New Songs

Luci Spente (Lights Off) v.2

Production / Sound (EN – detailed) The production blends modern Italian urban pop with subtle R&B and electronic influences

Production / Sound (EN – detailed) The production blends modern Italian urban pop with subtle R&B and electronic influences, focusing on groove, atmosphere, and emotional distance. The track is built on a mid-tempo beat, combining soft electronic drums with a muted, bouncing kick. The rhythm feels smooth and confident, designed to move without rushing. Bass is warm and melodic, slightly syncopated, creating a fluid connection between pop accessibility and urban depth. It stays present but never aggressive. Electric piano and minimal synth leads form the harmonic core, playing simple but emotional progressions. Light guitar textures appear in the background, treated with delay and reverb to add space. As the song progresses, the arrangement grows subtly — added harmonies, background vocals, and wider synth layers expand the sound without creating a dramatic drop. Vocals are stylish, close, and expressive, slightly processed but still intimate. The delivery switches naturally betwe

I Don't Understand

[Genre: Mainstage House

[Genre: Mainstage House, Dance-Pop, Progressive House] [Mood: Nocturnal, melancholic euphoria, driving energy, nostalgic] [Key: G# Minor] [Vocal: Male, darkwave crooner, lo-fi saturation, monotone verse into falsetto hook, post-punk influence] [Instrumentation: Core = tight punchy kick, rolling future house donk bass, bright M1 piano layers; Support = Eurodance-style digital plucked synth lead, crisp 909 hats, vocal chop textures] [Melody: D# D# D# D# D# B G#] [Production: Heavy sidechain ducking on bass and synths; wide stereo imaging on drops; bright modern polish; vocal formant shifting; clean mix; punchy low-end focus; mono sub-bass frequencies below 120Hz] [FX: White noise risers, filter sweeps, reverse reverb throws, sub-bass impacts, tension builds before drops, pitch-drop transitions]

A Metà Strada (Halfway There) v.2

Production / Sound (EN – detailed) The production blends modern Italian pop with urban R&B and light electronic textures

Production / Sound (EN – detailed) The production blends modern Italian pop with urban R&B and light electronic textures, keeping everything smooth, emotional, and close. The track sits at a mid-tempo groove, driven by soft electronic drums and a rounded kick. The rhythm feels steady and calm, never pushing too hard. Bass is warm and melodic, moving gently under the chords and giving the song a relaxed pulse without heaviness. The harmonic base comes from electric piano and subtle synth pads, creating a soft, reflective atmosphere. Minimal guitar lines appear in the background, adding warmth and human texture. As the song progresses, the arrangement opens slightly with backing vocals and wider synth layers, but it never becomes explosive — the emotion stays controlled and sincere. Vocals are intimate and expressive, slightly processed but still natural. The performance feels conversational, like thoughts spoken out loud late at night. The overall sound feels romantic, modern, an

どうなるの？

A song featuring a 22-year-old female vocal. Emotion-driven

A song featuring a 22-year-old female vocal. Emotion-driven, intimate, and realistic. Mid-tempo, gradually building intensity. Soft beginning, emotional chorus, restrained but powerful ending. Focus on subtle emotional changes and vulnerability. Approximately 5–6 minutes. Theme 「別れたらどうなるの？」 Knowing a breakup is coming, pretending to be okay, fear of losing ordinary moments, and finally allowing oneself to cry after saying goodbye. Not dramatic, but painfully realistic.

Last Day of the Year

Electronic

Electronic, Dark Wave, Spoken Word, Avantgarde, [all spoken female voice with british accent]

Needle City Blues

Raw

Raw, dirty, heavy 1977 British punk track with sneering Cockney vocals, loud distorted guitars (A-D-E), pounding snare on 2 & 4, driving bass, short shouted chorus, crowd “Oi!” and “Oh!” background. Vocals aggressive, spitting, sarcastic, full of attitude and swearing, like early Sex-Pistols or The-Damned. Rough lo-fi mix, dirty club energy, no polish. Include short feedback intro, spit FX, chanting gang vocals in chorus, and chaotic ending with feedback and crash. Fast tempo, about 180-200 BPM.

OD NOWA NA NOWO

dark pop with rock elements

dark pop with rock elements, mysterious, emotional, full of sadness and anger, emotional female voices, lead electric guitar, group vocals, electronic melancholic, female choirs, piano-driven, back vocals

⓰ えとひﾟりか　#和フェス (Cover)

Speed-up phonk cover-style track

Speed-up phonk cover-style track, fast tempo and high energy, dark but catchy mood. Punchy phonk drums, distorted 808 bass, memphis-style cowbells. Speed-up vocals with tight rhythm, clear melody, strong groove. Original melody and lyrics, inspired by the vibe only, no direct reference to any specific song or artist.

