Rock
Browse AI-generated Rock songs and create similar music. Discover unique Rock tracks made with AI on MusicMint.
I Contain Multitudes
Genre tags: Art Rock
Genre tags: Art Rock , Folktronica , Indie Rock , Experimental , Trip-Folk Vocals tags: Nasally Lead Vocal , Slurred Delivery , Close Harmonies , Layered , A Capella , Intentionally Obscure , Alliterative Instrument tags: Deep Bass , Polyrhythmic Drums , "Clickety-clacking" Percussion , Off-key Piano , Finger-picked Electric Guitar , Ambient Synths , String/Brass Crescendo Mood Tags: "Unhinged," Cryptic , Menacing , Seductive , Hushed , Atmospheric , Bizarre , "Abstract" , "Oddball"
SOBER CONTEST REMIX made with NeuroPrompt VASPS Quickmode!
Shoegaze Dream Rock Pop [125 BPM]
Shoegaze Dream Rock Pop [125 BPM], This [sprawling 5-minute track] features [deep Narrator vocals] alternating between [Spoken Word] and [Sung] delivery with [Studio Polish (Clean & Modern)], The voice is [pushed through an 1176-style hardware compressor] and [leveled by a DBX 165A] for [intimate, powerful weight], featuring [perfect English pronunciation] and [no autotune, natural pitch correction only], The [rhythm section is groovy and intense], driven by [raw, wooden drum tones] with a [snare shaped by a Distressor-style unit] for [concrete impact], The [melodic bass guitar] is [sidechained to the kick drum] using [elysia mpressor-style settings] for a [steady, pumping groove], [Lush analog-style pads] and [reverb-drenched electric guitars] create a [sad, melancholic atmosphere] with [wide stereo width],[granular textures], and [long delay decay times], The mix focuses on [raw emotional intensity] and [powerful peaks], delivering a [soul-driven sound] with [natural clarity]
散らぬ花なり / SAMURAI BEAT MAX
MAX炎帝ビート×Japanese Wagara Loud Rock / Samurai Core Fast Bpm 175–185 Minor Scale With Japanese In Scale (Yo Scale Feel) Intro: Machine-Gun Shamisen Tremolo + Taiko Fill Shamisen As Main Riff Instrument (Not Guitar Substitute) Heavy Rock Band Arrangement Underneath Taiko Drums + Double Kick Shakuhachi Texture In Break Festival-Style Chant In Background Female Twin Vocals: * Vo.A: Clear Emotional High Tone (Japanese Enka-Like Expression In Verses) * Vo.B: Powerful Rock Vocal With Grit * Pre-Chorus: Harmony (Traditional Interval Feel) * Chorus: Strong Unison * Final Chorus: Unison + Octave Down Layer Aggressive Shouts In All Caps Call & Response Parts Dramatic Traditional Break Before Final Chorus
MAX炎帝ビート×Japanese Wagara Loud Rock / Samurai Core Fast Bpm 175–185 Minor Scale With Japanese In Scale (Yo Scale Feel) Intro: Machine-Gun Shamisen Tremolo + Taiko Fill Shamisen As Main Riff Instrument (Not Guitar Substitute) Heavy Rock Band Arrangement Underneath Taiko Drums + Double Kick Shakuhachi Texture In Break Festival-Style Chant In Background Female Twin Vocals: * Vo.A: Clear Emotional High Tone (Japanese Enka-Like Expression In Verses) * Vo.B: Powerful Rock Vocal With Grit * Pre-Chorus: Harmony (Traditional Interval Feel) * Chorus: Strong Unison * Final Chorus: Unison + Octave Down Layer Aggressive Shouts In All Caps Call & Response Parts Dramatic Traditional Break Before Final Chorus
עיר בלי יציאה
Alt-rock band track
Alt-rock band track, male vocals in Hebrew. Mid-up tempo groove, minor-key guitar ostinato over tight, driving drums; bass runs in restless circles beneath compressed, slightly detuned synth pads. Chorus hits harder with thick distortion, doubled lead vocal and tense gang shouts shadowing key lines. Sudden drop-outs to broken percussion and filtered guitars between sections, then full-band crashes. Climax stacks noisy synth swells and feedback, ending on an unresolved chord that rings into silence.
Grease on His Hands
Sun-baked rockabilly shuffle
Sun-baked rockabilly shuffle, slapback on twangy guitars and upright bass walking hard. Male vocals with a sly grin, hiccupy phrasing and call-and-response “whoa”s from a tight backing trio. Drums snap on the snare and ride, brief guitar break before final chorus, ending on a unison stop and cheeky vocal tag., rockabilly, male vocals
Moenie Wag Nie
Vocal accent: Neutral / South African
Vocal accent: Neutral / South African , Afrikaans , Pronunciation: Native, unaccented, clear consonants , No foreign or stylized accent , Native pronunciation Alt indie rock, mid-tempo (95–105 BPM), moody, atmospheric. Male vocal, slightly raspy, intimate but controlled, building emotion in chorus. Afrikaans lyrics, poetic, natural flow. Clean electric guitar with reverb/delay, soft verses → open chorus chords. Minimal drums (tight kick, roomy snare, light hats). Warm bass, simple with slight movement. Light ambient pad optional. Structure: Verse / Pre / Chorus / Verse / Pre / Chorus / Bridge / Final Chorus / Outro. Mood: late-night drive, lonely, reflective, bittersweet. Gradual build, never aggressive. Production: clean, slightly textured, not over-polished. Space between instruments, subtle analog warmth. Themes: distance, night roads, white lines, silence, fading connection. Visual, no clichés. Overall: cinematic, melancholic, restrained indie track that slowly opens emotionally.
