New Songs

Fast Lane Daydream

rap

rap, Glossy pop-rap with male vocals, bright synth chords and bouncy sub bass, tight trap hats under a midtempo four-on-the-floor groove. Verses lean conversational with filtered vocal doubles; hook explodes with stacked gang vocals, claps, and a soaring top-line. Brief talk-rap bridge over a stripped beat before a final, bigger chorus with ad-libs and extra harmonies., pop rap

Eyes of a Fool (v5)

A bluesy psych-rock stomp powered by gritty analog guitar riffs

A bluesy psych-rock stomp powered by gritty analog guitar riffs, fuzzed-out bass, and driving vintage drums. Swirling organ and phased textures add depth. The deep female vocals cut through with sultry edge, swaggering above the groove, evoking raw 70s heat from start to finish.

Kein Liebeslied

Dreamy Italo House

Dreamy Italo House, Melodic Piano Lines, 4/4 Kick, Airy Pads & Disco Strings, 120 BPM, math rock, Epic Melodic Dubstep, Emotional, Cinematic, Atmospheric, J-Pop, Wide Strings & Pads, Classic House Bass, 118–124 BPM, high-definition audio, ultra-wide stereo, deep Z-axis depth

The Madness of the Modern World

Stiff

Stiff, mechanical new-wave / synth-punk inspired by early Devo. Rigid, pulsing analog synth bass repeating hypnotic patterns. Dry, metronomic drum machine — cold, robotic, slightly absurd. Sharp, percussive synth stabs and bleeps, minimal melody. Vocals: Detached, ironic male lead — half-spoken, half-chanted. Occasional robotic backing vocals or monotone responses. Delivery is deadpan, clipped, and intentionally awkward. Tempo: mid-tempo, marching, repetitive. Production: minimal, sterile, intentionally stiff. Mood: satirical, dehumanized, absurdist, commentary on modern systems. Vibe: humans acting like machines… and noticing it. No warmth. No emotion. That’s the point. End abruptly or loop endlessly like a factory line.

A Billion Bodies

dark trance + cinematic EDM + outlaw country. Tempo 100 BPM (trance drive with half-time drops). Key D minor. Intro: Tibetan singing bowl tuned to 432 Hz

dark trance + cinematic EDM + outlaw country. Tempo 100 BPM (trance drive with half-time drops). Key D minor. Intro: Tibetan singing bowl tuned to 432 Hz, deep inhale wind, distant thunder. Foundation: pulsing trance arps, sub bass, side-chained kick. Percussion: didgeridoo drones (breath-rhythm), tribal frame drum, tambourine accents on off-beats. Country layer: gritty fiddle riffs (minor key, sliding bends), muted acoustic guitar stabs. Vocals: stoic baritone lead; “mountain god” throat-speak chanting key lines (“stand still / let the arc show”), doubled with low choir. FX: bullet-time whooshes, ricochet echoes, desert wind, subtle water drip → splash transition (metaphor reveal). Drops: EDM synth stack + distorted bass growl. Final chorus: trance lift, full drums, fiddle soaring, didgeridoo swell, bowl strike to end. Mood: tense, clever, dominant, unflinching.

epic intro

epic intro, Ambient, Jangle, Dram and bass, gothic guitar, industrial ACID, trance, dark melodic dubstep, blasbit, progressive EDM, Angel voice, Bass sleep

Love In Technicolor (Pop Punk Mix)

pop punk

pop punk, emo, screamo, High-energy drums and crunchy guitars launch the pop punk intro in the key of C Major with C-G-Am-F chord progression, building into catchy hooks, Verses lean into emo with dynamic guitar arpeggios and moody bass, The pre-chorus builds tension, then explodes into an anthemic, driving chorus topped by impassioned male vocals

Shared False Memory (B-side)

dreamy indie pop with ethereal female vocals

dreamy indie pop with ethereal female vocals, atmospheric synthwave textures, soft 80s-inspired reverb-drenched pads, subtle glitch elements in verses, mid-tempo 92 BPM, emotional and introspective mood, shimmering arpeggios in chorus, gentle pulsing bass, light acoustic guitar strums, pristine crystal-clear production, precise vocal delivery from lyrics, ultra-clean mix, no distortion, direct instrumental intro with synth swell, no melodic vocal start, Do not change any words inside brackets. Sing exactly as written.

