New Songs

Sooner or Later (Violin Edition)

A “nu Ibiza club” groove opens with rhythmic cajon and hand percussion

A “nu Ibiza club” groove opens with rhythmic cajon and hand percussion, layered by agile acoustic guitar and a punchy upright bass line. Violin takes center stage, delivering sultry melodies and rapid runs in the chorus. Sparse synth pads add subtle depth, keeping the feel unplugged yet danceable.

Split-Mind Carousel

brutal nu metal

brutal nu metal, rapcore, trap metal, groove metal, grindcore, harsh, evil, brutal, aggressive

The city lights shine like chaotic stars

Alternative metal

Alternative metal, gothic metal, clean voice female, post-metal, melancholic atmosphere, melodic death metal, dark metal

Meet Me in San Fernando

pop

pop, Soft pop with male vocals over warm, round 808-style low end and a cushy, midtempo groove. Gentle electric piano and muted synth pads set a hazy, late-afternoon tone. Verse stays intimate and close-mic; chorus widens with airy backing harmonies and a slightly brighter drum pocket. Subtle guitar pings and reverbs bloom in the bridge for a dreamy lift before a simple, vocal-led outro., male vocals, soft

Already In The Stars

Ethereal dream-pop ballad with female vocals floated over soft harp arpeggios

Ethereal dream-pop ballad with female vocals floated over soft harp arpeggios, glass harmonica shimmer, and warm, breathing synth pads. Slow, swaying groove with subtle binaural panning that gradually tilts higher, giving a rising, spine-tingling sensation. Verses stay intimate and whisper-soft; choruses bloom into a luminous celestial choir with stacked harmonies, airy swells, and gentle low-end support. Reverb-drenched atmosphere, delicate ear-candy sparkles, and a final, weightless outro that feels like drifting in starlight., soft, uplifting, romantic, hypnotic, guidance, joyful, harp, warm

WASCH-DICH-REIN

Rap

Rap, Classic, seductive cosmic R&B, slow, fluid, hypnotic, soft coldwave-style electric guitar swells, atmospheric analog synth pads, deep minimal bass, hollow and distant ritual-like percussion, airy ethnic-style flute used as melodic accents, background shimmer textures, slow expressive lines, breathy tension, echo-drifted ends of phrases, mystical, nocturnal, half-mythic, soft reverb haze, gentle tape-like delay, subtle stereo spread, Deep sub bass groove, smooth electric piano chords, atmospheric synth pads, minimal trap-style percussion, and subtle ambient textures, Late-night, immersive and intimate production

Ħin Tiegħi (My Time)

Girl Group

Girl Group, R&B Ballad, Pop House, Power Chorus, Dynamic Instrumentation, Gangster Beat, Infectious Melodies, Light Drum Beats,

С праздником дамы🌹♥️

Titre : I’ve Been Waiting to Mix This Saturday Night

house

house, funk, groove

Нам всем всегда не хватает любви

acoustic rock ballad

acoustic rock ballad, male vocals

明日があるさ

Dancehall

Dancehall,Mexican fusion,Hip hop.Minor.122BPM.Thin fragile male vocals.Electric guitar(rhythmic Latin strumming accents),Electric bass(deep groove bassline),Trumpet(bright punchy riffs and stabs),Conga(syncopated hand percussion),Bongo(fast light taps),Cajon(deep wooden kick tones),Timbales(sharp metallic hits and rolls),Maracas(shaking rhythmic texture).Urban Latin groove about a broke person who lost love and failed at work but keeps walking forward believing tomorrow will come

Robo-Buddy

The track opens with a mono

The track opens with a mono, ribbon-mic-filtered Mid-Atlantic male narrator, his voice crisp yet grit-laced from gentle tape distortion and compression, set squarely in the EQ’s midrange. Layered under are vinyl crackle, faint tape hiss, and a low film projector hum. Occasional retro chimes and whooshes accent the narrator’s over-enunciated cheer, each line hitting with archival clarity and old-time tape warmth

Shadows of Yesterday

Lullaby Of The Vagabond (Lullaby) (New Version)

Nu Metal

Nu Metal, Trash Metal, Metal Industrial, Tecno metal

Чёрный бант

Эй, там, иди к нам,

House

House, Progressive Trance, Sunshine Reggae, hypnotic groove, funk, edm, synthwave. Открывается песня мягким стуком сердца и глубоким дробным басом в широком стерео. На фоне рифовые регги-гитары и африканские барабаны создают плавный, воздушный грув при 128 bpm. Главный вокал — басовитый баритон диджея рейв пати, голос с хрипотцой, иногда поддерживается афро-бэками.

✦ CROWN OF THE LAST KING ✦

I'm Walking Away

Melodic classic rock with a mix of Spinal Tap storytelling and the driving energy of Saxon. Mid-tempo with a strong rhythmic pulse. Clean electric guitar introduces a memorable repeating melodic motif that returns throughout the song. Verses are restrained and reflective with warm classic rock tone. Chorus explodes into a powerful

Melodic classic rock with a mix of Spinal Tap storytelling and the driving energy of Saxon. Mid-tempo with a strong rhythmic pulse. Clean electric guitar introduces a memorable repeating melodic motif that returns throughout the song. Verses are restrained and reflective with warm classic rock tone. Chorus explodes into a powerful, catchy anthem with layered vocals and a strong chant-like hook around “I'm walking away”. Twin-guitar accents and a short melodic guitar solo after the second chorus. Organic band sound, steady drums, melodic bass, arena-ready chorus that sticks in the listener’s head.

リミナル (Liminal)

High-energy J-Rock anthem featuring a blend of aggressive electric guitars and symphonic elements. The track opens with a distorted guitar riff and rapid double-kick drumming at a tempo of 180 BPM. The arrangement is dense

High-energy J-Rock anthem featuring a blend of aggressive electric guitars and symphonic elements. The track opens with a distorted guitar riff and rapid double-kick drumming at a tempo of 180 BPM. The arrangement is dense, utilizing layered synthesizers, a driving bassline, and orchestral string stabs that accentuate the transitions. The male vocals are powerful and emotive, characterized by a wide dynamic range, shifting from melodic verses to strained, high-register belts in the chorus. The song structure follows a traditional Verse-Pre-Chorus-Chorus-Bridge-Chorus format, with a technical guitar solo featuring rapid alternate picking and wah-wah effects. Production is polished with a modern rock mix, featuring heavy compression on the drums and a spacious reverb on the vocals to create an epic, cinematic atmosphere. The key is in B minor, utilizing dramatic minor-to-major shifts during the chorus to enhance the emotional impact.

Meet Me in San Fernando

pop

pop, Soft pop with male vocals over warm, round 808-style low end and a cushy, midtempo groove. Gentle electric piano and muted synth pads set a hazy, late-afternoon tone. Verse stays intimate and close-mic; chorus widens with airy backing harmonies and a slightly brighter drum pocket. Subtle guitar pings and reverbs bloom in the bridge for a dreamy lift before a simple, vocal-led outro., male vocals, soft