New Songs

Far From Me

Female vocals

Female vocals, Sad Trap, Emotional, Spanish Guitar, Deep 808 bass, Hard-hitting drums, Atmospheric, Wide reverb, Melodic, 140bpm (double time, Extend

Pop # Graffiti # 2

Hardstyle

Hardstyle, Pop, Unique Melody, lava, ambient space

不器用

This track fuses j-rock guitar riffs and dynamic drums with bursts of rap verses from a male vocalist. Verses lean on syncopated bass and angular guitar

This track fuses j-rock guitar riffs and dynamic drums with bursts of rap verses from a male vocalist. Verses lean on syncopated bass and angular guitar, while the chorus explodes with layered alt-rock power chords. Occasional electronic accents add modern edge throughout.

SOUL BALLAD-( Kırgızca) Duet- Aкылым башымда эмес-Aklım Başımda Değil 1

90s R&B slow emotional ballad in Kyrgyz language

90s R&B slow emotional ballad in Kyrgyz language, powerful melismatic female vocals with insane agility and crystal clear runs, signature whistle register highs and flourishes in ad-libs and outro, breathy intimate whispers transitioning to explosive chest belts, lush gospel layered harmonies, dynamic control from airy soft to raw visceral peaks, five-octave range feel, vocal acrobatics with extensive melisma, whistle notes and emotional ad-libs, intimate piano and strings intro building to emotional swells, slow tempo 65-75 BPM, deep melancholic longing, heartbreak, absence killing and imprisonment atmosphere, warm reverb, cinematic emotional production, focus on soaring diva female delivery

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neo soul

neo soul, female vocals, raw and emotional delivery, intimate, confessional, slow tempo (70 BPM), laid-back groove, warm Fender Rhodes electric piano, subtle Wurlitzer accents, smooth and melodic bassline, crisp finger-snap and rim-shot percussion, soft vinyl crackle in background, atmospheric background pads, soulful ad-libs, minimalist arrangement that builds slightly in choruses, influences.

Spilling The Tea

Throw back 1990’s Australian Lizard groove smothered in silk

Throw back 1990’s Australian Lizard groove smothered in silk

Sweet Southern Storm

Up-tempo country-soul-rock storm-chasing love anthem with dramatic verses surging into powerful

Up-tempo country-soul-rock storm-chasing love anthem with dramatic verses surging into powerful, exhilarating choruses. Three distinct vocal powerhouses uniting in passion: rich soulful mezzo with chest-dominant depth, raw emotion, breathy urgency swelling to huge soaring belts; bright country soprano with resonant twang, metallic edge, powerful head voice highs, wide vibrato for thrilling energy; gritty rock tenor with raspy texture, controlled range, high belts with bite for adrenaline-fueled drive. Vocal trades mimic rising winds, thick trio harmonies in choruses for epic unity. Production: thunderous drum build from acoustic tension, electric riffs crash in, bass rolls like thunder, pedal steel howls, piano lightning flashes, string swells. Southern summer storm romance vibe—dark skies, electric air, embracing the chaos—with soulful intensity, country wildness, and rock-powered rush. Energetic build to triumphant, storm-riding peaks.

Outrun The Gods Till They Fade Away (Outcome Memories: super sonic ai song)

fast-rising resolve

fast-rising resolve, fearless confrontation, unshakable determination, chaos energy surge, relentless pursuit, thunderous power, racing heart, burning courage, unstoppable will, amplified speed, raw energy, sharper edges, adversarial challenge, dominant presence, unbreakable spirit, forward motion, eternal flame, fierce anthem, driving force, echoing strength, surge forward, charged uprising. electric metalcore sound, high-energy metal, aggressive guitars, pounding drums, soaring vocals, rapid double bass, distorted riffs, synth accents for power, explosive chorus hits, emphatic breakdowns, adrenaline bass, anthemic leads, urgent tempo.

