New Songs

My Imaginary Friend

Silky Alternative Yacht Rock meets anthemic cinematic americana rock; tight dry drums

Silky Alternative Yacht Rock meets anthemic cinematic americana rock; tight dry drums, rubbery bass, chiming chorus guitars and glossy synth pads, Male vocals glide in the verses, then stack into big gang shouts on the hook, Mid-song, a synth-guitar unison riff lifts energy before a soaring final chorus, simple

This connection

old vinyle

old vinyle, jazzy chanson, neo classical ballad, 78 BPM, felt piano motifs, saxophone and cello flourishes, cello legato lines, nylon-string rasgueado, 3/4 time

“Le monde d’après ”

Rock alternatif français

Rock alternatif français, 115–120 bpm, ambiance froide et progressive. Intro guitare claire répétitive avec légère reverb, basse ronde et discrète. Couplets voix masculine grave, posée, presque parlée, rimes internes, débit fluide et maîtrisé. Batterie organique qui monte graduellement, groove sobre, pas agressif. Pré-refrain en tension croissante avec légère saturation. Refrain large et mélodique, guitares ouvertes mais aérées, émotion contenue puis libérée, chant puissant sans crier. Pont minimaliste quasi chuchoté, atmosphère vide et suspendue, puis montée finale plus dense. Son moderne, introspectif, lucide, mélancolique avec énergie retenue et final déterminé.

Idealistic Dream -Reborn-

fast tempo

fast tempo, idyllic peaceful vaporwave, dark multidimensional lo-fi, melancholic mature female vocals, expressive anthems, chill vibes, strange ominous undertones, aquatic atmosphere, smooth dry beats, catchy melodies

Инди - дэнс

Atmospheric Indie Dance

Atmospheric Indie Dance, Deep Pulsing Bass, Retro-Analog Synths, Minimalist Guitar Fills, Driving Electronic Drums, Sophisticated Vibe, Cinematic Soundscape, Moody but Energetic, High Fidelity, Instrumental Only, 118 BPM.

Turtleneck (Anthem Remix)

Anthem Swagger

Anthem Swagger

Döner macht schöner! 5.5

80s hip-hop

80s hip-hop, old school rap, turntablism, vinyl samples, instrumental loop, male vocals, arab

first-magnitude star....

A high-energy Japanese rock anthem with a driving tempo of 180 BPM in the key of E minor. The song features a female vocalist with a powerful

A high-energy Japanese rock anthem with a driving tempo of 180 BPM in the key of E minor. The song features a female vocalist with a powerful, clear voice, often utilizing vibrato and belting techniques. The instrumentation includes a prominent electric guitar with a distorted tone, a strong bassline, and a dynamic drum kit providing a solid rhythmic foundation. The song opens with a dramatic instrumental intro featuring a sustained synth pad and a melodic electric guitar riff. The verse sections are characterized by a more subdued but still energetic feel, building tension towards the powerful chorus. The chorus sections are anthemic, with the vocalist delivering soaring melodies supported by a full band arrangement. There are intricate guitar solos with fast runs and melodic phrasing. Production elements include reverb on vocals and guitars, and a generally bright and punchy mix. The song structure follows a typical verse-chorus form with a bridge and an outro.

Golden Skies

Modern Country-Dance

Modern Country-Dance, 124 BPM, Upbeat Four-on-the-floor Kick, Melodic Banjo, Acoustic Guitar, Sweet Melodic Saxophone Solos, Pop-Rock Electric Guitar, Slap Bass, Bright Synths, Warm Soulful Male Vocals, Uplifting and Sweet, High-Fidelity Studio Sound.

Terminate

Relentless industrial pulse at 128 BPM

Relentless industrial pulse at 128 BPM, metallic four-on-the-floor kick like hydraulic impacts, cold minor-key synth ostinato hammering in The Terminator style, detuned analog bass grinding beneath, machine-like hi-hats ticking in precise 16ths, dark arpeggiators sequenced with no swing, reverb like an empty steel factory, ominous low drones building tension—then rupture—drop shifts into 140 BPM halftime, brutal dubstep bass modulated with sharp LFOs, robotic vocal fragments chopped and looped like corrupted commands, distorted percussion hits like gunfire, glitch fills snapping like circuitry failure, sidechained pads gasping under pressure, minor scale in F♯ with chromatic stabs for menace, breakdown with distant alarm tones and rising white noise, tension cranked by snare rolls and pitch risers, final drop fuses techno precision with unstoppable cybernetic aggression, ending on a cold, mechanical decay like a machine that never truly shuts down

