New Songs

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Cut the link

[Cinematic hybrid electronic rock track blending atmospheric ambient layers with aggressive industrial textures and anthemic alternative structure. Begins with restrained granular pads and subtle harmonic motion

[Cinematic hybrid electronic rock track blending atmospheric ambient layers with aggressive industrial textures and anthemic alternative structure. Begins with restrained granular pads and subtle harmonic motion, evolving into tight rhythmic verses with muted guitars and controlled digital percussion. Expands into explosive choruses driven by distorted guitar walls, punchy hybrid drums, and layered sub bass. Incorporates glitch artifacts, stereo modulation, and micro-textural noise throughout. Dynamic contrast between intimate vocal passages and powerful stacked harmonies. Production is dense yet clean, with sharp transients, wide spatial depth, and emotionally charged progression from tension to assertive release.]

Shadows (2026 Edit)

synthwave

synthwave, dark wave, alternative rock, 124 BPM, sidechained synth bass, delayed guitar stabs, analog pad chords, punchy tom fills, gated snare, sequenced arpeggio, distortion bus, tape saturation, sparse intro, half-time breakdown, layered chorus lift, syncopated kick pattern, minor-key drive, nocturnal defiance

声が届くまで (澪月)

Japanese acoustic J-POP ballad

Japanese acoustic J-POP ballad, BPM105, emotional female solo vocal, main instrument is acoustic guitar with gentle fingerpicking, soft and heartfelt atmosphere, bittersweet and slightly melancholic love song, warm and intimate sound, minimal percussion and subtle strings

Even You Can Be A Star - Johnny

80's hair metal

80's hair metal, rock, hard rock, catchy, metal, heavy, keyboards, backing vocals, emotional, uptempo, energetic, cinematic,

EN LAS MANOS DEL PADRE

Gospel / Coral

Gospel / Coral

Ayancık Eğmeleri -

remix

remix

Plaything

PUNK POP

PUNK POP, DARK ELECTRO, DARK TRANCE, EDM, BPM=80, FEMALE VOCALS, BARBITON FEMALE VOCALS

FREQFREAK (5.5 Remaster)

female vocals

female vocals, dark electro industrial pop, cyberpunk alt pop, glitch pop influence, synthetic possession theme, seductive madness, digital psychosis, 132 bpm, punchy electronic drums, heavy industrial percussion, distorted bass synth, pulsing sub bass, sharp transient snare, syncopated beat drive, glitch textures, controlled glitch stutters, static accents, corrupted synth layers, darkwave undertone, breathy intimate verses, assertive female lead, haunting melodic chorus, restrained scream texture, hook first structure, hypnotic repetition, close mic vocal, light distortion on vocals, minimal reverb, dry aggressive mix, no arena ambience, manic body horror energy, voltage religion theme, crimson omen aesthetic

Day Dreams

Indie x Alternative Rock

Indie x Alternative Rock, 172 bpm, Key is Dm, [Clean & Polished Production], [Clean and Clear Vocals], [Melodic], Male Vocals, Pop Vocals, smooth, catchy

Two time zones

INTJ wounded-healer alt-folk / cinematic indie with Japanese textures

INTJ wounded-healer alt-folk / cinematic indie with Japanese textures, Tempo 86 BPM, minor key, intimate female lead vocal (close-mic, controlled, smart, a little cracked on the long notes), Verse: fingerpicked acoustic guitar + warm upright bass + brushed kit, Add subtle shakuhachi swells, taiko low pulses only in choruses, light koto arpeggios in bridge, Chorus lifts with wide harmonies, but stays restrained—no pop gloss, Field ambiance: faint paper creases + distant desert wind + morning market murmur, Lyrics vivid about New Mexico clinic sale to associate Yi after Japan trip; fish market memories, barrel-aged soy sauce, wagashi, aburi mochi, bonsai scissors, black vinegar, origami cicada complexity levels, Final chorus resolves softly, ending on paper fold “snap” and a long reverb tail

The Garden of Dark Sins

horror metal

horror metal, funeral march, symphonic liturgical, gospel, choir, cello, dark synth

