New Songs

Scratches In The Smoke

Studio Quality

Studio Quality, Experimental, Scratch Textures, Scratch, Turntablism, track should be 3 minutes long

My Sad Facebook Story (80´s Pop Crazy Mix)

Fast past

Fast past, 140 Bpm, Happy, Joy, Robotic Voice, Whistling Sampling, Whistling, Crazy Song, Crazy Singer, Crazy Melody, Rock Singer, Rock Guitar, Happy Opening Melody, Happy Melody, Happy, Joy, Clapping, Happy, Joy, Gramo Scratching, 80´s Disco DJ´s Sampling, 80´s Italo Disco, Italo Boot Mix, Italo Disco, 80´s, 80´Disco Classics, High Energy80´s Synthpop Sound, 80´s Synthwave Sound, 80´s Synthpop Sound, 80´s Italo Disco Sound, Sampling Words In The Text, Mixage, Scratching, Gramo Scratch, Echo Voices, Tropical Latin 1987 Italo Disco, Authentic 1982 Roland Synthesizer, Car Crash,

Dawn's Final Breath

A surreal fusion of gothic doom metal and avant-garde industrial decay

A surreal fusion of gothic doom metal and avant-garde industrial decay, The foundation is slow, crushingly melodic doom - laced with neoclassical strings, haunted choirs, and romantic despair reminiscent of early Tristania or Theatre of Tragedy, Layered atop are glitchy, rust-bitten electronics, distorted drum machines, and mechanical ambiance - evoking abandoned factories and digital ghosts, Vocals range from operatic sorrow to guttural howls, with processed whispers and vocoded chants bleeding through like broken transmissions, Song structures defy convention: abrupt shifts, dissonant harmonies, and surreal spoken-word interludes, The aesthetic is cyber-Victorian: rusted lace, cracked porcelain, shattered mirrors reflecting a dying world, This is not retro-futurism—it’s decayed nostalgia for a future that never came.

Tra cielo e mondo

A layered emotional journey wrapped in crystalline acoustics and ethereal depth

A layered emotional journey wrapped in crystalline acoustics and ethereal depth, Begins with intricate fingerpicked guitar and airy melodic textures, gradually weaving in shimmering flutes and spatial vocal harmonies, Percussion pulses with a syncopated elegance—deep, organic rhythms grounding the weightless atmosphere, Synths swell subtly, building tension toward a cinematic climax where retro-futuristic elements and dream-pop orchestration collide in lush stereo immersion, Vocals evolve from intimate to soaring, carrying emotional nuance across each transition, Crafted for headphones, designed to echo long after it ends, tenor voice

Midnight Bloom

female vocals

female vocals, night jazz: slow tempo, soft, muted trumpet, light percussion, jazz, walking bass

Morning Wrapped in Light ☀️

Soft acoustic morning pop • gentle female vocal • acoustic guitar • soft pads • light chimes • warm reverb • calm

Soft acoustic morning pop • gentle female vocal • acoustic guitar • soft pads • light chimes • warm reverb • calm, uplifting tone, ambient strings

Our Reggae of Love [ V 2 ]

Male Voice

Male Voice, reggae soft, romantic, rap

ゆめかうつつか

TULUS 5 (Cover)

A live traditional nasyid performance blending Arabic and Malay influences. Deeply spiritual and uplifting

A live traditional nasyid performance blending Arabic and Malay influences. Deeply spiritual and uplifting, focusing on acapella harmonies and rich traditional percussion. Use darbuka, conga drum, rebana, shaker, and handclaps to create rhythmic warmth. No electronic drums or synths. Vocal style: male lead with multi-layered acapella harmonies and subtle echo ambience like a mosque hall. Tempo medium (4/4), emotionally spiritual, evoking peace, devotion, and brotherhood. Melody inspired by Arabic maqam and Malay traditional tone, with smooth transitions between verses and chorus. Add short vocal chants of “Subhanallah”, “Alhamdulillah”, “Allahu Akbar” in natural rhythm. Maintain purity, clarity, and a live atmosphere. Suitable for religious gatherings and stage performances.,tabla,vrebaba,

真かくれんぼ

Style: Extremely Fast Melodic Metal

Style: Extremely Fast Melodic Metal, Eurobeat, High-Energy Ska-Jazz Fusion, J-Rock, High BPM. Tempo: 300BPM+ Instrumentation: Double Kick Drums, Shredding Electric Guitar Leads, Pounding Synthesizer Bassline, Energetic Brass Section (Trumpets, Saxophones), Driving Piano Chords. Vocal Style: Male Tenor (Clear, Powerful), Backing Harmony Vocals.

Pamoja Milele

soul

soul, and ambient flutes; gentle male and female harmonies weave through a calm and introspective atmosphere, deep, relaxing tribal percussion with clarinet, clarinet, male vocals, vocal, soulful, harp, ambient, gentle, soft, relaxing, female vocals, swahili

Come to Me 💜

The song launches with a distorted

The song launches with a distorted, yanderecore, monotone cute Japanese accented female floating above eerie synth pads and a detuned, cowbell-drenched phonk beat, all awash in dubby future bass reverb. Verses cut in provocatively—hyper-fast rap, chopped Memphis samples, vinyl crackle, saturated 808s, glitched music box, and warped nyckelharpa lines. Staccato kote-kei/kowai-kei chants—“one two three”—burst through, twisted with frenetic denpa and noir J-Pop textures. Vocals are hyperactive, muted falsetto with clipped phrasing, minimal vibrato, register flips, micro-glides, and compressed resonance, layered with subtle moans. Bass is thunderously processed and upfront, while segments drop to slowcore half-time, deep sub-bass, and syncopated, catchy, punchy, pitch-dirty Tekk percussion woven throughout.

