New Songs

Пароходы

Midtempo modern reggae with electric piano comping over a deep

Midtempo modern reggae with electric piano comping over a deep, rubbery syncopated bass; grungy, overdriven lead guitar answers vocal phrases. lead saxophone. hoarse older Black men voice, wide vibrato,. Warm string pads swell into the chorus, with stacked gospel-tinged harmonies on hooks. Groove stays funky and danceable, with subtle sidechain pulsing and modern electronic sheen. Big dynamic arc: restrained, smoky verses; explosive, emotionally raw choruses., ballad, soulful, harmony, electro, electric, contemporary, heartfelt, deep, funky, grunge, smooth, blues . slow , hip hop

Жизнь даётся Богом!

Создай акустическую гитарную композицию в возвышенном

Создай акустическую гитарную композицию в возвышенном, „божественном“ стиле — плавные, красивые переборы с глубокой эмоциональной окраской. Начало: мужской голос произносит проникновенно: „Спой брат, как тогда… Помнишь???“ Затем — мелодичное развитие с мягкими динамическими переходами, атмосфера светлой ностальгии. Инструменты: только акустическая гитара и вокал. Настроение — возвышенное, трогательное.

Remake - Assassino de Heróis | Stain (My Hero Academia)

Dark cinematic alt-rock mixed with orchestral trap elements

Dark cinematic alt-rock mixed with orchestral trap elements, emotional male vocals, intense instrumentation with distorted guitars, ambient synths, and epic buildup, Inspired by anime villains and tragic anti-heroes, Dramatic, powerful, chaotic yet emotional

душа і тіло

Melancholic Jazz-funk fusion

Melancholic Jazz-funk fusion, Virtuosic electric basses, including fretless one, performance bursts forth with rapid melodic runs, percussive slapping techniques, harmonics, and syncopated plucking, Jazz fusion undertones shine through shifting

Eternal Love

1986 Euro-disco

1986 Euro-disco, Modern Talking style, produced by Dieter Bohlen. Smooth velvety male lead vocals (Thomas Anders style), iconic high-pitched male falsetto harmony choir in chorus. Rhythmic muted electric guitar stabs, Yamaha DX7 crystal bells, Korg Polysix pads. LinnDrum disco-fox beat, gated reverb snare. 120 BPM, Major Key, catchy pop hook, polished vintage 1980s studio production, clean bright stereo image, romantic and energetic.

Run Free 🚗 - BuskerBlacky @buskerblacky

Genre: Hard Rock

Genre: Hard Rock, Blues Rock, Classic Rock Style: Raw, energetic, rebellious highway rock anthem with gritty male vocals, punchy drums, driving bassline, crunchy overdriven electric guitars, catchy gang-style chorus, and a powerful live-band feel, The song should sound wild, free, confident, and built for driving fast at night, Bluesy rock attitude, simple but massive riffs, no modern pop polish, no electronic sounds, Mood: rebellious, fiery, bold, road-trip energy, dangerous fun, loud, masculine, anthemic Instruments: distorted rhythm guitars, bluesy lead guitar fills, strong bass groove, punchy acoustic drum kit, occasional shout-back vocals Tempo: fast, around 110–125 BPM Structure: [Intro] Big electric guitar riff, immediate impact, no long intro [Verse 1] Tight groove, gritty vocal delivery, swagger and attitude [Pre-Chorus] Build tension with rising drums and bass [Chorus] Huge singalong chorus, gang backing vocals, simple memorable hook [Verse 2] Same energy, more attit

Ignition Line

cinematic rock

cinematic rock, arena rock, drop D palm-muted guitars, Ibanez melodic lead, Peavey picked bass, hybrid drum kit, double-kick barrage, Juno synth intro, high-passed pads, wide stereo guitars, analog tape saturation, 90s arena mix, plate reverb, punchy transients, stadium anthem, late-night defiance, key lift, explosive release

Eva

Medieval minnesong about Adam and Eve in paradise

Medieval minnesong about Adam and Eve in paradise, melodic storytelling, humorous with gentle irony, acoustic medieval instruments, lyre, hurdy gurdy, flute, soft frame drum, calm tempo, warm male vocal, medieval bard style, no rap, no pop beat, no electronic instruments, narrative folk ballad, gentle and melodic atmosphere, playful medieval storytelling

✦ DRINKER OF NIGHT ✦

Tonight.

synthpop

synthpop, techno, 124 BPM, syncopated kick-snare, swung 16th percussion, sidechained bass pulse, arpeggiated synth lead, analog polysynth stabs, distorted electric guitar, tom-driven breakdowns, men’s choir pads, grand piano accents, gated reverb, glossy stereo imaging, 90s club sheen, bittersweet romance, obsessive energy

風に舞い散る

Bright and uplifting J-pop song with a male vocal. Warm

Bright and uplifting J-pop song with a male vocal. Warm, emotional yet positive tone. Medium tempo (100–120 BPM), clean guitar, light piano, and soft drums. Expressive and slightly husky Japanese male voice. Atmosphere of spring night, cherry blossoms falling, nostalgic but hopeful. Catchy chorus, smooth melody, emotional build-up.

