New Songs

False Revivals (Reimagined and Remastered)

GENRES [GOTHIC NOIR TRAP BLUES] [DARKWAVE ALT-R&B] [SOUTHERN GOTHIC HIP-HOP] TEMPO / FEEL [Mid-Slow – 70–78 BPM] [Behind-the-Beat Pocket] [Heavy Low-End Focus] STRUCTURAL INTENT [Hook-Driven Form] [Repetition as Descent] [No Large Dynamic Swings] [Gradual Intensity Growth] INSTRUMENTATION [Sub Bass – deep

GENRES [GOTHIC NOIR TRAP BLUES] [DARKWAVE ALT-R&B] [SOUTHERN GOTHIC HIP-HOP] TEMPO / FEEL [Mid-Slow – 70–78 BPM] [Behind-the-Beat Pocket] [Heavy Low-End Focus] STRUCTURAL INTENT [Hook-Driven Form] [Repetition as Descent] [No Large Dynamic Swings] [Gradual Intensity Growth] INSTRUMENTATION [Sub Bass – deep, sustained, warm] [Lo-Fi Drums – muted kick, dusty snare] [808 Support – subtle, low octave] [Fretless Bass – slow slides] [Slide Guitar – mournful bends, wide] [Tremolo Guitar – restrained, gritty] [Wurlitzer – soft minor chords] [Upright Piano – dusty, sparse] [Analog Pad – low, dark] [Ambient Guitar Swells – slow bloom] FX / TEXTURE [Vinyl Crackle – constant] [Tape Saturation – mild] [Small Room Reverb] [Delay – line endings] [Short Drop Silences] VOCALS [Male – baritone/low tenor] [Intimate, worn, controlled] [Verse – half-sung melodic rap] [Hook – sung, widened harmonies] [Ad-libs – whispered]

Modern Amalekite

Amalekite

Amalekite, Australian Assyrian Accent, female vocals, teenage girl band, Bright tropical house, Yacht Rock, infectious, uplifting, Quick 4-bar marimba + nylon guitar intro, then straight into a big hook, Verses are sparse with nylon chops, shakers, and soft round bass, Pre-chorus swells with rising synths, claps, and filter sweeps, Drops hit with stacked wordless harmonies, whistle-style lead pluck, wide sidechained pads, and playful percussive fills/FX, Bubbly, bouncy, sun-soaked energy throughout, playful, bright, happy, light, marimba, tropical house, warm, Tamazight, Persian Pink Pop

Дракон

Cinematic

Cinematic, Male voice, A theatrical Russian folk-pop ballad characterized by a dramatic, storytelling arc. The arrangement begins with a delicate, finger-picked acoustic guitar and a soft, breathy baritone male vocal. As the song progresses, it builds into a grand orchestral crescendo featuring a full string section, a rhythmic brass ensemble with prominent trombone and trumpet accents, and a driving percussion section including snare rolls and orchestral bass drums. The vocal performance shifts from a hushed, conspiratorial whisper to a powerful, operatic belt with wide vibrato. The harmonic structure is rooted in a minor key, utilizing traditional Slavic melodic motifs and a 4/4 time signature that transitions from a slow, rubato feel to a steady, march-like tempo. Production is clean and spacious, with natural reverb on the vocals and a wide stereo field for the orchestral elements.

Singin’ in the Rain

Vintage 1920s Broadway jazz musical

Vintage 1920s Broadway jazz musical, joyful rain dance atmosphere, light swing rhythm, tap-dance feel. Bright upright piano, walking double bass, soft brush drums, clarinet and muted trumpet fills, light strings, glockenspiel raindrop accents. Smiling theatrical jazz vocal, playful articulation, gentle vibrato, classic Hollywood musical style, singing while dancing in the rain. , atmospheric, indie pop, violin, edm,music box,lo-fi

STAY FRESH THROUGH IT ALL x Experimental 21 - 2026 (Mashup)

Pill to Kill Everything (Remastered)

A duet rap blending deep emotion with alternating spoken word and rap verses. Sparse piano chords and atmospheric pads set an intimate vibe. Each artist’s distinctive flow intertwines over minimal trap drums

A duet rap blending deep emotion with alternating spoken word and rap verses. Sparse piano chords and atmospheric pads set an intimate vibe. Each artist’s distinctive flow intertwines over minimal trap drums, subtle bass, and emotive strings, building intensity in the final chorus.

Zero Gravity

Male deep broken vocals

Male deep broken vocals, The Symphony Orchestra, deep pain, silent bass, silent drums, Background choir that breaks, male vocalist, music, end

🇸🇧 159 • Solomon Islands • Folk

A fusion of world music and contemporary folk featuring a prominent pan flute lead and rhythmic vocal harmonies. The track opens with an ethereal

A fusion of world music and contemporary folk featuring a prominent pan flute lead and rhythmic vocal harmonies. The track opens with an ethereal, multi-tracked vocal drone in a minor key before transitioning into a steady, mid-tempo 4/4 groove driven by a deep, resonant bassline and crisp acoustic percussion. The primary melodic instrument is a pan flute, which plays fluid, breathy lines with a slight reverb. The vocal arrangement consists of a clear, soulful male lead accompanied by layered backing vocals that provide rhythmic chanting and harmonic depth. The production is clean and spacious, emphasizing the organic textures of the woodwinds and the human voice. The song follows a structured progression with distinct verse and chorus sections, maintaining a meditative yet rhythmic energy throughout. The tempo is approximately 95 BPM, and the key is E minor.

