New Songs

HAUNTED LIBRARY - SUPERNATURAL SOUNDSCAPE

Dark Ambient Library Horror

Dark Ambient Library Horror, 60 BPM slow dread, Book pages 500Hz-2kHz turning, Floor creaking 100-300Hz groaning, Chandelier chain 200-600Hz swaying, Wind howling 50-500Hz distant, Window 300-1kHz rattling, Door hinges 400-800Hz squeaking, Footsteps 80-200Hz echoing, Candle 20-50Hz flickering, Clock tower 400Hz-1kHz chiming, Pipe organ 30-100Hz drone, Whispers 1-4kHz layered, Breathing 50-200Hz heavy, Heartbeat 40-80Hz pounding, Rope 200-500Hz creaking, Chains 100-400Hz dragging, Books 300Hz-1kHz falling, Dust 100-500Hz settling, Moth wings 500Hz-2kHz fluttering, Cobwebs 1-3kHz brushing, Supernatural tension cinematic horror atmosphere building dread

Revolution

THE INDIGO BREACH (CHRONICLES OF THE UNWRITTEN)

all-electronic progressive alt-rock/metal suite

all-electronic progressive alt-rock/metal suite, delicate intro into crushing chorus, acoustic-guitar emulation with bright pick attack, hard-cut to dense distorted synth-guitars, palm-muted chugs, octave hooks, ringing open chords, syncopated stop-start riffs with odd-bar turns, gritty picked bass-synth counterlines and sub drops, punchy programmed drums: kick, snare crack, ghost notes, tom runs, double-kick bursts, metallic industrial percussion, minor-key heroic hooks with harmonic-minor bite, breakdown with filtered noise and reverse swells, vocals: intimate close-mic male verses, whispers to angry shouts, harsh screams, belted anthemic choruses with stacked harmonies and gang-shout replies, cinematic opera lift: soaring tenor-aria, cathedral organ drones, choir-synth call-and-response, string-synth haze, brass fanfare stabs, timpani-style hits, gong swells, wide hall reverb, final chorus bigger and darker, polished hi-fi, wide stereo, tight clean low end, loud yet dynamic master

“FROM NOTHINGNESS” - style a la Metallica

melodic emotional ballad rock style a la Led Zepelin+ Metalica vibe

melodic emotional ballad rock style a la Led Zepelin+ Metalica vibe

Тоторо

A haunted mambo-dreamcore

A haunted mambo-dreamcore, 1970s space disco , musique concrète, it creates a surreal soundscape. Piercing synthesizers imitate alien transmissions, while the sounds of boiling soup (“blublublub”) and The introduction, between verses, and ending of the song are accompanied by a dragon's loud roar ( PRRRR...) exaggerated fart effects (“PRRRR!”) layer rhythmically like percussion. The vocals are harsh, and the song is meant for children aged 12 and up. The arrangement is pure chaos: accordion riffs collide with the wails of a theremin, and cosmic echoes swirl in the flight of a dragon and its roar,

Star Filled Smile (English And Russian Mix)

male vocals

male vocals, Auditorium Organ, light rock, electric techno, static, futuristic, retro, disco, chorus, repeat, Disco, dubstep, chorus, techno, retro videogame, robotic, futuristic, acid techno, House music (x3), Disco, dubstep, chorus, techno, retro videogame, robotic, futuristic, acid techno, House music, Disco, dubstep, chorus, techno, retro videogame, robotic, futuristic, acid techno, House music,, guitar, electronic, synth, mutation funk, aggressive, rap, drum and bass, progressive, epic, edm, punk

От чистой Души́ || From a pure Soul

Opening with soft electric piano and subtle hand percussion

Opening with soft electric piano and subtle hand percussion, gentle guitar lines weave Celtic-inspired melodies. Ethereal pads evoke colorful landscapes, while a mystic atmosphere envelops improvisational flute and vocal phrases. Sultry reggae grooves pulse beneath, allowing vocals to soar freely, blending lounge smoothness with folklore’s ancient tonalities and spirited freestyle touches.

Chloroform Lullaby

Acoustic rock ballad transitions into Symphonic Nu-Metal. Male emotive tenor and Female virtuoso soprano. Atmospheric Stacks

Acoustic rock ballad transitions into Symphonic Nu-Metal. Male emotive tenor and Female virtuoso soprano. Atmospheric Stacks, Cinematic Power Belt, Crystalline Whistle Peak, Fragile Rock Intro, Intricate Diva Runs. Heavy drums, melodic guitar solos, rich harmonic layers.

