New Songs

Ocean Blue v2

trap

trap, deadpan monotone rap delivery, flat pitch, minimal melody, talk-rap/spoken cadence, dry vocal tone, steady rhythm, no singing, no vocal runs, understated emotion, tight timing, extremely memorable, catchy chorus, Voice on 2nd verse, energetic and quick

“Medusa Doesn’t Blink”

Dark cinematic electro-tribal rock with mythic gravity. Tempo ~86–90 BPM. Minor key. Track opens with low

Dark cinematic electro-tribal rock with mythic gravity. Tempo ~86–90 BPM. Minor key. Track opens with low, breathy didgeridoo drone pulsing like an ancient heartbeat, layered with distant wind and sub-bass. Sparse drums enter slowly—ritualistic, restrained, deliberate. Verses are minimal: didgeridoo, muted guitar swells, subtle analog synths. Vocals: male, calm, unnervingly controlled, low affect, precise diction—INFJ Sigma, sovereign, post-betrayal clarity (spoken-sung hybrid). Chorus does not explode; it descends—heavier through weight, not volume. Bridge strips back to didgeridoo, heartbeat bass, and faint choral pads like frozen witnesses. Final chorus returns colder, wider, inevitable. Ending fades into breath, drone, and silence. Mood: Jungian shadow, hero’s return, Medusa gaze, Black Mirror truth, timeless and dangerous.

Prayer to Sekhmet, Anubis and Isis

Ancient egypt

Ancient egypt, intimate, ritual, stone temple, ancient harp, ancient hand drums, ancient metal rattle, reed flute

Hillside ( Reprise )

Dark

Dark, A cracked, nasal baritone that sounds like it’s been smoked, soaked in whiskey, and dragged through regret, The song is in a minor key, likely A minor, and maintains a moderate tempo throughout, The instrumentation features a clean electric guitar playing arpeggiated chords, a walking bass line, and a drum kit providing a steady, understated rhythm with brushes on the snare, The chord progression is largely diatonic, creating a sense of introspection, The vocal delivery is clear and articulate, with a conversational quality that occasionally shifts to a more dramatic, almost spoken-word style during certain phrases, There are moments of dynamic build-up, particularly leading into the chorus, Murderfolk, Dark Folk, and Americana, mixing traditional folk/country with heavy metal, blues, and punk elements, focusing on macabre themes like death, crime, and addiction with a Southern Gothic feel, often described as "noir-folk" or "hardcore-adjacent folk"

SPATIAL TRANCE: THE HAAS EFFECT ANTHEM

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Progressive Trance Psychoacoustic Architecture

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Progressive Trance Psychoacoustic Architecture, 138 BPM, Roland JP-8000 Supersaw Lead, Haas Effect Spatial Positioning (20-40ms Delay Panning), Monolithic Center Kick Drum, Wide Detuned Bass Behind Listener's Ears, HRTF Head-Related Transfer Function Vocal Processing, Automated Circular White Noise Panning, In-Phase Sub-Bass Pressure from Below, Dolby Atmos Optimized, Three-Dimensional Soundscape Engineering, Euphoric 4-Note Arpeggio, Professional Spatial Audio Production, Sound Originating Outside the Head

WET - VYRE

Strings and subtle orchestral textures

Strings and subtle orchestral textures ,R&B ,Alt K-pop, Ethereal synths, reverb-heavy vocals, soft harmonies,5 female vocals, girl group , kpop, ethereal vocals female, mysterious , slower tempo , dark pop,

Low (Marianas Trench Cover)

emotional alt rock

emotional alt rock, anxious tension, rising pressure through verses, explosive hook, self-aware lyrics, cathartic release

“SILK & SUBWOOFERS (DJ SCREW)” – Nyx Noir

Jazz in the trap beat

Jazz in the trap beat, Heavy low sub bass and trap kick drums, Chopped and screwed 1950s jazz vocal sample with vinyl crackle, Smoky jazz club atmosphere mixed with modern trap energy, Tempo 130 BPM with half-time feel during drops, 2–4 bar beat change ups with drums dropping out, sub bass glides, DJ rewind effects, Dark, elegant, club banger anthem vibe

My Mind Is Louder

A deep kick and growling bass drive the dark pop/hip-hop verses under sparse piano-synth lines

A deep kick and growling bass drive the dark pop/hip-hop verses under sparse piano-synth lines, building tension. Minimal strings gently signal the pre-chorus. The chorus erupts with thick drums, bold keys, and layered vocals—female power in the chorus, male grit in the verses. Texture moves from raw intimacy, to aggressive surge, to an explosive, dominant hook. The bridge drops to almost bare vocals and percussion, before the final chorus lands with sweeping full-band force.