Fast Lane Daydream

rap

rap, Glossy pop-rap with male vocals, bright synth chords and bouncy sub bass, tight trap hats under a midtempo four-on-the-floor groove. Verses lean conversational with filtered vocal doubles; hook explodes with stacked gang vocals, claps, and a soaring top-line. Brief talk-rap bridge over a stripped beat before a final, bigger chorus with ad-libs and extra harmonies., pop rap

Eyes of a Fool (v5)

A bluesy psych-rock stomp powered by gritty analog guitar riffs

A bluesy psych-rock stomp powered by gritty analog guitar riffs, fuzzed-out bass, and driving vintage drums. Swirling organ and phased textures add depth. The deep female vocals cut through with sultry edge, swaggering above the groove, evoking raw 70s heat from start to finish.

Kein Liebeslied

Dreamy Italo House

Dreamy Italo House, Melodic Piano Lines, 4/4 Kick, Airy Pads & Disco Strings, 120 BPM, math rock, Epic Melodic Dubstep, Emotional, Cinematic, Atmospheric, J-Pop, Wide Strings & Pads, Classic House Bass, 118–124 BPM, high-definition audio, ultra-wide stereo, deep Z-axis depth

The Madness of the Modern World

Stiff

Stiff, mechanical new-wave / synth-punk inspired by early Devo. Rigid, pulsing analog synth bass repeating hypnotic patterns. Dry, metronomic drum machine — cold, robotic, slightly absurd. Sharp, percussive synth stabs and bleeps, minimal melody. Vocals: Detached, ironic male lead — half-spoken, half-chanted. Occasional robotic backing vocals or monotone responses. Delivery is deadpan, clipped, and intentionally awkward. Tempo: mid-tempo, marching, repetitive. Production: minimal, sterile, intentionally stiff. Mood: satirical, dehumanized, absurdist, commentary on modern systems. Vibe: humans acting like machines… and noticing it. No warmth. No emotion. That’s the point. End abruptly or loop endlessly like a factory line.

A Billion Bodies

dark trance + cinematic EDM + outlaw country. Tempo 100 BPM (trance drive with half-time drops). Key D minor. Intro: Tibetan singing bowl tuned to 432 Hz

dark trance + cinematic EDM + outlaw country. Tempo 100 BPM (trance drive with half-time drops). Key D minor. Intro: Tibetan singing bowl tuned to 432 Hz, deep inhale wind, distant thunder. Foundation: pulsing trance arps, sub bass, side-chained kick. Percussion: didgeridoo drones (breath-rhythm), tribal frame drum, tambourine accents on off-beats. Country layer: gritty fiddle riffs (minor key, sliding bends), muted acoustic guitar stabs. Vocals: stoic baritone lead; “mountain god” throat-speak chanting key lines (“stand still / let the arc show”), doubled with low choir. FX: bullet-time whooshes, ricochet echoes, desert wind, subtle water drip → splash transition (metaphor reveal). Drops: EDM synth stack + distorted bass growl. Final chorus: trance lift, full drums, fiddle soaring, didgeridoo swell, bowl strike to end. Mood: tense, clever, dominant, unflinching.

epic intro

epic intro, Ambient, Jangle, Dram and bass, gothic guitar, industrial ACID, trance, dark melodic dubstep, blasbit, progressive EDM, Angel voice, Bass sleep

Love In Technicolor (Pop Punk Mix)

pop punk

pop punk, emo, screamo, High-energy drums and crunchy guitars launch the pop punk intro in the key of C Major with C-G-Am-F chord progression, building into catchy hooks, Verses lean into emo with dynamic guitar arpeggios and moody bass, The pre-chorus builds tension, then explodes into an anthemic, driving chorus topped by impassioned male vocals

Shared False Memory (B-side)

dreamy indie pop with ethereal female vocals

dreamy indie pop with ethereal female vocals, atmospheric synthwave textures, soft 80s-inspired reverb-drenched pads, subtle glitch elements in verses, mid-tempo 92 BPM, emotional and introspective mood, shimmering arpeggios in chorus, gentle pulsing bass, light acoustic guitar strums, pristine crystal-clear production, precise vocal delivery from lyrics, ultra-clean mix, no distortion, direct instrumental intro with synth swell, no melodic vocal start, Do not change any words inside brackets. Sing exactly as written.

Smiling in the Rain

slow rock

slow rock, dreamy and hopeful, dual layer female vocals, epic-cello, mysterious,

Fast Lane Daydream

rap

rap, Glossy pop-rap with male vocals, bright synth chords and bouncy sub bass, tight trap hats under a midtempo four-on-the-floor groove. Verses lean conversational with filtered vocal doubles; hook explodes with stacked gang vocals, claps, and a soaring top-line. Brief talk-rap bridge over a stripped beat before a final, bigger chorus with ad-libs and extra harmonies., pop rap

Miyagi

Dark cinematic alt-rock / industrial-trap anthem (90 BPM

Dark cinematic alt-rock / industrial-trap anthem (90 BPM, D minor). Verse: intimate, tense, close-mic male vocal (tired but controlled), minimal guitar + sub pulse + distant room tone. Pre-chorus: rising pad + ticking percussion, heartbeat kick, whispers/doubles. Chorus: explosive wall—crunch guitars, 808s, big snare, synth brass, choir hit—hook line: “I am my own Mr. Miagi now.” Add Japanese-dojo textures: shinai stick clicks, gi cloth snaps, reverb’d footwork, short taiko accents (tasteful). Bridge: half-time breakdown, distorted bass, spoken revelation with stereo widen, then final chorus bigger with octave harmonies + gang shouts. FX: storm rumble, underwater swell (Night Sea), tape stop into last chorus. Mood: post-individuation, defiant, cathartic; themes: gaslighting/revisionist history, boundary as liberation, wounded healer becomes sovereign. Mix: punchy, wide, modern, festival-ready.

Les chansons d'amour (paroles Le_loup, musique Crapule)

Folk

Folk, acoustic guitar, 130 BPM