New Songs

Эльфавир - Мартовские коты тоже хотят петь

High-energy Russian pop-rock anthem featuring a blend of electronic synths and distorted electric guitars. The track opens with a catchy synth hook and a driving four-on-the-floor drum beat at approximately 128 BPM. The verses feature a rhythmic

High-energy Russian pop-rock anthem featuring a blend of electronic synths and distorted electric guitars. The track opens with a catchy synth hook and a driving four-on-the-floor drum beat at approximately 128 BPM. The verses feature a rhythmic, almost spoken-word delivery by a male vocalist with a bright, energetic tone, supported by a pulsing bassline and staccato synth stabs. The chorus explodes into a full rock sound with heavy power chords, soaring vocal melodies, and layered harmonies. A prominent electric guitar solo with wah-wah and distortion effects occurs in the bridge. The production is polished and modern, with heavy compression on the drums and a wide stereo field for the synths and guitars. The song follows a standard verse-chorus-verse-chorus-bridge-chorus structure, maintaining a celebratory and upbeat mood throughout.

Jesus is the God

Heavenly Holy ABBA

Heavenly Holy ABBA, Jesus is the God, the Lord, the Savior, the Son of God, the Living God, the Christ

Only One Forever

A Southern Blues track at 70 BPM with a slow shuffle feel. The groove centers on gritty electric slide guitar

A Southern Blues track at 70 BPM with a slow shuffle feel. The groove centers on gritty electric slide guitar, upright bass, subtle brush drums, and rich organ swells. Male lead delivers raw, soulful vocals, answered by a harmonizing gospel choir. Sparse arrangement enhances authenticity, crescendos punctuate the story, with call-and-response sections and expressive guitar fills between lines.

Голубой Вагон (Remix)

Industrial Metal

Industrial Metal, Heavy Electronic, extreme high-pitched Toddler vocals, Chipmunk voice, Helium-pitched singing, Squeaky baby vocals, Vocaloid, Nightcore, heavy vocal reverb, chamber echo, cartoonish voice processing, NO GROWLS, NO RASP, fast double bass drums, aggressive melodic guitars.

Slovník, gel a činka

Bouncy Czech pop

Bouncy Czech pop, female vocals, bright synths and acoustic guitar riding a midtempo groove; tight verses with playful pauses, hooky chorus lifts with stacked harmonies and claps, bass warm and round, drums crisp but light; second half adds subtle backing “aaah” pads and a short breakdown before a final high-energy chorus, female vocals

Ahura Mazda

A dark

A dark, powerful, futuristic and soulful deep ancient Cyberpunk, chants, screams and choirs. Cyberpunk track infused with epic cinematic energy, Massive live-sounding drums, thunderous toms, and resonant tribal war percussion drive the rhythm, reversed kicks and booms, big sounds impact sounds, minimalistic electronic textures, Deep sub-bass grooves blend with distorted, rhythmic synths and gritty low-end pulses, Layer in futuristic athmospheric pads that swell with emotional intensity, adding both sci-fi and emotional feelings, Robotic Vocoded vocals, talbox, vocoded in harmonies, Reversed kicks and boom, Haunting tribal vocals and emotional, futuristic and ancient, Organic textures, mixed with glitch and rippling effects, atmospheric pads—float through the mix, creating depth and mystique, The overall feel is bold, ancestral, and melancholic, but also good for clu

Methadone

rock

rock, Brooding post‑punk / gothic rock at 130 BPM with male vocals, jagged fuzzy guitars, rubbery funk-inflected bass, and a loose jazz-drum swing under a straight pulse. Verses stay dry and tense with thin synth pads and distant pedal steel; chorus widens with overdriven slide swells, chorus-soaked rhythm guitar, and stacked low harmonies. Bridge dips into reverb-drenched sparsity, tom-led drums, and eerie synth layers before slamming back into a final, cathartic hook., jazz, funky, gothic rock, punk

Ich räume mein Zimmer nicht auf!

Bouncy indie-pop with a bratty edge

Bouncy indie-pop with a bratty edge, male vocals. Clean electric guitars and tight drums set a playful groove, bass stays simple and driving. Verses feel talky and cheeky; chorus explodes with gang shouts and stacked harmonies. Brief middle-eight strips to claps and vocal, then full-band slam back for the final hook.

Faded Radio Glow

1970s soft rock ballad

1970s soft rock ballad, Carpenters-inspired gentle piano and harmonies, warm female vocal, nostalgic easy listening, 90 BPM, melodic, nostalgic essence, old radio, summer memories, bittersweet longing, warm piano, subtle strings, soothing vocal, reflective longing

Waiting At The Ritz

Black mature sexy female speaking R&b

Black mature sexy female speaking R&b, R&b, R&b, R&b. R&b, R&b, soul, soul

Make Me Feel Your Fire. (Punk)

