New Songs

Unhappy Frust Blues

unhappy frust blues female vocals

unhappy frust blues female vocals

«Тайна фамильного асабника». [Автор Вячеслав Чаплыгин]:

Music style

Music style, darkwave, Dark ambient, folk, Male and Female Vocals. + 127bpm.

🎼 Sinfonía del Fuego Eterno

epic fusion of classical symphony

epic fusion of classical symphony, opera and reggaeton rhythm, full orchestra with sweeping strings, brass, woodwinds and harp, Latin percussion including congas, bongos and timbales with dembow groove, strong reggaeton dembow rhythm, festive Latin energy, operatic tenor and soprano vocals with dramatic choir, cinematic orchestral development, extended orchestral intro and outro, dynamic crescendos, passionate Latin symphonic energy, 3–4 minute song structure

Hard To Hold, Easy To Lose

A hip-hop track with a prominent

A hip-hop track with a prominent, driving bassline and a consistent, mid-tempo drum beat featuring a strong snare. The instrumentation includes a distorted electric guitar playing a simple, repetitive riff, and a synth providing atmospheric pads. The male lead vocalist delivers a confident, slightly aggressive rap in a baritone range. The song structure is verse-chorus, with a clear distinction between the more melodic chorus and the spoken-word verses. Production elements include a clean mix with the vocals upfront, and a subtle reverb on the snare drum. The key is minor, contributing to the track's assertive feel. The tempo is around 90-100 BPM.

Frühling (ohne Chorus)

vibrant New-Age-Trance-Fusion 90s-Acid

vibrant New-Age-Trance-Fusion 90s-Acid, cosmic, dreamy drops, reverb, afterglow, duplicated vocoder female vocals without any Modulation, fluctuations or pitches, constantly monoton female vocals

Desire 🖤🔥🔞

Latin dance

Latin dance, dark mambo, passioncore, deep bass, fast neo-goth electro dance, female vocals, electro, classical, trance 808 deep bass, massive bass, background reverb vocals , classical , acoustic

Caught in the middle

Take A Break

rap

rap, Soft male vocals over airy pop-trap: warm sub-bass and tight 808s, hazy pads, and a gentle bell lead. Verses stay intimate and close-mic’d; chorus widens with stacked harmonies and a bright top-line. Minimal percussion in the first verse, trap hats bloom in the hook, with a subtle filtered breakdown before the final chorus., soft, male vocals, pop

Sooner or Later (Violin Edition)

A “nu Ibiza club” groove opens with rhythmic cajon and hand percussion

A “nu Ibiza club” groove opens with rhythmic cajon and hand percussion, layered by agile acoustic guitar and a punchy upright bass line. Violin takes center stage, delivering sultry melodies and rapid runs in the chorus. Sparse synth pads add subtle depth, keeping the feel unplugged yet danceable.

Split-Mind Carousel

brutal nu metal

brutal nu metal, rapcore, trap metal, groove metal, grindcore, harsh, evil, brutal, aggressive

The city lights shine like chaotic stars

Alternative metal

Alternative metal, gothic metal, clean voice female, post-metal, melancholic atmosphere, melodic death metal, dark metal

Meet Me in San Fernando

pop

pop, Soft pop with male vocals over warm, round 808-style low end and a cushy, midtempo groove. Gentle electric piano and muted synth pads set a hazy, late-afternoon tone. Verse stays intimate and close-mic; chorus widens with airy backing harmonies and a slightly brighter drum pocket. Subtle guitar pings and reverbs bloom in the bridge for a dreamy lift before a simple, vocal-led outro., male vocals, soft

Already In The Stars

Ethereal dream-pop ballad with female vocals floated over soft harp arpeggios

Ethereal dream-pop ballad with female vocals floated over soft harp arpeggios, glass harmonica shimmer, and warm, breathing synth pads. Slow, swaying groove with subtle binaural panning that gradually tilts higher, giving a rising, spine-tingling sensation. Verses stay intimate and whisper-soft; choruses bloom into a luminous celestial choir with stacked harmonies, airy swells, and gentle low-end support. Reverb-drenched atmosphere, delicate ear-candy sparkles, and a final, weightless outro that feels like drifting in starlight., soft, uplifting, romantic, hypnotic, guidance, joyful, harp, warm

WASCH-DICH-REIN

Rap

Rap, Classic, seductive cosmic R&B, slow, fluid, hypnotic, soft coldwave-style electric guitar swells, atmospheric analog synth pads, deep minimal bass, hollow and distant ritual-like percussion, airy ethnic-style flute used as melodic accents, background shimmer textures, slow expressive lines, breathy tension, echo-drifted ends of phrases, mystical, nocturnal, half-mythic, soft reverb haze, gentle tape-like delay, subtle stereo spread, Deep sub bass groove, smooth electric piano chords, atmospheric synth pads, minimal trap-style percussion, and subtle ambient textures, Late-night, immersive and intimate production

Ħin Tiegħi (My Time)

Girl Group

Girl Group, R&B Ballad, Pop House, Power Chorus, Dynamic Instrumentation, Gangster Beat, Infectious Melodies, Light Drum Beats,

С праздником дамы🌹♥️

Titre : I’ve Been Waiting to Mix This Saturday Night

house

house, funk, groove

Нам всем всегда не хватает любви

acoustic rock ballad

acoustic rock ballad, male vocals

明日があるさ

Dancehall

Dancehall,Mexican fusion,Hip hop.Minor.122BPM.Thin fragile male vocals.Electric guitar(rhythmic Latin strumming accents),Electric bass(deep groove bassline),Trumpet(bright punchy riffs and stabs),Conga(syncopated hand percussion),Bongo(fast light taps),Cajon(deep wooden kick tones),Timbales(sharp metallic hits and rolls),Maracas(shaking rhythmic texture).Urban Latin groove about a broke person who lost love and failed at work but keeps walking forward believing tomorrow will come

Robo-Buddy

The track opens with a mono

The track opens with a mono, ribbon-mic-filtered Mid-Atlantic male narrator, his voice crisp yet grit-laced from gentle tape distortion and compression, set squarely in the EQ’s midrange. Layered under are vinyl crackle, faint tape hiss, and a low film projector hum. Occasional retro chimes and whooshes accent the narrator’s over-enunciated cheer, each line hitting with archival clarity and old-time tape warmth