wobble synced to jungle toms and conga patterns, call-and-response between brass stabs and distorted growls, marimba arpeggios dancing through stereo space, animalistic vocal chops pitched and stretched into rhythmic hooks, vinyl crackle blending into ocean wave ambience, sidechained pads breathing with the kick, breakdown with harp glissandos and distant thunder, tension building with snare rolls and filter sweeps, explosive drop fusing techno drive with primal chaos, key of D minor, modal shifts adding mystery, ending in a hybrid groove where smooth cruise melodies ride atop relentless, untamed bass energy

Излучины

folk ballad with elements of neo-folk

folk ballad with elements of neo-folk,new wave, Russian folk, voluminous, amazing, atmospheric, majestic, cinematic, atmospheric, sensual, provocative, erotic, melodic, 90 beats per minute, duration 4 minutes , rich texture, emotional, gentle, dramatic, polyphonic, acoustic, chamber orchestra, melodic a line created by stringed instruments and flute, wind instruments, , bassoon, soft percussion instruments(brushes) inspired by Russian folklore, sound effects, fade effects, echo effects, soft,deep,gentle baritone,reverberation,amazing

桜シンフォニック・フォックス

Hyper-speed Wa-rock × eurobeat at ~162 BPM in A minor

Hyper-speed Wa-rock × eurobeat at ~162 BPM in A minor, female vocals front and center. Bright four-on-the-floor slam under wide power chords; distorted rhythm guitars panned hard with aggressive sidechain pumping. Koto, shinobue, wadaiko, and shamisen weave rapid-fire hooks between phrases; high piano arpeggios sparkle on top of a soaring synth lead. Verses start tense and nimble, drums tightly gated; chorus explodes with stacked harmonies, octave vocal doubles, and dramatic tom runs. Final hook adds call-and-response ad-libs and an uplifted last-chorus key-like lift via modal shift and extra overhead crashes.

Hold me tonight

female vocals

female vocals, asian neo-folk-pop, uptempo, fingerpicked acoustic guitar, koto, shakuhachi flute, cello, upright piano, hand percussion with tabla and small frame drum, warm expressive female voice with subtle vibrato, layered vocal harmonies, chord progressions in C major, G major, A minor, D minor, dynamic crescendos in chorus, quiet intimate verses with gradual build, instrumental fills accentuating vocals, layered textures for emotional lift, tender yet uplifting atmosphere, expressive phrasing, nuanced dynamics, accompaniment accentuates lyrics and emotional storytelling, soft transitions between sections, vocals at forefront

(아:오직사랑으로)بالمحبة وحدها

Electric Storm Runners

Hi-energy 90s Eurobeat throwback for Japanese club floors

Hi-energy 90s Eurobeat throwback for Japanese club floors, male vocals; bright detuned synth leads racing over four-on-the-floor kick and crunchy snares, slap bass accents and swirling pads. Verses tight and syncopated, pre-chorus climbs with rising chords, chorus explodes with stacked shout-along hooks and octave doubles, brief synth break after second hook keeps energy peaking.

SCHATTENWALD (DedTu9)

Hip Hop + rap

Hip Hop + rap

Bábu vagyok_

1980s Eastern European New Wave

1980s Eastern European New Wave, art-punk, experimental pop, clean chorus-heavy electric guitar, quirky DX7 synthesizer leads, tight rhythmic bassline, deadpan theatrical male vocals, eccentric delivery, witty and cynical, 125 BPM

Hey J.

Upbeat pop-rock track at 124 BPM in the key of G Major. The arrangement features a bright acoustic guitar strumming eighth-note patterns and a clean electric guitar playing melodic fills with light chorus and delay. A picked electric bass follows the kick drum patterns. The drum kit uses a tight snare and prominent hi-hats. A female vocalist performs in a clear

Upbeat pop-rock track at 124 BPM in the key of G Major. The arrangement features a bright acoustic guitar strumming eighth-note patterns and a clean electric guitar playing melodic fills with light chorus and delay. A picked electric bass follows the kick drum patterns. The drum kit uses a tight snare and prominent hi-hats. A female vocalist performs in a clear, mid-range chest voice with occasional light harmonies in the chorus. Subtle synth pads provide harmonic filling in the background.