Di Mana Hatiku? 2

A live traditional nasyid performance blending Arabic and Malay influences. Deeply spiritual and uplifting

A live traditional nasyid performance blending Arabic and Malay influences. Deeply spiritual and uplifting, focusing on acapella harmonies and rich traditional percussion. Use darbuka, conga drum, rebana, shaker, and handclaps to create rhythmic warmth. No electronic drums or synths. Vocal style: male lead with multi-layered acapella harmonies and subtle echo ambience like a mosque hall. Tempo medium (4/4), emotionally spiritual, evoking peace, devotion, and brotherhood. Melody inspired by Arabic maqam and Malay traditional tone, with smooth transitions between verses and chorus. Add short vocal chants of “Subhanallah”, “Alhamdulillah”, “Allahu Akbar” in natural rhythm. Maintain purity, clarity, and a live atmosphere. Suitable for religious gatherings and stage performances.,tabla,vrebaba,

Di Mana Hatiku? 2

A live traditional nasyid performance blending Arabic and Malay influences. Deeply spiritual and uplifting

A live traditional nasyid performance blending Arabic and Malay influences. Deeply spiritual and uplifting, focusing on acapella harmonies and rich traditional percussion. Use darbuka, conga drum, rebana, shaker, and handclaps to create rhythmic warmth. No electronic drums or synths. Vocal style: male lead with multi-layered acapella harmonies and subtle echo ambience like a mosque hall. Tempo medium (4/4), emotionally spiritual, evoking peace, devotion, and brotherhood. Melody inspired by Arabic maqam and Malay traditional tone, with smooth transitions between verses and chorus. Add short vocal chants of “Subhanallah”, “Alhamdulillah”, “Allahu Akbar” in natural rhythm. Maintain purity, clarity, and a live atmosphere. Suitable for religious gatherings and stage performances.,tabla,vrebaba,

16. Re: Dialogue with the Molded God

[Genre: Dark Glitchstep X Doom Riddim X Cinematic Gothic Midrange Gun Bass. Style: Demonic Robotic Male Vocaloid

[Genre: Dark Glitchstep X Doom Riddim X Cinematic Gothic Midrange Gun Bass. Style: Demonic Robotic Male Vocaloid, Distorted Low Vocals. Mood: Heavy, Oppressive, Cursed. [Concept: A Forbidden Drink That Makes Your Shadow Physically Heavier.] [Key Sounds: Shadow Compression Bass, Granular Glitches, Heavy Sub Textures, Ritual Percussion, Heartbeat Synced To Bpm.] [Tempo: 145 To 155 Bpm, Minor Scale.]

Truth Bomb V2

Produce a Scary Core epic troll track with dirty

Produce a Scary Core epic troll track with dirty, vintage synthesizers, deep, crisp baselines, and aggressive beats, Combine creepy children's and old female devil human vocal samples to convey mystery, space, and menace, Use dark sound effects like whispering children and ghostly echoes, The mood is dark, haunting, and epic, with dramatic bops and atmospheric breaks, For a dark horror song about supernatural beings of the night

你的方向

uplifting

uplifting, piano-driven with soaring strings, anthemic

겨울이야, 겨울 V7

[ K-pop Winter Ballad Duet

[ K-pop Winter Ballad Duet, 96–100 BPM] [ emotional, wistful, cozy winter night, teen romance] Vocal Type: mixed teen duet (15–17) - [Girl] bright mezzo, soft and breathy, natural vibrato, emotional but gentle - [Boy] warm light tenor, slightly husky, close-mic intimate tone, minimal vibrato Instrumentation: grand piano arpeggios (warm, front), acoustic guitar strums and picking, soft strings pad (smooth, no harsh highs), gentle pop drums (soft kick, warm snare, subtle shaker), warm round bass (sidechained very lightly), xylophone / glockenspiel top-line melody - simple, bell-like winter motif - doubles the main hook on the chorus and post-chorus subtle analog-like pad for width, no metallic EDM synths Lyrics Style: Korean & English lyrics, teen point of view, first & second person, conversational, about missing someone after a winter breakup, simple and catchy wording, easy to sing, emotional but not dramatic, like a k-pop OST for a teen drama

금방 들통 날 비밀

Indie pop. Experimental

Indie pop. Experimental

🎵『横綱の魂 – Spirit of the Yokozuna』

Mystic cinematic with spiritual East Asian instrumentation (bamboo flutes

Mystic cinematic with spiritual East Asian instrumentation (bamboo flutes, strings, taiko drums), blended with female chorus, ambient electronic textures and poetic male vocals. Inspired by a story about invisible sadness, emotional cleansing, and long-view empathy. Lyrical style mixes Japanese, with echoes of ancient ritual and modern vulnerability. Emotional yet uplifting, like a distant mirage revealing truth.