Scene Game

Eurobeat rock

Eurobeat rock, folk rock fusion, 162 BPM, brass riff stabs, accordion hook line, distorted electric guitar chugs, octave bass synth, sidechain kick pump, gated snare reverb, tom fills, synth lead arpeggios, punchy horn section, arcade-night energy, midnight chase, syncopated 16th drive, reverse guitar intro, chant chorus, distorted bass break, glitchy brass hits, commercial outro

FAITH UNDER FIRE

pop

pop, Shimmering 80s synth-pop with male vocals; warm analog pads and arpeggios pulsing over a tight, mid-tempo groove, Clean Telecaster chime plays rhythmic stabs in the verses and wide chorus chords with subtle chorus and delay, Big, hooky sing-along chorus with stacked harmonies; bridge strips to bass, toms, and whispered backing vocals before a final, explosive refrain, male vocals

بابا میرا دوست فارو ق

Warm acoustic pop ballad with gentle strummed guitar

Warm acoustic pop ballad with gentle strummed guitar, light piano voicings, and soft percussion. Male vocals, intimate and close-mic’d; verses stay tender and storytelling, chorus blooms with stacked harmonies and subtle pad swells. Final chorus adds a higher harmony and a simple melodic guitar line that echoes the hook.

Без слоганов (ремикс)

94 BPM

94 BPM, Dark Underground Electronic Hip Hop, 2008 Grime aesthetic, Massive Bassboost, Distorted Sub-bass, Screaming Acid 303 synths, Gritty dusty MPC-drums, intelligent deepdark baritone vocaloid syncopathed rap-flow, Authoritative rhythmic delivery, Gravelly dark robotic voice, Industrial lo-fi textures, Menacing atmosphere, High-fidelity spatial depth.cineastisch

Into You

Pop

Pop, K-Pop Crunch, Synth-Pop, Pop, EDM-Pop, Club Pop, Contemporary Pop, Power Pop, Minimal Pop

Fantasy-11 Classical music

[Style: Authentic late 18th century Viennese classical pure music

[Style: Authentic late 18th century Viennese classical pure music, 118 BPM, Allegro, 4/4, classic sonata form, orthodox classical-era orchestration, NO modern/romantic/atonal elements] [Mood: elegant, balanced, noble, lyrical, vibrant, with controlled dramatic contrast] [Instruments: 【Lead Core】Classical grand piano (full track lead melody & thematic development); 【Orchestral Accompaniment】string section, flute, oboe, clarinet, bassoon, natural French horns, natural trumpets, timpani; NO modern/electronic/non-orchestral instruments] [Structure: Classic sonata form → Exposition → Development → Recapitulation → Grand decisive coda] [Production: Clean balanced orchestral mix, natural symphony hall reverb, full dynamic range, NO over-compression, authentic classical timbre] [Negative Prompt: modern instruments, electronic sounds, atonal music, pop/jazz elements, vocals, harsh distortion, over-compressed mix]

Hear The Thunder (Alt Metal Mix)

progressive metalcore

progressive metalcore, nu-metal, alternative metal, An extremely groovy fusion track kicks off with slowed down chugging polyrhythmic djent riffs that emulate hip-hop beats, bouncy and groovy drumming layered atop a deep trap-influenced bass beat, Verses feature smooth male vocals gliding over syncopated drums and chugging riffs, Chorus intensifies, bringing in alternative metal textures, then drops for a dynamic breakdown, The bridge features a groovy beat and riff change before exploding into a final climactic chorus and powerful outro

🦊D🦊

Indie pop with a funk-influenced groove. The arrangement features a clean

Indie pop with a funk-influenced groove. The arrangement features a clean, rhythmic electric guitar playing staccato 16th-note patterns and a melodic, syncopated electric bass. A drum machine provides a steady beat with a crisp snare and tight hi-hats. A bright, polyphonic synthesizer plays sustained chords and occasional melodic flourishes. The track is in the key of A Major with a tempo of 115 BPM in 4/4 time. The production is clean with light compression on the master bus and subtle plate reverb on the guitar and synth tracks.