New Songs

" J'suis perdu dans l'moment,"

male vocals

male vocals, deep male voice,new brunswick style voice , acoustic guitar, fingerstyle, alternative rock, high-quality production grand piano, Hall bar rock, live audio, audience girl vocals,sweet girl voice ,girls new brunswick voice style .

One Love

[Genre: Liquid Techno / Dark House / Deep House] [Mood: minor

[Genre: Liquid Techno / Dark House / Deep House] [Mood: minor, downbeat, moody, driving] [Vocal: Sensual feminine mid-register, breathy, drenched in reverb] [Instrumentation: Core = tight clipped kick, rolling mono sub (sine+FM), wavetable pluck/lead; Support = textured pad, 303+909 hats+clap, percussive tops] [Production: hard sidechain to kick; mono <120 Hz; wide hats; lead reverb ducked; soft-clip on drum bus; transient-shaped kick; OTT on bass; subtle tape/console sat on synth bus] [FX: white-noise risers, reverse snare into drops, pitch-drop impact, stutter fills every 8 bars, 24dB LP/HP filter sweeps, short tape-stop into break] [Intro] filtered plucks + hat tick, no melody; [Build] bass rolls in, rising noise; [Drop 1] full kick+sub, pluck motif 1-bar loop; [Mid] add pad layer, reduce hats; [Break] kick out, pluck + pad only, long reverb throw]

Master & Crazy

A high-energy hip-hop track with a strong female lead vocalist

A high-energy hip-hop track with a strong female lead vocalist, featuring elements of electronic music and a driving beat. The song is in a minor key, creating a sense of urgency and intensity. The tempo is fast, contributing to the track's dynamic feel. The instrumentation includes a prominent synth bass, a driving drum machine with a strong kick and snare, and various electronic sound effects. The lead vocal is delivered with a confident and aggressive tone, incorporating both rapping and melodic singing. The vocal delivery is characterized by rapid-fire lyrical delivery during the rap sections and a more sustained, powerful delivery during the melodic parts. Production elements include heavy compression on the vocals, reverb on the electronic elements, and a generally loud and impactful mix. The song structure follows a typical verse-chorus format with a bridge and an outro. The melody is catchy and memorable, often featuring repetitive synth lines that build tension. The overall mo

Bury Me On A Backroad (REMiX)

Driven by a punchy groove

Driven by a punchy groove, the track features syncopated drums, playful bass hooks, and sharp guitar stabs. Layered percussion and handclaps enhance the infectious feel, while crisp keys and tightly arranged sections keep energy high and momentum engaging throughout.

BΛCK-TO-THE-FUTURE-1985-2025

Style: Dark

Style: Dark, elegant, emotional Melodic Techno / Melodic House Influences: × × × early Massive Attack Mood: Introspective, nocturnal, sensual, enigmatic – like a nighttime drive along the coast aimlessly. Male Vocals: Deep, dark, slightly raspy – emotional, fluid, intense – with a subtle vibrato, melancholic tone, and dramatic presence. Chest resonance, controlled whispers, a serious yet mysterious character. Every word sounds like a confession in neon light. Tempo: 118 BPM– steady, hypnotic, pulsating like a heartbeat after midnight Production: — Dark, warm analog synths – rich, evolving, cinematic — Deep, atmospheric pads – wide, cathedral-like, engaging — Melodic, enveloping bassline – progressive, sensual, never aggressive — Minimalist drums – expressive, textured, with space between beats — Vast emotional space — Bright arpeggios, professional mixing, lush highs, KEEP THE TRAP LEVEL HIGH, PERFECT STEREO… clean treble. Very clean treble, LEFT RIGHT CHANNEL SEPARATION

Friday People

A bouncy trip-hop and trippy electronic R&B anthem about Black Friday as a surreal collective ritual. Opens with a dusty acoustic guitar loop over a smoky beat