วาดชีวิต

Thai Phuea Chiwit

Thai Phuea Chiwit, Acoustic Folk, 80 BPM, Sweet Female Vocals, Heartwarming, Nature sounds, Banana leaf unfolding sound, Thai Flute (Khlui), Nostalgic, Gentle, Healing

**“Glory in the Strobe Light”**

pop

pop, Operatic pop-techno crossover with female vocals: symphonic strings and choir pads over a pounding four-on-the-floor kick and shimmering sidechained synths. Verses stay sparse with harp arpeggios and airy plucks; pre-chorus swells with orchestral brass and rising risers. Chorus explodes into soaring falsetto belts, stacked harmonies, and a huge trance lead; bridge strips back to organ and choir before a final euphoric drop., eclectic, operatic pop, female vocals, classical, beats, techno

Home to Summit & Back

[High-octane fusion of frenzied Cumbia beats and sharply syncopated grooves. Features hyperactive EDM synths

[High-octane fusion of frenzied Cumbia beats and sharply syncopated grooves. Features hyperactive EDM synths, aggressive Balkan brass sections, and wild, rapid-fire accordion riffs. Percussion is dense and layered, including steel drums, bongos, and hand drums that drive rhythmic shifts. Features lush orchestral strings that swell into massive orchestral-EDM walls. The arrangement includes theatrical, earth-shaking drops, cinematic crowd breaks, and sudden explosive horn hits. Vocals are soaring and powerful, doubling with synths during climaxes. Complex, twisting meters and high-fidelity, cinematic production.]

Held In The Quiet

Ambient worship / prayer song. Very slow tempo. Soft piano

Ambient worship / prayer song. Very slow tempo. Soft piano, airy pads, gentle strings, minimal or no percussion. Warm, intimate male vocal. Spacious reverb, peaceful and emotional atmosphere. Theme of rest, surrender, silence, and being held by God. Cinematic yet minimal, suitable for prayer, sleep, and quiet reflection.

Дневник

[angry]

[angry]

U

Looks Good

Indie rock

Indie rock, garage punk, melodic, upbeat, boom bap, voice through megaphone

Last Resort

DJ turntable scratching and vinyl manipulation intro

DJ turntable scratching and vinyl manipulation intro, keyboard ambiance introearly 2000s metal, rap metal, dark and emotionally intense atmosphere, angsty and cathartic tone, mid to fast tempo with driving momentum, hip-hop style scratch patterns and rhythmic cuts, minimal scratch-led intro with subtle electronic ambience, loop-based intro motif, no guitars or drums during intro, gradual tension build from scratching only, classic DJ intro style, down-tuned guitar riffs enter after intro, tight rhythmic chugging, simple but powerful riff structures, minimal melodic guitar leads, thick and punchy basslines, hip-hop influenced groove, aggressive and precise drums with heavy kick and snare, subtle electronic textures as background only, raw but polished early-2000s production, male vocals, dual-vocal approach, rhythmic rap-style verses, aggressive shouted and screamed chorus vocals, intense and confrontational delivery, no clean melodic singing, no pop ballad sectio

Chaos

Piano Drums Electric Guitar Acoustic Guitar Bass Violin Cello Trumpet Saxophone Flute Hip-Hop Rap Pop Rock Alternative Indie Jazz Blues Classical EDM Trap R&B Soul Lo-Fi Drill Punk Metal Country Gospel Funk Sad Peaceful Angry Bubbly Free Lonely Hopeful Calm Chaotic Focused Singer Rapper Producer DJ Songwriter Beat Melody Rhythm Silence Basketball court bounce 🏀

Piano Drums Electric Guitar Acoustic Guitar Bass Violin Cello Trumpet Saxophone Flute Hip-Hop Rap Pop Rock Alternative Indie Jazz Blues Classical EDM Trap R&B Soul Lo-Fi Drill Punk Metal Country Gospel Funk Sad Peaceful Angry Bubbly Free Lonely Hopeful Calm Chaotic Focused Singer Rapper Producer DJ Songwriter Beat Melody Rhythm Silence Basketball court bounce 🏀

Call Me on my Rotom

A burst of punchy talkbox chants "row-to-to-to" opens over a propulsive disco drum groove

A burst of punchy talkbox chants "row-to-to-to" opens over a propulsive disco drum groove, layered with glitch hits and filtered phone effects. Verses feature swaggering, melodic male vocals atop driving bass, crisp synth flourishes, and bold guitar stabs. Choruses erupt with fat, robotic talkbox leads trading riffs with lush vocoder harmonies, buoyant arpeggios, and punchy, kinetic drums in a bold call-and-response hook. Each verse builds with added synth grit and guitar jabs, escalating to a double chorus finale where dense synths and talkbox interact over powerhouse percussion. The outro pivots to a witty ringtone motif over bright keys, wrapping vibrant electro-funk disco with a rich, melodic low end.

Catch Me v2 (Cover)

The singer is a female with deep

The singer is a female with deep, gentle, melancholic vocals. The song is 90's grunge, shoegaze, nu metal, art rock, and orchestral rock. There is a lot of emotion behind the music, but less behind the vocals. Imagine a teenager sitting alone in their bedroom, listening with headphones, and feeling emotional. It should be a song that appeals to high school aged people with a melancholic, slightly emo feel, with a slightly dark, hopeless tone juxtaposed with a gentle melody, giving the whole song a fragile feeling. The guitar melody is always front and center, and the orchestration is never far behind. There is no audio with the singer inhaling.

I'm Overthinking

Sad Emotional Depth

Sad Emotional Depth