Smiling in the Rain

slow rock

slow rock, dreamy and hopeful, dual layer female vocals, epic-cello, mysterious,

Fast Lane Daydream

rap

rap, Glossy pop-rap with male vocals, bright synth chords and bouncy sub bass, tight trap hats under a midtempo four-on-the-floor groove. Verses lean conversational with filtered vocal doubles; hook explodes with stacked gang vocals, claps, and a soaring top-line. Brief talk-rap bridge over a stripped beat before a final, bigger chorus with ad-libs and extra harmonies., pop rap

Miyagi

Dark cinematic alt-rock / industrial-trap anthem (90 BPM

Dark cinematic alt-rock / industrial-trap anthem (90 BPM, D minor). Verse: intimate, tense, close-mic male vocal (tired but controlled), minimal guitar + sub pulse + distant room tone. Pre-chorus: rising pad + ticking percussion, heartbeat kick, whispers/doubles. Chorus: explosive wall—crunch guitars, 808s, big snare, synth brass, choir hit—hook line: “I am my own Mr. Miagi now.” Add Japanese-dojo textures: shinai stick clicks, gi cloth snaps, reverb’d footwork, short taiko accents (tasteful). Bridge: half-time breakdown, distorted bass, spoken revelation with stereo widen, then final chorus bigger with octave harmonies + gang shouts. FX: storm rumble, underwater swell (Night Sea), tape stop into last chorus. Mood: post-individuation, defiant, cathartic; themes: gaslighting/revisionist history, boundary as liberation, wounded healer becomes sovereign. Mix: punchy, wide, modern, festival-ready.

Les chansons d'amour (paroles Le_loup, musique Crapule)

Folk

Folk, acoustic guitar, 130 BPM

Petals in Slow Motion

pop

pop, Airy bloom-pop ballad with soft piano and close, intimate female vocals; gentle violin swells answering the vocal phrases. Verse stays sparse with just piano chords and subtle pad, chorus widens with layered harmonies and brighter strings. Light organic percussion and distant reverb create a floating, dreamlike space, ending on a tender piano-violin outro., soft, violin

Don't Let Go(T.I.V. Celtic Rock Tavern Hope Cover)

Celtic Fantasy Tavern Vibe Male Vocals

Celtic Fantasy Tavern Vibe Male Vocals, filled with hope. full orchestral backing with heavy violin with octave runs both ascending and descending. Claps Stomps, cheers.

Ekiya DISS(casting) 2

A headbanger trap track kicks off with pounding

A headbanger trap track kicks off with pounding, distorted 808s, aggressive hi-hat rolls, and icy metallic synths shadowing the main melody. Russian rap flows with precision over tense verses. Each hook explodes with stacked gang vocals, octave doubling, brass stabs, and revving car FX, intensifying the warlike drops.

Winter X x Gravity VI (Mashup) (Remix)

Bad Goyim II

Slow Dark Synth

Slow Dark Synth, synthetic, minimoog synthesizer, phonk, dark shif, slow, reverb, Dark shit, slow, slow dank

Balance

Melodic Progressive House

Melodic Progressive House, Tropical House, Analog Sawtooth Plucks, Pitch-Shifted Vocal Chops, Driving Bassline, Euphoric Chords, Warm Pads, Clean Production, Gated Snare, Uplifting, 124 BPM, Summer Atmosphere, Cinematic Afro deep house, rich soulful, grand piano, sweeping strings, organic percussion, spiritual, healing, warm, velvet, organic saxophone.

Душа

Deep witch house

Deep witch house , sweet voice , echoes new wave, traditional guitar, requiem, psychodelic style

[ V O I D ]

genre: dark phonk mood: minimal haunting obsessive tempo: 85 BPM instruments: gliding 808 bass

genre: dark phonk mood: minimal haunting obsessive tempo: 85 BPM instruments: gliding 808 bass, eerie synth pads, glitch stabs, cowbell accents percussion: slow muffled kick, sparse hi-hats, subtle cowbell bass: deep sub glide, heavy low-end vocals: deep male whisper, layered hypnotic repeats, reverb delay mix: spacious dark reverb, tape saturation, glitch texture energy: slow creep to obsessive repeating peaks source_influence: faint cyber electronic touch