A bouncy trip-hop and trippy electronic R&B anthem about Black Friday as a surreal collective ritual. Opens with a dusty acoustic guitar loop over a smoky beat, joined by warm bass pulses and elastic synths. Soulful vocal samples echo beneath rhythmic spoken-word fragments. The chorus blooms into layered harmonies, hypnotic keys and deep percussion. Bridge drops to a minimal groove with fingerpicked guitar before a euphoric, gospel-tinged final burst. Genres: Trip-Hop, Electronic R&B, Acoustic Beat, Trippy Soul, Indie Groove, Bouncy Lounge, Beat Bastardscore, Neo-Funk, Soul Pop, Downtempo Funk, Psychedelic Soul, Alt Chillhop, Smoky Electronica, Broken Beat Noir, Lo-Fi R&B, Chill Soulwave, Cinematic Pop, Dream-Hop, Acid Jazz Pop, Beat Poetry Groove, Organic Soul, Uplifting Electronica, Deep Lounge Beat, Retro-R&B, Urban Folkbeat, Jazzy Trip-Hop, Electro Soul, Psybient Groove, Anthemic Chill, Leftfield Soul BPM: 102

Blood and Spell (Cover)

Melodic dance/techno with cosmic and mythological atmosphere

Melodic dance/techno with cosmic and mythological atmosphere, Tempo: 120–128 BPM — steady, uplifting pulse with emotional synths and rhythmic clarity, Use layered synth pads, pulsing basslines, shimmering arpeggios, and ambient textures, Add FX: cosmic wind, reversed whispers, starlight pulses, and soft echo trails, Female lead vocal: melodic, mystical, expressive — in the style of Amy Lee or Jennifer Rush, Male vocal: deep, rhythmic, slightly shadowed — Parish

Vainqueurs B

Style Global : Pop-Raï / Dance Électro (Festive & Moderne) Rythme (Beat) & Instrumentation 1. Rythme de Base (La Fondation) : Batterie : Un beat de dance solide et rapide (environ 128-132 BPM). Grosse caisse sur les 1er et 3e temps (Poum - Poum). Caisse claire claquante sur les 2e et 4e temps (Tchak - Tchak). Beaucoup de charleston (cymbales) pour maintenir l'énergie et donner un côté "dancing". Percussions : Essentiel pour l'identité marocaine. Bendir/Tar : Pour le roulement et le souffle traditionnel. Darbouka : Des phrases rythmiques complexes et rapides qui dialoguent avec la mélodie principale

Style Global : Pop-Raï / Dance Électro (Festive & Moderne) Rythme (Beat) & Instrumentation 1. Rythme de Base (La Fondation) : Batterie : Un beat de dance solide et rapide (environ 128-132 BPM). Grosse caisse sur les 1er et 3e temps (Poum - Poum). Caisse claire claquante sur les 2e et 4e temps (Tchak - Tchak). Beaucoup de charleston (cymbales) pour maintenir l'énergie et donner un côté "dancing". Percussions : Essentiel pour l'identité marocaine. Bendir/Tar : Pour le roulement et le souffle traditionnel. Darbouka : Des phrases rythmiques complexes et rapides qui dialoguent avec la mélodie principale, surtout pendant le pont et le breakdown. 2. Lignes Mélodiques (Les Couleurs) : Synthés : Un synthé lead perçant et joyeux qui joue la mélodie accrocheuse du refrain ("Oh oh oh..."). Des nappes de synthé chaleureuses en arrière-plan pour créer de l'ampleur et de l'émotion. Instruments Acoustiques : Un violon électrique ou un synthé imitant un violon raï pour les ponts mélodiques

Steam Becomes Rain

[genre: tribal ritual electronica fusing minimal techno skeleton

[genre: tribal ritual electronica fusing minimal techno skeleton, and post-rock crescendo architecture at 92 BPM] [mood: adobe resonance, steam transformation, porous warmth] [instruments: clay pot drums, pinon ash shakers, sub-bass rumble, mica-flash synths, yucca-cord bassline] [ashara vocals: earthen, smoky, desiccated, reedy, hollow, subterranean, feathered, warm, breathy, intermittent, behind-the-beat, brooding, weary, reverent, prayerful, trance-like, melismatic on breathe, glottal fry, register leap, blue notes] [style: hypnotic incantatory rhythm, staccato to flowing] [structure: pre-chorus tension, bridge choir entry, phonetic dissonance on key lines] [texture: porous, breathing, long decay, soft attack, rounded edges, subterranean weight]

Bury Me On A Backroad (Catdirt’s go)

Death metal

Death metal, electric guitar driven, aggressive male vocals

Ты моя гравитация (rock violin) v8

Opening with slow

Opening with slow, deep kicks and a brooding bass, taut surf rock guitars create a moody pulse. Djent metal guitars add angular, syncopated riffs atop rock progressive rhythms, building momentum. Euphoric drops bring dramatic dynamic shifts, while acoustic violin weaves lyrical motifs that both contrast and heighten the intensity.