Shock Me Awake

open With a hard Guitar riff heavy hard rock male hoarse vocal

open With a hard Guitar riff heavy hard rock male hoarse vocal

Electric Wings

melodic hardstyle with switching kicks

melodic hardstyle with switching kicks, intricate syncopation, r'n'b melodic build, vocals in anime style, r'n'b inspired fusion Bass and Drop Design:Complex wobbling mid-bass with pitch modulation,Layered distorted sub-bass + clean sine layer, Hardstyle-style syncopation and occasional triplets, Leads and Melodics:Bright, detuned supersaw leads for melodies, Short plucks and stabs in higher frequencies for rhythm, Vocal chops, sometimes heavily processed with formant shifts, Percussion:Punchy, clean kicks with snappy snares, Triplets and glitchy hi-hats, sometimes heavily gated, Crash and FX emphasis for drops, Sound Design & FX:Filter automation, phasers, and wobble LFOs, Glitch effects, stutters, bitcrush on secondary layers, Sweeps, risers, impacts, and metallic textures for tension/release, Mix & Atmosphere:Wide stereo imaging, but tight low-end,Dynamic contrasts between minimal verses and “maxed-out” drops, Aggressive energy but melodic overtones for emotional lift

Feather Float (electronic glitch indie)

experimental electronic rock

experimental electronic rock, acid house, glitch (glitch-hop), acoustic guitar chords harmony, punk vocalist ad-lib english vocals, indie rock acoustic, orchestra

Расти мой сад

acoustic grunge

acoustic grunge, acoustic alternative rock, dark acoustic, melancholic, raw, intimate, male vocal, low tempo, minor key, unplugged, female vocal

Move With Me-Version 2

[Style] Genre = Smooth R&B-Funk / Neo-Soul Vibe = Warm

[Style] Genre = Smooth R&B-Funk / Neo-Soul Vibe = Warm, intimate, late-night groove Guitars = Nile Rodgers-style muted strums, clean funk chops, soft wah accents Bass = Funky slap bass, melodic fills, occasional solo licks Drums = Tight R&B kit, soft rimshots, warm kick, subtle ghost notes Keys = Rhodes electric piano, soft pads, synth bells Vocals = Smooth male lead, close-mic, breathy, intimate harmonies Energy = Midtempo groove, sensual but classy, warm night-time feel Production = Clean, glossy, stereo funk mix with deep pocket

Minha criação, minha loucura - Kinger (The Amazing Digital Circus) - Michikatsu

[Intro] [clean electric guitar playing syncopated jazz chords] [melodic electric bass enters] [Section A] [drum kit enters with rimshot on snare and steady hi-hats] [guitar continues rhythmic chord progression] [Section B] [bright staccato synthesizer melody enters] [glockenspiel doubles the synth melody] [bass plays more active melodic fills] [Outro] [synth and glockenspiel fade out] [guitar and bass end on a sustained chord]

[Intro] [clean electric guitar playing syncopated jazz chords] [melodic electric bass enters] [Section A] [drum kit enters with rimshot on snare and steady hi-hats] [guitar continues rhythmic chord progression] [Section B] [bright staccato synthesizer melody enters] [glockenspiel doubles the synth melody] [bass plays more active melodic fills] [Outro] [synth and glockenspiel fade out] [guitar and bass end on a sustained chord]

抽屜裡的草莓糖

City Pop / Upbeat Bubblegum Pop (節奏輕快、帶有豐富的合成器音色與跳動的貝斯線)

City Pop / Upbeat Bubblegum Pop (節奏輕快、帶有豐富的合成器音色與跳動的貝斯線), youthful, synthwave, metal

No Plan Survives

complex intricate original darkwave hypnotic new wave

complex intricate original darkwave hypnotic new wave, britpop, smooth quiet baritone male voice, 1980s Italo-disco and synth-pop, characterized by a nostalgic, melodic, and romantic atmosphere. It blends danceable, mid-tempo electronic beats (around 120 BPM) with melancholy piano lines, lush synthesizers (Roland Jupiter-8/Moog)uses classic analog synthesizers and electronic drums (Roland TR-808)., nocturne, exaggerated

Er ist ein humorentstellter Lauch

Dark

Dark, gothic-rock, Stimmung: zwischen Humor, sarkasmus und Melancholie, male voice: dunkel und rauchig, drum and bass, melancholic, emotionaler Refrain mit subtilen Chören im Hintergrund, bpm: 60 , die hymne eines skurrilen Außenseiters Dark 80S Gothic Rock, Cold And Hypnotic Atmosphere, Deep Male Baritone Lead Vocal, Detached And Emotionless Delivery, Minimal Vibrato. Driving, Repetitive Bassline In The Foreground, Simple Drum Machine (Dry Snare, Tight Kick), Slow To Mid-Tempo. Layered Chorus With Haunting

Candor Ave Maria

Dark Orchestral instrumental inspired by Franz Schubert’s Ave Maria. Slow

Dark Orchestral instrumental inspired by Franz Schubert’s Ave Maria. Slow, flowing piano melody with lush strings, soft harp arpeggios, and warm cinematic pads. Emotionally charged, heartfelt, reverent, cinematic. Blend classical romantic style with modern ambient and cinematic sound design. Create an intimate yet epic atmosphere, capturing both serenity and deep emotional resonance. Keep melody instantly recognizable, but allow for modern harmonic expansion and dynamic builds.