New Songs

You carve your law

rock

rock, Hybrid metal / alt-rock epic at 60 BPM with male power vocals; chunky 1980s-inspired guitar riffs over dark synth arps and glitchy breakbeat undercurrent. Thunder FX and distant choirs frame the intro, then a massive half-time groove drops as jazz-fusion keys stab between chugs. Middle section opens for a wild tom-heavy drum solo, then everything slams back in with layered gang shouts and soaring lead guitar., metal, techno, jazz fusion

Beton i Wolność

rock

rock, Fast, ragged Polish punk with male vocals; trebly distorted guitars locked to a sprinting kit, shouted gang vocals on the hook, bass running eighth-note lines. Verses tight and snarling, chorus explodes into big open chords and crowd-chant energy, final pass speeds up with raw, barely-in-control grit., punk

Blood on their hands

Rock

Rock, Stomp Rock, Protest Anthem, Heavy Drums, Chant Chorus, Stadium, Dark, Minimal Beat, stomp-stomp-clap intro

(중번:믿음의고백으로)建造在認信之上的教會》

Prompt (English

Prompt (English, Suno에서 가장 안정적으로 작동): Contemporary worship ballad, Traditional Chinese (Mandarin) lyrics, 72–76 BPM, 4/4 time, key G or A major, emotional and reverent, piano and soft strings intro, warm pad, gradual build, strong and anthemic double chorus at the end, clear and sincere male or mixed vocal, no rap, no spoken word, congregational melody, cinematic but worshipful, clean production, heartfelt, reflective, ending with repeated line “今天我們活在以馬內利的祝福中” Style tags (optional): worship, contemporary worship, ballad, emotional, reverent, piano, strings, cinematic, church song, congregational Structure hint (optional to add): Verse 1 – Verse 2 – Verse 3 – Chorus – Chorus (repeat last line) – Outro

Messerfresser in Love [Djent-Disco Mix #71-1]

The 80s Euro-Disco maximalist track opens with driving four-on-the-floor drums

The 80s Euro-Disco maximalist track opens with driving four-on-the-floor drums, crisp hi-hats, syncopated djent guitar hits, and a pulsing bass. Verses layer polyrhythmic percussion, quartal schlager keys, asymmetric brass, and spirited rap over shifting synth arps. The chorus explodes with stacked synths, searing guitars, opera rock strings, bold piano, and dramatic brass swells, lifting harmonized male-female vocals. The ever-evolving chord progression and glossy production bring punch and drama to every hook-drenched section, chorus harmonies.

Absolute Fanfare (Totally Not a Ponzi) (HGWSR Science Techno Motion Mix)

Scientific Causality Dense Crust Techno Progressive Hard-House

Scientific Causality Dense Crust Techno Progressive Hard-House, Crust Flourished Edgy Swagger Grit, Australian Scientific Measuring Elements by Reactants Cause/Effect, New Element Testing with Splendiferous Outcomes & Discovery of Absolute Fanfair my good man.. swear not a ponzi scheme at all.. i willingly gave them all my money immediately.. so you know its legit.. right?

Saan Ka Man Naroon Sinta

Create a theme appropriate to the lyrics

Create a theme appropriate to the lyrics

Wakey eggs n borkery

Echo

Echo, reverb, raw, dark, happy, upbeat, metalrap, glitching, glitchy, trance, heartfelt, ambient, powerful, calibrated misuse, edge-case exploration, constraints bend without breaking, intentional hesitation, loops decay not collapse, non-resolution as structure, playful restraint, refusal to over-explain, tasteful borking, emotional continuity over form

The womb of Lilith (Remastered)

Female harsh metal vocals

Female harsh metal vocals, Scratchy, raspy, powerful, MUST be sung, no talking, Viking/Black Metal fusion, 4/4 tempo, 160 BPM, Dark melodic atmosphere, Black metal, Theatrical, Dramatic

Crystal Stream

Nu Te Opri

Romanian dance-pop

Romanian dance-pop, emotional but energetic, catchy Balkan EDM groove, bright synths, warm reverb, summer night vibe, European club feel, crisp drums, melodic hooks, slight Eastern European ornamentation, radio-ready, modern Romanian dance style, BPM 120-126, Style Influence 85, Weirdness 15

164 Sri Lanka – Kandyan dance

High-energy Sinhalese pop-rock anthem featuring a blend of traditional South Asian rhythmic elements and modern electronic production. The track is driven by a syncopated percussion section combining acoustic drums with traditional hand drums

High-energy Sinhalese pop-rock anthem featuring a blend of traditional South Asian rhythmic elements and modern electronic production. The track is driven by a syncopated percussion section combining acoustic drums with traditional hand drums, creating a driving 4/4 beat at approximately 128 BPM. The harmonic foundation consists of bright, distorted electric guitar power chords and a thick, melodic synth bass. The lead vocals are powerful and operatic, characterized by extensive melismatic runs and a wide dynamic range, supported by layered choral harmonies in the chorus. The structure follows a standard pop format with a distinct bridge featuring rhythmic vocal chanting and electronic synth stabs. Production is polished with heavy reverb on the vocals and a wide stereo field for the backing instrumentation.

