New Songs

Tıkanıyo (ft. Demet Sağıroğlu)

Turkish pop

Turkish pop, dance-pop, ethnic fusion

kirito e sasuke

Страдания Байдена.

Minimal techno

Minimal techno, repetitive beats, subtle progression, hypnotic rhythms, and a deep, underground feelings surf rock, jangle guitars, beachy vibes, carefree vocals, and upbeat, sunny melodies

Ears that always listen

Deep house electronic ambient male voice

Deep house electronic ambient male voice

Alev Hattı [Heatline] SedCel Music

Fast

Fast, Bass-Heavy Modern Turkish R&B With Southern Bounce Hip-Hop Energy. Atlanta & Miami Strip-Club Vibe, Stylish And Confident. Tempo: 123–128Bpm | Length: 3:00–3:15 Continuous Groove, Minimal Breaks. Turkish Folk, Anatolian türk, Saxophon, Saz, Ney Flute, Traditional Instrumentation, Acoustic Instrumental Intro Only, Beat Starts Clean And Confident. Sound: Heavy 808 Bass With Bouncing Low End, Rolling Hip-Hop Drums, Modern Melodic Layers, Clean, Modern Production. Arrangement: Flow-Driven Structure, One Clear Main Climax, High-Energy Instrumental Sections. Vocals: Male Vocal Only, Rhythmic Rap Flow With Sung Accents, Clear, Confident, Powerful Delivery. Mood: Energetic, Focused, Self-Controlled, Modern, Stylish, Strong Presence, Head-Nod Energy With Depth. Add-On (Only Add, No Change): Fast, Dark Turkish Ney Accents For Oriental Character. Rhythmic Spanish Guitar Fills For Tropical Miami Feel. Light Shakers And Subtle Hand Percussion For Warm Coastal Night Vibe.

Local Legends

male pop vocals

male pop vocals, symphonic, modern, heavy drums, electric guitars, Afro-house beats, choir chorus, catchy, hook, experimental indie pop rock, art grunge, alternative, post-Britpop, soft rock, indie rock, art rock, dance-rock, piano, heavy bass guitar, bluesy, soulful, pop, poppy vocals, epic, memorable, poppy vocals, guitar picking intro, epic guitar solo, piano outro, male vocals, pop vocals, tenor vocals, post-metal, progressive, industrial rock, electronic, keyboards, synth, percussion, programming, anthem, grounded, radio single, poppy, modern by tomorrow's standards, primal but smooth, Candy syrup with razor blades, synth-pop, double bass kick drum, pop rock, dreamy, dark, key should be a shifting mix of E and A Major, chords A/E - E/G# - F#m7 - B7/A - D/A - C#m/A# - A Major

Noche Sin Perdón v1

Dark

Dark, gritty Mexican oldschool underground hip hop beat for gangster storytelling rap. Slow to mid-tempo, heavy West Coast swing with deep, menacing basslines. Dusty boom bap–influenced drums layered with subtle G-funk bounce. Use dark analog synth leads, eerie portamento melodies, and whining sine leads. Include authentic Mexican instruments like muted trumpets, low brass, Spanish guitar riffs, and subtle mariachi-style harmonies, all processed dark and gritty. Add raw phonk-style vinyl textures, chopped vocal stabs, aggressive scratch elements, tape saturation, and lo-fi dirt. Cinematic, nocturnal, street-heavy atmosphere — sinister, cold, and dramatic, built for vivid Mexican gangster storytelling. No vocals, no modern trap elements, underground and raw.

Day One

That's Okay!

BUFFERING

Domine

Lush choral arrangements

Lush choral arrangements, echoing vocal phrases fill the space, soaring soprano melodies evoke a sense of peace.

Her Eyes

Celtic folk x edm

Celtic folk x edm, stripped back, acoustic, dark folk, young gravelly vocals

Robbed For My Chips

metal

metal, High-energy fun metal with male vocals, double-kick drums, crunchy palm-muted guitars, call-and-response gang shouts in the chorus. Verses punch with stop-start riffs and playful melodic runs, pre-chorus climbs in pitch, and chorus explodes with big harmonized vocals. Add a brief guitar harmony break after the second chorus for extra epic flair., vocal

What's My Problem?