Niewidzialni

Pop # Graffiti

Hardstyle

Hardstyle, Pop, Unique Melody, lava, ambient space

Candlelight and Gold

1950s-style Brazilian bossa nova

1950s-style Brazilian bossa nova, soft and intimate. Gentle nylon-string acoustic guitar with syncopated bossa nova rhythms, brushed drums, and light upright bass. Dreamy, breathy female vocals, close-mic’d and emotive, conveying intimacy and subtle longing. Slight influence of acoustic punk: lightly percussive strumming, occasional rasp or edge on the guitar, and subtle rhythmic tension in the verses. Atmosphere: warm, late-night, softly cinematic, with a quiet urgency beneath the smooth melody. Melodic, flowing, and lightly swinging, with dynamics that rise slightly in choruses but remain understated.

🔥😍🔥DJ_MarkBisMark_Boiler_Room_Festival_Berlin_2026/18

dark psychedelic trance

dark psychedelic trance, 142 BPM, granular static textures, Phrygian mode bassline, TB-303 sequences, Moog LFO arpeggios, darbuka + frame drum polyrhythms, analog saturation, seamless loop, no vocals ///MarkBisMark Style Dj (Boiler Room 2026)

Toi mon parisien partis trop tôt 🕊

male vocals

male vocals, blues, electronic, guitar

Teaspoon of Fire

psybient

psybient

Tango Mango

A sensual tango (tanho) track with strong Latin influence. Slow–to–mid tempo

A sensual tango (tanho) track with strong Latin influence. Slow–to–mid tempo, hypnotic rhythm driven by bandoneón, soft percussion, and warm upright bass. The female vocal is extremely subtle, intimate, and velvety—sensual but restrained, never loud or harsh, more whisper and breath than power. The mood is hot cabaret: elegant, seductive, nocturnal, with emotional tension and graceful movement rather than intensity..

Nightmare Machine (Death to You) (40's Big Band Swing Cover 2)

1940's big-band

1940's big-band, swing, male vocals

STOP WATCHING THE MEDIA

A chant-driven nu-metal protest anthem with hip hop bounce and punk urgency. Heavy detuned guitars

A chant-driven nu-metal protest anthem with hip hop bounce and punk urgency. Heavy detuned guitars, crunchy bass, trap-influenced drums, industrial hits, distorted synths, and crowd-chant hooks. The chorus feels like a street rally mixed with a mosh pit, repeating “STOP WATCHING THE MEDIA!” like a megaphone chant. Verses shift into rhythmic spoken-rap with aggressive, sarcastic tone, while the bridges explode back into crowd energy. The track grooves like hip hop but slams like metal, with punk pacing and raw, shout-along hooks. It feels like a riot anthem for people fed up with manufactured outrage and distraction. Mood: rebellious, energized, confrontational, empowering, gritty. Energy: high, stomping, chant-ready, protest pit vibes.

Mona auf dem Turm

• Tempo: 120–128 BPM

• Tempo: 120–128 BPM, tanzbarer Partybeat. Live, Live Publikum,Instrumente: Akkordeon/Keyboard für Schlager‑Flair; starke Kick, Clap, einfache Gitarrenriffs; Party‑Chor im Refrain. • Performance: Call‑and‑response im Refrain, Publikumsbeteiligung bei der Bridge.

Grottorna

Uplifting addictive 80s synthpop. Joyful beatbox hiphop atmosphere. Artistic expression. Duet singing together with overlapping stems

Uplifting addictive 80s synthpop. Joyful beatbox hiphop atmosphere. Artistic expression. Duet singing together with overlapping stems, both unique rap female voice and catchy moody male singer. Sound effects. Bass drums electrocore and Continuous pounding hardcore tuba.

This tastes green

A minimalist

A minimalist, 4 minutes, soulful R&B/jazz composition centered around a repetitive, syncopated piano motif, The track features a clean, bright acoustic piano playing a rhythmic pattern of staccato chords and melodic flourishes in a minor key,The tempo is a steady 90 BPM,The arrangement is sparse, focusing on the interplay between the piano's percussive low-end notes and its higher-register melodic responses,the production is dry with a light room reverb, emphasizing the intimate, live-performance feel of the instrument,the structure follows a cyclical pattern,building tension through rhythmic variation and subtle shifts in chord voicing without the introduction of additional instrumentation or vocals. Vocals: A deep, warm, raspy baritone delivering rhythmic spoken‑word lines with the urgency of street poetry. The vocal feels like a sermon mixed with a news bulletin, full of sharp social commentary, ironic twists, and a steady, percussive cadence. The tone is intense, soulful and monoto