Thank you…2025

Jamaican soulful festival techno trance

Jamaican soulful festival techno trance, hip hop soul, heavy dub reggae influence, glitchy IDM breakdowns, soulful female + toasted male Jamaican vocal hooks, delayed dub sirens, massive supersaw trance leads, hard kicking techno groove at 138-142 BPM, intense build-ups with filter risers and snare rolls creating extreme tension, sudden total silence drops into explosive mainroom euphoria, distorted sub-bass, glitchy micro-edits and stutter effects, reverb-drenched skanks, psychedelic delay throws, worldwide festival energy, Tomorrowland meets Boom Festival meets Notting Hill Carnival

the call

Phone Face Down

「지금이야 (AMEN DROP)」

Gabber / Hardcore Techno

Gabber / Hardcore Techno, 160 Bpm, Dark Industrial, Night Club Atmosphere, Soulful Male Vocal, Deep Female French Vocal, Succubus Style, Whispery, Seductive, Dominant, Very Front, Heavy Kick, Minimal Synth, Erotic Tension,

Brain Cell Riot

Ultra-fast Shadow-Lobe Grindcore. Songs around 37 seconds. Brutal blast beats

Ultra-fast Shadow-Lobe Grindcore. Songs around 37 seconds. Brutal blast beats, hyper-compressed guitars, buzzing bass that sounds like the darkness behind your eyes waking up hungry. Sudden micro-breakdowns, abrupt silences, then violent returns. Raw, chaotic, slightly lo-fi edge. Vocals: Harsh screams and frantic shouts with tiny flashes of clarity. Lyrics about losing control, three remaining brain cells arguing, inner chaos, humor mixed with dread. Mood: Unstable, hungry, claustrophobic, darkly funny. Tempo: 220–260 BPM (with very brief slowdowns that feel like the world glitching). Production Notes: Hard stops, quick feedback squeals, smashed drum sound, short tail reverbs, brick-wall master. End the track suddenly. Structure (total ~0:37): [Static Intro 2s] [Verse 10s] [Blast Section 15s] [Micro-Breakdown 3s] [Final Burst 7s] [Cut]

GOLDEN ERA

​Slap House

​Slap House, Future Bass, High-energy Dance-Pop, 126 BPM, deep rhythmic bassline, shimmering synth leads, anthemic male vocals, catchy earworm melody, professional radio production, celebratory atmosphere, explosive drops.

Fox and me

Scorpions

Scorpions

Verse 1 朝が来る それだけで 少し疲れる 正しい言葉が 多すぎて どれも選べない Break / Spoken 直したいわけじゃない ただ 続いてるだけ Chorus 壊れながら生きてる 修理は終わってない 完成しないまま 今日を消さなかった 壊れながら生きてる 意味は後回し 理由は無い それでも ここにいる Verse 2 努力は 音を立てず 崩れていく 勝ったはずの夜 何も 増えていない Pre-Chorus 間違いのまま 進むしかない 戻る場所は もう無い Chorus 壊れながら生きてる 答えは出てない 正解じゃなくても 止まらなかった 壊れながら生きてる 名前は無くても 呼ばれなくても 呼吸は 続く Bridge（Spoken） 救いはいらない 証明もいらない わかるなら それでいい Last Chorus 壊れながら生きてる それを 否定しない 終わらせなかった それだけで Outro 直らなくていい 壊れたまま 生きてる

[Title] 壊れながら生きる [Style / Genre] Drum and Bass Minimal / Cold / Emotional Restraint Japanese Vocal Spoken-word influenced [BPM / Key] BPM: 174 Key: F Minor [Mood / Atmosphere] Cold Detached Unresolved Quietly painful No catharsis Forward motion without salvation [Drums] Tight and fast drum'n bass breakbeats Sharp metallic snare Deep subby kick Precise

[Title] 壊れながら生きる [Style / Genre] Drum and Bass Minimal / Cold / Emotional Restraint Japanese Vocal Spoken-word influenced [BPM / Key] BPM: 174 Key: F Minor [Mood / Atmosphere] Cold Detached Unresolved Quietly painful No catharsis Forward motion without salvation [Drums] Tight and fast drum'n bass breakbeats Sharp metallic snare Deep subby kick Precise, mechanical groove No swing exaggeration [Bass] Deep reese bass Minimal movement Low emotional expression Pressure-focused [Synth / Atmosphere] Cold pads Sparse digital textures Dark empty space Urban night feeling [Vocal] Japanese female vocal Flat, distant delivery Some lines spoken, some sung No shouting No emotional climax [Important Direction] Do not make it hopeful Do not resolve emotions Leave space and silence

Imma never give up

folk

folk, folk punk, celtic punk, punk, hardcore, gypsy punk, G, C, D, washboards, spoons, cajons, tambourines, stomping, DIY ethos, train beat, rough passionate vocals, raspy singer

Leap Into The New Year

Shimmering ambient-electronica with bright xylophone plucks and airy pads; gentle sidechained synth bed under a lyrical lead electronic violin. Female vocals soft and intimate on the verses

Shimmering ambient-electronica with bright xylophone plucks and airy pads; gentle sidechained synth bed under a lyrical lead electronic violin. Female vocals soft and intimate on the verses, opening into a wide, layered chorus with subtle harmonies and a lifting bass swell. Light percussive clicks and soft claps keep it moving while reverb tails create a dreamy, hopeful glow., happy, uplifting, violin, electronic, female vocals, ambient

Oceans

digitalscribe

digitalscribe

I'll yawn/salirò (Remastered)

piano jazz

piano jazz, ibiza club