New Songs

That's Okay!

BUFFERING

Domine

Lush choral arrangements

Lush choral arrangements, echoing vocal phrases fill the space, soaring soprano melodies evoke a sense of peace.

Her Eyes

Celtic folk x edm

Celtic folk x edm, stripped back, acoustic, dark folk, young gravelly vocals

Robbed For My Chips

metal

metal, High-energy fun metal with male vocals, double-kick drums, crunchy palm-muted guitars, call-and-response gang shouts in the chorus. Verses punch with stop-start riffs and playful melodic runs, pre-chorus climbs in pitch, and chorus explodes with big harmonized vocals. Add a brief guitar harmony break after the second chorus for extra epic flair., vocal

What's My Problem?

Jungle

Jungle

Someone in My Place

An energetic pop-rock track featuring a blend of distorted electric guitars and driving acoustic drums. The song opens with a rhythmic guitar riff that transitions into a powerful chorus with layered vocal harmonies. The female lead vocal is expressive and slightly raspy

An energetic pop-rock track featuring a blend of distorted electric guitars and driving acoustic drums. The song opens with a rhythmic guitar riff that transitions into a powerful chorus with layered vocal harmonies. The female lead vocal is expressive and slightly raspy, delivering a melodic performance with a sense of urgency. The arrangement includes a prominent bassline that locks in with the kick drum, creating a solid rhythmic foundation. The tempo is moderately fast, around 120 BPM, in a 4/4 time signature. Production is polished with a clear separation between the instruments, utilizing reverb on the vocals and a crisp, punchy mix for the drums.

Rebel Heart (The Remix)

Slow tempo 90s Mandopop

Slow tempo 90s Mandopop, New Jack Swing, C-Pop, Funk Beat, New Jack City, Heavy Drum Machine, Orchestra Hits, Synth Brass, Hype Man, Dance, 35 BPM, |Stereo wide|Radio Production|Hi-Res Audio|Studio Master Sound

Weifelaar

Ultra‑minimal electronic downtempo’. clicks and cracks build up the rhythm subtly

Ultra‑minimal electronic downtempo’. clicks and cracks build up the rhythm subtly, 5 minutes long, Sparse brushed breakbeat drums so sparse and minimal it becomes hypnotic, the rhythm shifts constanly but subtle, a single sparse warm Rhodes chord repeating with long space between phrases, soft sub‑bass swells, and subtle atmospheric hiss. Hypnotic, filmic, late‑night mood with lots of silence and negative space. Gentle electronic textures, faint granular echoes, and a drifting, understated groove. Clean, spacious production with a calm, cinematic feel, important vocal prompt in the lyrics section, the vocals intermingle in the track and certainly do not dominate the track, 5 minutes long

imprinted

Stripped-down

Stripped-down, emotional acoustic ballad with piano in B minor. Minimalist, journal-entry feel — raw, unfiltered lyrics sung with intimate fragility. Sparse piano and subtle ambient textures create space for vulnerability. Slow tempo (~70 BPM), soft vocals that sound almost whispered at times, with subtle dynamics and no vocal layering or effects. Focus is on lyrical depth and personal reflection — like reading a diary aloud. Melancholic, contemplative, and deeply human

Running Out Of Time

Genre: Nu-Disco

Genre: Nu-Disco, Funky House, Pop Dance BPM: 122, Key: B Minor Mood: Groovy, upbeat, stylish, cool, energetic, sophisticated Style: Funky electric guitar riffs (Nile Rodgers style), slap bass guitar, disco string section, punchy acoustic drums, brass hits, warm keys, clean production, commercial radio sound Vocal: Female soulful pop lead, powerful chest voice, sassy delivery, clear lyrics, layered harmonies in chorus, smooth ad-libs, NO distortion, NO screaming Structure: Radio edit, 4-bar drum intro, 4-line Verse, Pre-Chorus, Chorus with brass, Post-Chorus groove, Verse 2, Bridge, Final Chorus Production: Clean mix, wide stereo guitars, tight low end, punchy kick, crisp vocals upfront, polished studio sound Excluding: Dubstep, trap, techno, heavy distortion, futuristic synths, dark vibes, screaming