Opening with a dramatic drum solo

Opening with a dramatic drum solo, Live concert remix with extended crowd noise before and after the song, Loud cheers and chants before the first note, Strong audience sing-alongs and clear call-and-response in every chorus, Raw live energy with slight tempo fluctuations, Long noisy outro with applause, shouts, feedback, and venue ambience, Up-tempo Punk, BPM around 140, Intro starts with distorted guitar riff, followed by fast drum fill and slap bass explosion, Female hardcore punk vocal with harsh raspy shouting, semi-screamed delivery, Dirty, strained, unpolished voice with slight distortion and live mic overload feel, Chorus hook shouted aggressively: “Shadow of the Beast!” Crowd shouts the line back in unison, Slap bass with sharp attack and string noise, Distorted guitars with heavy power chords and biting punk riffs, Fast tight 8-beat drums with explosive fills, No slowdown, intensity stays high throughout, Overall raw, rebellious live punk sound, Loud, chaotic, confrontational

Zaczyna powoli

[Style: silesian schlager

[Style: silesian schlager, dark folk, biesiadny trans] [Mood: dark, nostalgic, warm, reflective] [Energy: slow build to high] [Beat: polka groove 2/4 with heavy bass] [Tempo: 112 BPM] [Key: D minor] [Instruments: accordion, bass guitar, contrabass, tuba, trombone, trumpet, clarinet, acoustic guitar, electric rhythm guitar, piano, drums, shaker] [Vocal: male, dark, low-register, rough, emotional] [FX: deep hall reverb, low saturation, analog warmth] Długi narracyjny utwór szlagierowy o śląskim życiu, miłości, stracie i prostocie, z ciężkim basem, transowym pulsem i ciemnym męskim wokalem, ‑synth lead, ‑edm riser, ‑trap hi-hats, ‑dubstep wobble, ‑autotune pop

08 03 26 ZOOM0440 v1

4 minutes duration

4 minutes duration, No drums, no battery, contemporary classical, experimental, Complex and rich chords, Instruments : piano, transverse flute, clarinet,harp glissando,celesta, oboe with symphony orchestra, crystal clear mix, ‑drums, ‑batterie

Check (Juke Footwork)8

Chicago / Detroit juke footwork club track

Chicago / Detroit juke footwork club track, 155–160 BPM, fast syncopated kick patterns, skittering footwork drums, chopped vocal samples, punchy bass hits, minimal melody with rhythm-driven energy. Aggressive juke percussion with rapid hi-hats, snare snaps, and bouncing bass pulses designed for dance battles. Strong rhythmic spoken rap vocal with confident street tone and clear articulation. Seductive female whisper ad-libs repeating slogans, chopped chant samples and call-and-response crowd energy. Production emphasizes fast footwork rhythm, percussive groove, and vocal rhythm instead of melody. Dark underground club atmosphere with gritty warehouse energy. Evolving arrangement with multiple rhythmic switches, footwork drum breaks, chant hooks and hype sections rather than looping. Designed as a 6–7 minute underground dancefloor track with intro build, beat switch drops, chant hooks, breakdowns, and extended DJ-friendly outro.Raw Chicago footwork energy blended with Detroit electronic

Check (Juke Footwork)2

Chicago / Detroit juke footwork club track

Chicago / Detroit juke footwork club track, 155–160 BPM, fast syncopated kick patterns, skittering footwork drums, chopped vocal samples, punchy bass hits, minimal melody with rhythm-driven energy. Aggressive juke percussion with rapid hi-hats, snare snaps, and bouncing bass pulses designed for dance battles. Strong rhythmic spoken rap vocal with confident street tone and clear articulation. Seductive female whisper ad-libs repeating slogans, chopped chant samples and call-and-response crowd energy. Production emphasizes fast footwork rhythm, percussive groove, and vocal rhythm instead of melody. Dark underground club atmosphere with gritty warehouse energy. Evolving arrangement with multiple rhythmic switches, footwork drum breaks, chant hooks and hype sections rather than looping. Designed as a 6–7 minute underground dancefloor track with intro build, beat switch drops, chant hooks, breakdowns, and extended DJ-friendly outro.Raw Chicago footwork energy blended with Detroit electronic

Late Call

Chaperone On The Way To Heaven

Warm

Warm, heavenly intimate indie-folk ballad with warm weathered male vocals, soft harp intro, acoustic guitar, brushed drums, upright bass, subtle piano and organ shimmer, gentle harmonies in chorus, slow emotional build, tender and peaceful mood. Melodic, catchy, memorable.

Jesus is the God

Heavenly Holy ABBA

Heavenly Holy ABBA, Jesus is the God, the Lord, the Savior, the Son of God, the Living God, the Christ

"God's Plan" The Tuff Talk

2026 Future Dancehall x Cinematic Orchestral x Dark Trap-Hall Fusion. 105 BPM. The rhythm is a broken

2026 Future Dancehall x Cinematic Orchestral x Dark Trap-Hall Fusion. 105 BPM. The rhythm is a broken, heavy-swing dancehall pattern with deep, distorted 808 sub-slides and glitched hi-hat rolls, minimal donk. A dark, solo Cello section provides the melodic bassline, while staccato Violins and a haunting Oboe melody create a tense, high-stakes atmosphere. Dramatic Orchestral Timpani hits emphasize the "drops." Arrangement: Atmospheric intro with solo Violin, building into a heavy, slow-burn "2026" riddim. FX: Digital glitching, cinematic risers, cavernous hall reverb, and deep "reload" silence for impact. Futuristic island energy.

Stormy Weather Without You

female vocals

female vocals, folk, little girl in the background saying I miss you daddy, soul, choir