Dreadnought

Dark cinematic Grime fused with big tribal sea shanty

Dark cinematic Grime fused with big tribal sea shanty, combative and militant vibe with crew chant participation, theatrical strings and icy synth throughout, Choppy aggressive rap flow, deep voice, uk black male

furry diss track

Aggressive drill-rap energy with snarling male vocals

Aggressive drill-rap energy with snarling male vocals, sliding bass, and tight hi-hat rolls; verses spit in a close, dry mix, ad-libs echo wide; hook explodes with stacked gang vocals and a heavier 808 drop, ending on a sudden cut for maximum impact.

One Ear Out

Aggressive Phonk /Hard Alt-Rock Vibe: Heavy distorted bass

Aggressive Phonk /Hard Alt-Rock Vibe: Heavy distorted bass, slow steady tempo, gritty vocals. Heavy, fuzzy bass kicks in—thumping and distorted Sound of a low growl

Юбилейный

rap

rap, anti-folk, dark folk

Kau pergi tiba tiba 2

Balada Melayu emosional yang sangat mendalam

Balada Melayu emosional yang sangat mendalam, 60–70 BPM, suasana perlahan dan berat dengan piano solo lembut sebagai pembukaan, diikuti violin dan string orchestra yang mendayu. Vokal lelaki matang, penuh perasaan, seolah menahan tangisan ketika menyanyi. Tema kehilangan sahabat seperjuangan / rakan kerja yang sangat akrab. Verse dinyanyikan dengan nada rendah dan penuh kenangan, seakan mengimbau saat-saat bersama (gelak tawa, kerja bersama, susah senang). Pre-chorus mula membina emosi dengan harmoni lembut dan reverb luas. Chorus meletup secara emosi—tinggi, serak sedikit, penuh tangisan dan kerinduan, dengan lapisan choir halus di belakang. Gunakan dynamic swell (crescendo) dari lembut ke sangat kuat. Bridge sangat minimal—hanya piano + pad + humming (boleh elemen nasyid / Arabic humming), memberi rasa redha dan doa. Final chorus sangat grand dan cinematic—string penuh, choir besar, echo luas, rasa kehilangan yang dalam tetapi penuh penghormatan. Mixing luas (reverb besar), suasana s

This Is My Trick

nu jazz

nu jazz, jazztronica, 104 BPM, fingerstyle Stratocaster, fretless bass slides, brushed drum kit, muted trumpet stabs, tenor sax counterlines, Rhodes comping, vocoder accents, plate reverb, tape warmth, syncopated swing, verse chorus lift, breakdown build, call and response, late night wistfulness

誰も乗らない助手席

Live concert

Live concert,rockabilly,jazz-rock,funk,shuffle beat.minor.128BPM.powerful male vocal,live shout chorus,call and response.electric guitar(fingerpicking and bending),2nd electric guitar(rhythm chord strumming),organ(vintage combo organ chord voicing),electric bass(walking bass with slap),trumpet(bright staccato lead),trombone(punchy riff),drums(shuffle groove with rimshot).A man drives his sports convertible alone,bought to impress women who all refuse to ride because they hate sunburn.Bittersweet and self-mocking.

Вернись

Style: atmospheric ambient deep house with sky‑inspired ethereal vibes

Style: atmospheric ambient deep house with sky‑inspired ethereal vibes, rich and resonant male vocals, deep yet emotive vocal delivery, consistent dynamics without vocal strain or screaming. Instrumentation: lush ambient pads, groovy deep house bassline (subtle 808), four‑on‑the‑floor beat at 122 BPM, shimmering synth arpeggios, airy vocal chops in background. Effects: spacious reverb creating a sense of vastness, light delay on vocal phrases, gentle sidechain compression. Mood: celestial, expansive, introspective yet uplifting — like floating above the clouds. Texture: layered but airy, with smooth transitions between sections, gradual build‑ups and soft breakdowns. End with fading synth sparkles and distant vocal echoes.

Mi Lost Pon Di Island (Too Much Gal Fi One Man)

clean sine-wave 808 sub bass tuned to key

clean sine-wave 808 sub bass tuned to key, long smooth sustain, subtle harmonic layering, no distortion, strong infra-sub presence (25–40Hz), tight punchy kick sidechained to 808, upbeat reggae/dancehall groove 92–98 BPM, light rimshot snare, offbeat guitar skanks, playful horns, tropical percussion, wide stereo effects, cinematic ambience (ocean waves, jungle), clean mix, controlled low end, no muddiness