Midnight Ghosts ( PARODY )

A high-energy rock song with a driving rhythm section

A high-energy rock song with a driving rhythm section, distorted electric guitars, and a male lead vocalist, The tempo is fast, around 160 BPM, The key is A minor, The song features a prominent electric guitar riff that is present throughout the verses and chorus, The drums provide a solid rock beat with a strong backbeat on the snare, The bass guitar plays a root-fifth pattern, providing a strong harmonic foundation, The lead vocals are delivered with a raw, slightly raspy quality, emphasizing the rock aesthetic, There are also backing vocals that provide harmonies during the chorus, The production is clean with a good balance between instruments, and the guitars have a noticeable overdrive effect, The song structure includes verses, a pre-chorus, and a chorus, There is a guitar solo after the second chorus, The overall feel is energetic and rebellious

FGFTW! - Bringing The Fun!

Cheertone

Cheertone, Partycore, Stompwave, Glamstep, Shepardweave

Edinburgh

Uk Trance

Uk Trance, 80s Synth Keyboard, Bagpipes

Six Seven

🔥 EINDHOVEN SACRIFICE [The Radical Deep Consciousness Experience]

Primary Genre Tags: deep house

Primary Genre Tags: deep house, melodic techno, progressive house, ambient techno, cinematic electronica Sub-Genre & Mood Tags: 126 bpm, hypnotic, transcendent, dark atmospheric, sophisticated, emotional journey, spiritual electronica, experimental deep house, industrial ambience, dynamic contrast, polyrhythmic, meditative intensity Instrumentation Tags: manjira, tabla, indian percussion, sub bass, analog synthesizers, processed vocals, sanskrit chanting, field recordings, metallic textures, warehouse reverb Production Style Tags: sidechain compression, granular synthesis, polytonal harmony, spectral processing, counterpoint arrangement, fibonacci rhythm, dynamic breathing, minimal maximal philosophy Vocal Style Tags: sanskrit whispered vocals, processed chanting, cathedral reverb, intimate breathy, fragmented overlapping, three part harmony, spiritual mantras.

Chains of love

The song is a slow tempo rock ballad in a minor key

The song is a slow tempo rock ballad in a minor key, featuring a female vocalist with a high-pitched, strained delivery. The instrumentation includes a clean electric guitar playing arpeggiated chords, a bass guitar providing a steady root, and drums with a simple, driving beat. The vocal melody is melancholic and expressive, with a strong vibrato. The production emphasizes the raw emotion of the vocals, placing them prominently in the mix. The song structure is verse-chorus, with a clear build-up in intensity during the chorus sections. There are no complex chord progressions, relying instead on a consistent, somber harmonic foundation. The overall mood is dark and introspective.

In the Devil's Wake Vol. 2

A dramatic symphonic rock and glam metal fusion opens with swelling strings

A dramatic symphonic rock and glam metal fusion opens with swelling strings, bold brass, and choral accents over a thunderous drum roll. Verses intertwine heavy guitars with operatic layers, building to arena-sized choruses. A mystic bridge features orchestral percussion and theatrical synths.

Dawn's Final Breath

A surreal fusion of gothic doom metal and avant-garde industrial decay

A surreal fusion of gothic doom metal and avant-garde industrial decay, The foundation is slow, crushingly melodic doom - laced with neoclassical strings, haunted choirs, and romantic despair reminiscent of early Tristania or Theatre of Tragedy, Layered atop are glitchy, rust-bitten electronics, distorted drum machines, and mechanical ambiance - evoking abandoned factories and digital ghosts, Vocals range from operatic sorrow to guttural howls, with processed whispers and vocoded chants bleeding through like broken transmissions, Song structures defy convention: abrupt shifts, dissonant harmonies, and surreal spoken-word interludes, The aesthetic is cyber-Victorian: rusted lace, cracked porcelain, shattered mirrors reflecting a dying world, This is not retro-futurism—it’s decayed nostalgia for a future that never came.

Lie will die but truth does not die-true reflection will remain.