1: “BROADCAST THE LIE”

intro spoken broadcast noise static emergency signal fragmented voices massive epic thrash metal opener aggressive palm muted guitar riffs with tight groove inspired by Thrash Metal

intro spoken broadcast noise static emergency signal fragmented voices massive epic thrash metal opener aggressive palm muted guitar riffs with tight groove inspired by Thrash Metal, Heavy Metal, Speed Metal combined with powerful heavy stadium metal energy in the style of heavy metal, thrash metal, hard rock, speed metal fast tempo precise rhythmic attack heavy double bass drums crushing snare raw aggressive thrash vocals no clean pop vocals industrial intro with radio static and broadcast effects cinematic dystopian atmosphere huge 50 000 crowd chanting gang vocals in chorus call and response stadium hooks deep male choir backing dark orchestral layers strings brass cinematic hits inspired by hans zimmer explosive chorus designed for live festival singing breakdown with groove riff and crowd shouts wide stereo mix high energy political dystopian theme intense and commanding tone arena sound anthem structure

馬鹿じゃないの

Rock and roll

Rock and roll,swing jazz.minor.142BPM.powerful female vocal.electric guitar(driving rhythm chord strumming,bluesy lead riff),vintage combo organ(punchy swing chord stabs),electric bass(walking bass line),trumpet(punchy swing riff,short mute growl),drums(swinging snare backbeat,tight hi-hat).A woman listing her boyfriend's absurd mistakes one by one,building to the punchline that she's the biggest fool of all for staying with him.

وينك؟ (Iraq) (B)

Female vocal

Female vocal, Iraqi pop, emotional modern Arabic sound, light trap beat with Middle Eastern strings, warm intimate close-mic vocal, slight melancholy but catchy hook, Baghdad night vibe, subtle qanun and oud textures, contemporary Arabic pop mix, rhythmic claps, smooth transitions, cinematic but TikTok-friendly.

Dance With Me

Four-on-the-floor kick driving at 126 BPM

Four-on-the-floor kick driving at 126 BPM, swung hi-hats ticking like glass on a midnight deck, lush Rhodes chords bathing in reverb, sultry sax lead gliding over a steady house groove, filtered disco strings rising into a warm, romantic intro—then snap—low-pass opens into snarling dubstep bass at halftime, 140 BPM drop layered beneath the pulse, LFO-wobble synced to jungle toms and conga patterns, call-and-response between brass stabs and distorted growls, marimba arpeggios dancing through stereo space, animalistic vocal chops pitched and stretched into rhythmic hooks, vinyl crackle blending into ocean wave ambience, sidechained pads breathing with the kick, breakdown with harp glissandos and distant thunder, tension building with snare rolls and filter sweeps, explosive drop fusing techno drive with primal chaos, key of D minor, modal shifts adding mystery, ending in a hybrid groove where smooth cruise melodies ride atop relentless, untamed bass energy

Излучины

folk ballad with elements of neo-folk

folk ballad with elements of neo-folk,new wave, Russian folk, voluminous, amazing, atmospheric, majestic, cinematic, atmospheric, sensual, provocative, erotic, melodic, 90 beats per minute, duration 4 minutes , rich texture, emotional, gentle, dramatic, polyphonic, acoustic, chamber orchestra, melodic a line created by stringed instruments and flute, wind instruments, , bassoon, soft percussion instruments(brushes) inspired by Russian folklore, sound effects, fade effects, echo effects, soft,deep,gentle baritone,reverberation,amazing

桜シンフォニック・フォックス

Hyper-speed Wa-rock × eurobeat at ~162 BPM in A minor

Hyper-speed Wa-rock × eurobeat at ~162 BPM in A minor, female vocals front and center. Bright four-on-the-floor slam under wide power chords; distorted rhythm guitars panned hard with aggressive sidechain pumping. Koto, shinobue, wadaiko, and shamisen weave rapid-fire hooks between phrases; high piano arpeggios sparkle on top of a soaring synth lead. Verses start tense and nimble, drums tightly gated; chorus explodes with stacked harmonies, octave vocal doubles, and dramatic tom runs. Final hook adds call-and-response ad-libs and an uplifted last-chorus key-like lift via modal shift and extra overhead crashes.

(아:오직사랑으로)بالمحبة وحدها

Electric Storm Runners

Hi-energy 90s Eurobeat throwback for Japanese club floors

Hi-energy 90s Eurobeat throwback for Japanese club floors, male vocals; bright detuned synth leads racing over four-on-the-floor kick and crunchy snares, slap bass accents and swirling pads. Verses tight and syncopated, pre-chorus climbs with rising chords, chorus explodes with stacked shout-along hooks and octave doubles, brief synth break after second hook keeps energy peaking.

SCHATTENWALD (DedTu9)

Hip Hop + rap

Hip Hop + rap

Bábu vagyok_

1980s Eastern European New Wave

1980s Eastern European New Wave, art-punk, experimental pop, clean chorus-heavy electric guitar, quirky DX7 synthesizer leads, tight rhythmic bassline, deadpan theatrical male vocals, eccentric delivery, witty and cynical, 125 BPM