Jungle

Jungle

Someone in My Place

An energetic pop-rock track featuring a blend of distorted electric guitars and driving acoustic drums. The song opens with a rhythmic guitar riff that transitions into a powerful chorus with layered vocal harmonies. The female lead vocal is expressive and slightly raspy

An energetic pop-rock track featuring a blend of distorted electric guitars and driving acoustic drums. The song opens with a rhythmic guitar riff that transitions into a powerful chorus with layered vocal harmonies. The female lead vocal is expressive and slightly raspy, delivering a melodic performance with a sense of urgency. The arrangement includes a prominent bassline that locks in with the kick drum, creating a solid rhythmic foundation. The tempo is moderately fast, around 120 BPM, in a 4/4 time signature. Production is polished with a clear separation between the instruments, utilizing reverb on the vocals and a crisp, punchy mix for the drums.

Rebel Heart (The Remix)

Slow tempo 90s Mandopop

Slow tempo 90s Mandopop, New Jack Swing, C-Pop, Funk Beat, New Jack City, Heavy Drum Machine, Orchestra Hits, Synth Brass, Hype Man, Dance, 35 BPM, |Stereo wide|Radio Production|Hi-Res Audio|Studio Master Sound

Weifelaar

Ultra‑minimal electronic downtempo’. clicks and cracks build up the rhythm subtly

Ultra‑minimal electronic downtempo’. clicks and cracks build up the rhythm subtly, 5 minutes long, Sparse brushed breakbeat drums so sparse and minimal it becomes hypnotic, the rhythm shifts constanly but subtle, a single sparse warm Rhodes chord repeating with long space between phrases, soft sub‑bass swells, and subtle atmospheric hiss. Hypnotic, filmic, late‑night mood with lots of silence and negative space. Gentle electronic textures, faint granular echoes, and a drifting, understated groove. Clean, spacious production with a calm, cinematic feel, important vocal prompt in the lyrics section, the vocals intermingle in the track and certainly do not dominate the track, 5 minutes long

imprinted

Stripped-down

Stripped-down, emotional acoustic ballad with piano in B minor. Minimalist, journal-entry feel — raw, unfiltered lyrics sung with intimate fragility. Sparse piano and subtle ambient textures create space for vulnerability. Slow tempo (~70 BPM), soft vocals that sound almost whispered at times, with subtle dynamics and no vocal layering or effects. Focus is on lyrical depth and personal reflection — like reading a diary aloud. Melancholic, contemplative, and deeply human

Running Out Of Time

Genre: Nu-Disco

Genre: Nu-Disco, Funky House, Pop Dance BPM: 122, Key: B Minor Mood: Groovy, upbeat, stylish, cool, energetic, sophisticated Style: Funky electric guitar riffs (Nile Rodgers style), slap bass guitar, disco string section, punchy acoustic drums, brass hits, warm keys, clean production, commercial radio sound Vocal: Female soulful pop lead, powerful chest voice, sassy delivery, clear lyrics, layered harmonies in chorus, smooth ad-libs, NO distortion, NO screaming Structure: Radio edit, 4-bar drum intro, 4-line Verse, Pre-Chorus, Chorus with brass, Post-Chorus groove, Verse 2, Bridge, Final Chorus Production: Clean mix, wide stereo guitars, tight low end, punchy kick, crisp vocals upfront, polished studio sound Excluding: Dubstep, trap, techno, heavy distortion, futuristic synths, dark vibes, screaming

Still Breathing - BRUISED DREAMS

Soft reverb-heavy synth pad

Soft reverb-heavy synth pad, muted chorus guitar, deep swelling sub bass, minimal lo-fi drums, subtle vinyl hiss and glitch texture, airy ambient background, vocal-forward mix, female vocals