Still Breathing - BRUISED DREAMS

Soft reverb-heavy synth pad

Soft reverb-heavy synth pad, muted chorus guitar, deep swelling sub bass, minimal lo-fi drums, subtle vinyl hiss and glitch texture, airy ambient background, vocal-forward mix, female vocals

"Believe your eyes not the lies"

A midwest emo track begins with interwoven clean electric guitar arpeggios

A midwest emo track begins with interwoven clean electric guitar arpeggios, each coated in chorus and delay. Tight drums and melodic, linear bass join, giving syncopation to spare, airy verses. Choruses swell with layered, twinkly leads and energetic rhythms. A meter-shifting, math rock bridge builds tension, then releases into a textured, emotionally charged climax powered by dynamic guitars and propulsive rhythm.

I WANT YOU NOW - Protocol C - harder - +++++ techno rock

Modern progressive electronic rock track

Modern progressive electronic rock track, 5–6 minutes. Rock structure driven by a repetitive electronic riff core, obsessive and continuous. Mid-tempo to mid-fast. Constant forward motion, no drops, no breakdowns. Energy builds by repetition, accumulation, tension, not loudness. Long evolving sections, minimal hooks, no pop chorus. Steady kick and sequenced bass act as the main motif (hypnotic, mechanical). Electronics cold, structural, repetitive. Never EDM, never trance, never club. Guitars restrained, repetitive, slightly gritty. No solos, no hard rock power. Used to reinforce the loop, not dominate. Vocals: male mid / mid-low, sung (not spoken), tense, pressured, slightly fatigued. Not deep, not heroic. Short phrases, obsessive repetition. Female voice appears rarely as neutral, system-like motifs. Drums firm, regular, implacable. Human feel, not metal. Long instrumental intro and outro. Ending abrupt or unresolved. NOT: pop, hard rock/metal, EDM, trance, blues rock.

the hate in me

🍌For Adri🍎

Style: children’s song → drum and bass (sharp transition). Mood: cheerful

Style: children’s song → drum and bass (sharp transition). Mood: cheerful, energetic. Vocals: child voice (part 1) → processed electronic/backing vocals (D&B). Instruments: child part: xylophone, harmonica, light percussion, bells; D&B part: heavy bass, breakbeat, synth riffs, sweeps, reverb. Structure (60 sec total): Intro (5 sec): bells + xylophone. Verse 1 (child, 20 sec). Chorus (child, 15 sec). Transition (5 sec): rising synth drone. D&B part (40 sec): beat drop, electronics, vocal samples. Outro (5 sec): fade‑out. Lyrics: simple repeats, interjections («oh‑la‑la», «wow»), -anes rhymes. Tempo: child part: 100–110 BPM; D&B: 170–175 BPM., автотюнинг вокала, индейская флейта, трансе, позитивные эмоции

일단 가보자

An upbeat

An upbeat, mid-tempo pop-rock track with a bright, universal energy and strong forward momentum. Vocals: A male vocal with a clear, modern tone and subtle grit, sounding natural and relatable. The delivery feels globally accessible rather than region-specific, with clean pronunciation and balanced emotion. Verses are sung in a relaxed, conversational style, while choruses open into a strong, open male chest voice that feels uplifting and sing-along friendly. Avoid falsetto-heavy or feminine textures; the voice should remain grounded, confident, and unmistakably masculine. Arrangement & Dynamics: Driven by bright electric guitars, steady live drums, and a warm, punchy bassline. The groove is tight and modern, emphasizing clarity and rhythm over heaviness. Energy builds naturally into big, anthemic choruses, followed by rhythmic drop sections that highlight chant-style vocals and crowd participation without overwhelming the mix.

Unsleepable

Spoken-word experimental rock

Spoken-word experimental rock, dark nocturnal mood, male voice, half-spoken half-sung delivery, tense and intimate, minimal bass and dry drums, repetitive hypnotic rhythm, dissonant guitar swells, subtle electronic pulses, anxious and claustrophobic atmosphere, slow burn, art-rock sensibility, late-night insomnia energy, unfinished resolution

Plastic angels

catchy

catchy, electric guitar, powerful, heavy metal, fast, progressive, dark, female vocals, hard rock, emo, pop rock, male voice, deep, epic

Your So, so

Female rapper

Female rapper, female vocals, trap hip hop, , bass, r&b