Broken Fe@t Me (Mashup с IKEA) (v2)

[Style: Brutal Memphis Phonk × Aggressive Trap × Industrial Noise] [Vocal: Duet: Female (Gritty Whisper → Screamed Belt → Distorted Falsetto) × Male (Guttural Baritone → Raw Shouts → Piercing Highs)] [Theme: Digital Decay

[Style: Brutal Memphis Phonk × Aggressive Trap × Industrial Noise] [Vocal: Duet: Female (Gritty Whisper → Screamed Belt → Distorted Falsetto) × Male (Guttural Baritone → Raw Shouts → Piercing Highs)] [Theme: Digital Decay, Violent Catharsis, Urban Anarchy] [Vibe: Harsh, Glitched to Hell, Claustrophobic, Menacingly Uplifting] [Sound Design] Beat: Savage 165–175 BPM kicks (overdriven, sub‑heavy), stuttering hi‑hats (chopped & pitched), industrial claps, broken snare rolls, trap snares with reverb tails Bass: Brutal 808 slides (pitch‑bent, distorted), sub‑bass growls, mid‑range sawtooth bass stabs Texture: Shattered glass synths, dark ambient drones, demonic vocal chops (reversed, time‑stretched), metallic percussive hits FX: Violent tape stops, gunshot samples, car alarms, sirens, granular sweeps, bitcrushed noise bursts, phone dial tones, radio static

Ядро тишины

funk

funk, High-octane experimental bass banger; Russian male vocals anchor the chaos. Intro ambushes with instant drop, punishing subs and clicky kicks, razor-plucked bass carving a syncopated groove. Verses ride sparse, stuttering synth swells and tight edits so the intimate vocal cuts through. Each transition slams with risers and impacts, stereo-widened ad-libs adding swagger. Deep chorus explodes with bright leads and layered shout hooks answering the main vocal; master it loud and wide for festival impact., deep, dynamics, bright, vocal, loud, experimental, abstract, lyrical

아직 너를 부르고 있어

Tempo 88 BPM

Tempo 88 BPM, 4/4 time, Korean emotional indie-pop ballad with folk and modern pop elements. One song but with STRONGLY CONTRASTED vocal deliveries per section. Do NOT average the vocal tone. Each section must sound like a DIFFERENT SINGER. SECTION-BASED VOCAL DESIGN (CRITICAL): Verse 1: Very low female register, chest voice dominant. Dry, intimate, almost spoken-sung delivery. No vibrato, very close mic feeling. Breathy but dark tone, restrained emotion. Pre-Chorus: Mid-range female voice, balanced chest-head mix. Smooth legato phrasing, light controlled vibrato. R&B-like articulation, emotionally contained but warm. Chorus: High-register female voice, head voice dominant. Bright, open resonance, clear and youthful tone. Long sustained notes, strong projection. Wide stereo harmony stack to emphasize vocal contrast. Verse 2: Husky female tone with strong consonant attack. Folk storytelling style, slightly nasal resonance. Dynamic phrasing with uneven note lengths. Emotionally raw,

(네:믿음의고백으로)स्वीकारोक्तिमा आधारित मण्डली

Prompt (English): Contemporary worship ballad

Prompt (English): Contemporary worship ballad, Nepali lyrics, 72–76 BPM, 4/4 time, key G or A major, emotional and reverent, piano and soft strings intro, warm pad, gradual build, strong and anthemic double chorus at the end, clear and sincere male or mixed vocal, no rap, no spoken word, congregational melody, cinematic but worshipful, clean production, heartfelt, reflective, ending with repeated line “आज हामी इम्मानुएलको आशीषमा बाँचिरहेका छौं” Style tags (optional): worship, contemporary worship, ballad, emotional, reverent, piano, strings, cinematic, church song, congregational Structure hint: Verse 1 – Verse 2 – Verse 3 – Chorus – Chorus (repeat last line) – Outro

Jetpack Heartbeat

High-energy retro rockabilly with 1960s garage surf influences

High-energy retro rockabilly with 1960s garage surf influences, tempo about 140 BPM, wild slapback echo, raw lo-fi vocals, fuzz guitar riffs, twangy leads, steady snare-driven beat, sci-fi organ glissandos, and cosmic sound FX (jetpacks, rayguns, radio chatter), Think The 5, 6, 7, 8’s meet The B-52s in an asteroid dive bar, Fast tempo, playful and chaotic, with punk attitude and vintage space flair

Iron Lung Rebellion

rock

rock, Slow-burning psychedelic epic at 60 BPM, male vocals. Breakbeat-inspired drums sit in skewed odd meters, fused with jazz-inflected bass and warped organ. Verses stay sparse and smoky; chorus explodes with fuzzed-out guitars, stacked gang vocals, and crashing toms. Bridge opens into a swirling, reverb-drenched solo section before dropping back to a tight, defiant outro chant., jazz fusion

Don't Wanna Fall

Pop-dance club anthem

Pop-dance club anthem, four-on-the-floor kick pattern, bright sidechain synth chords, deep sub bass under drop, euphoric saw synth leads, crisp clap/snare on 2 and 4, smooth male pop vocals, catchy sing-along chorus, lush reverb and delay on vocals, animated rap feature verse with playful ad-libs, build-up risers into drop, layered harmonies on hooks, stereo wide mix for festival feel, short snare fills into transitions, warm analog mastering with high-end sparkle, confident but romantic lyrical tone.

Before the name (Mars Funk)

Style & Groove Upbeat electro-pop with strong funk & R&B influence

Style & Groove Upbeat electro-pop with strong funk & R&B influence, inspired by « I just might » energy. Tight rhythm, bouncy groove, confident but playful feel. Instrumentation Clean punchy drums (electronic + subtle funk feel). Warm analog synth bass with groove and bounce. Bright rhythmic synth stabs and chords. Light guitar or synth-guitar funk accents. Minimal but catchy melodic hooks. Vocals Male vocal, smooth and expressive. Confident, slightly flirtatious tone. Clear phrasing, catchy melodic lines, short vocal runs. Harmonized backing vocals in the chorus for lift. Structure Short punchy verses. Pre-chorus that builds tension. Chorus explosive, melodic, instantly memorable. Mood Feel-good, optimistic, charming, playful confidence. Danceable but emotional. Production Clean modern pop mix. Tight low-end, bright highs. Radio-ready, energetic, polished.