Do It

funk

funk, melodic techno, deep progressive house, atmospheric pads, warm rolling bassline, subtle arpeggios, emotional and cinematic synths, minimal percussion, steady 4/4 beat, hypnotic groove, late night club vibe, 123–126 BPM, immersive and emotional mood, modern underground production, instrumental or vocal-driven, emotional, deep progressive house, steady, bassline, vocal, minimal, hypnotic, techno, warm

NOT LIKE THIS

female vocals

female vocals, female voice, pop punk, modern pop punk, alternative rock, punk rock, mid tempo, chant driven chorus, call and response vocals, anthemic hook, repetitive outro chant, terminal chorus ending, crunchy electric guitars, distorted guitar riffs, punchy drums, driving rhythm, dynamic contrast, quiet verse loud chorus, conversational lyrics, second person perspective, relationship tension, authenticity theme, social pressure theme, confident delivery, confrontational tone, emotional escalation, melodic punk, high replay value, energetic, guitar driven, modern rock production, clean punchy mix

TAM TAM

Afrobeat

Afrobeat,rhythmic,indie pop, Zulu ethnic style, drum and bass, haunting melodies, Cathy,Hypnotic,Funny,psikedelik,mystical,primitive, trance pop, Shaman, Aztek, Maya, Abourjin ritual background sound

Neonherz

Early-80s Synth-Pop / Hi-NRG mit starkem Disco-Einfluss. Sound: Analoge Synthesizer

Early-80s Synth-Pop / Hi-NRG mit starkem Disco-Einfluss. Sound: Analoge Synthesizer, pulsierende Basslines, treibende Drum Machines, rohe elektronische Texturen mit Club-Feeling. Vocals: Kraftvolle, emotionale Falsett-Stimme, klar, dringlich und verletzlich zugleich. Mood: Tanzbar und euphorisch, aber mit tiefer Melancholie – Musik für den Dancefloor, die trotzdem im Herzen schmerzt. Themen: LGBTQ+ Identität, Selbstermächtigung, urbane Einsamkeit, Stolz, Liebe im Schatten der Gesellschaft, Widerstandskraft. Atmosphäre: Neonlichter, Nachtclubs, Großstadt, Schweiß, Glitzer, Befreiung durch Tanz. Textstil: Poetisch, direkt, bildhaft, politisch spürbar ohne platt zu wirken. Struktur: Strophe – Pre-Chorus – Refrain – Strophe – Pre-Chorus – Refrain – Bridge – Finaler Refrain.

Copper Dawn Ledger

Groove & palette (succinct) Tempo/feel: ~88 BPM grid; verses feel 6/8 against a 4/4 pulse; pre in 7/8; refrain locked 4/4 with hemiola accents. Band: baritone electric (amp tremolo)

Groove & palette (succinct) Tempo/feel: ~88 BPM grid; verses feel 6/8 against a 4/4 pulse; pre in 7/8; refrain locked 4/4 with hemiola accents. Band: baritone electric (amp tremolo), resonator/slide (restrained), clean e-gtr delay motif; upright bass dead-room thump; kick+floor tom+crosstick; pump organ/low pad; hushed harmonica. Vocal: male, close-miked, weary grit; minimal doubles on refrain nouns; no big lifts. Mix: mono-leaning, narrow; spring verb on guitars, plate 1.4–1.6 s on vocal; tape slap 120 ms; dynamics > loudness.

SALTWATER MIRAGE.

[Genre: Dark Blues

[Genre: Dark Blues, Lo-Fi Soul, Slow Burn Ballad] [Vocal Style: Central element. A mature male baritone that is the sonic equivalent of a worn leather jacket and a half-empty glass. Timbre: Deep, smoky, with a pronounced gravelly texture (like Oscar Benton or late-stage Tom Waits). Delivery: Weary, paced, and deeply introspective. The singer doesn't push; he lets the words fall out with the weight of experience, using minimal vibrato. The voice should occasionally crack with emotion or strain, feeling intimate, close-mic'd, and painfully honest. It's not about singing perfectly; it's about telling the truth raggedly.]

Wily Devil

A driving instrumental built on biting surf guitars drenched in spring reverb

A driving instrumental built on biting surf guitars drenched in spring reverb, propelled by a pounding snare and rolling toms. The main riff sets a tense, energetic pace, with twangy bass and staccato rhythm guitar adding urgency. Occasional tremolo-picked leads heighten the excitement.

To The Dust (Lilith)

lo-fi

lo-fi, night core, horror folk, dark house, heavy metal, swamp blues, elements of jazz, Death Metal, saxophone playing throughout, contralto female vocals, that fluctuate from lower to higher vocal range, layered vocals and sound

Uprising

Sycamore Veil*

sad

sad, melodic metal, dark, cinematic, melodic, metalcore, sad metal, sad guitar

Nos Moments Incensé

guitar. string

guitar. string