I can’t stay silent anymore
Intense alternative rock ballad in a minor key (D minor or E minor)
Intense alternative rock ballad in a minor key (D minor or E minor), starting slow and atmospheric, building into explosive, emotional release. Gritty female vocal in the style of Lacey Sturm—raw, urgent, and unpolished, with moments of strain, breath, and near-breaking emotion. Verses are restrained and haunting with clean or lightly driven guitars, ambient textures, and minimal drums. Lyrics feel internal, like a voice fighting to be heard. Pre-chorus builds tension with rising instrumentation and vocal urgency. Chorus erupts with distorted guitars, heavy drums, and powerful, almost desperate vocals—like the pressure finally breaking. Dynamic contrast is essential: quiet, suffocating verses → explosive, cathartic choruses. Bridge strips down, then rebuilds into a final, even more intense release. No polish or pop gloss—keep it raw, emotional, slightly chaotic, and authentic. Focus on tension, release, and inner breaking point.
In My Head - ICU
UK rap
UK rap, alternative hip-hop, indie rock, emotional rap, piano beat, distorted guitar, punchy drums, boom-bap, atmospheric, dynamic shifts, raw vocal, fast rap, spoken word, storytelling, wordplay, self-aware, vulnerable, confident, alt-rap, indie grit, lo-fi warmth, explosive drops
52Hz Techno-Totem Love Song
metal
metal, Hyper-eclectic carnival of sound: 52Hz whale-call synths under a swaggering blues-gospel groove. Sexy male lead with smoky vibrato, sultry female gang-chorus stacked in thirds. Verses ride a skanking ska guitar and rockabilly slap bass, cowbell and maracas ticking. Choruses explode into surfy slide guitar, mariachi brass, pan pipes and French horn swells, with bursts of bagpipe and didgeridoo for psychedelic extremes. Middle eight swings into tango-mambo with accordion, violin, and bandoneon-like bouzouki textures, then slams into blast-beat death-metal guitars and hurdy-gurdy drones before a gospel shout outro. Whistling hooks, yodeled ad-libs, harmonica and mouth harp fills, xylophone and steel drum sparkles, glass armonica shimmers, hammer dulcimer arpeggios, pipe organ stabs, and saxophone moans glue it all together. Male vocals; female chorus velvety and bold., blues, violin, male vocals, gospel, native american, ska, swing, mambo, death metal, saxophone, tango, harp, accordion, rockabilly, didgeridoo, mariachi
Ich war schon da (Myrddin's Armee)
Epic powerful rock–reggae–rap–ska fusion anthem in the spirit of Myrddin’s Armee
Epic powerful rock–reggae–rap–ska fusion anthem in the spirit of Myrddin’s Armee, but protective and uplifting rather than confrontational, Rising emotional intensity from intimate warmth to massive stadium unity, Minor-key electric guitars begin restrained and atmospheric, evolving into powerful, driving rock riffs with controlled edge (not oppressive), Deep bass and drums shift between steady reggae pulse and explosive rock propulsion, Reggae offbeats create movement and lift, not tension, Rap sections are clear, mentoring, narrative-driven — guiding, not accusing, Pre-chorus tightens into near-whispered emotional focus before the chorus erupts into a huge, hymn-like surge with oath-style gang vocals, Male lead vocal: gritty yet warm commanding baritone, protective energy, emotional clarity, controlled strength, Children’s choir layered in chorus for innocence and hope, Clear soft harmonies uplifting the hook, Cinematic cello and dynamic strings add depth, Orchestral swells, powerful
Leave me badly
A high-energy alternative rock and electronic hybrid track featuring aggressive male vocals and a driving
A high-energy alternative rock and electronic hybrid track featuring aggressive male vocals and a driving, syncopated rhythm. The song is set in a minor key with a tempo of approximately 120 BPM. It opens with a distorted, filtered synth bass riff and a crisp, processed drum beat characterized by sharp snares and tight hi-hats. The verses feature a gritty, melodic vocal delivery with subtle distortion and reverb. The chorus explodes into a wall of sound with heavily overdriven electric guitars playing power chords, layered with soaring synth leads and intense, belted vocals. Production elements include glitchy transitions, vocal chops, and a polished, modern mix with a wide stereo field. The structure follows a standard verse-chorus-verse-chorus-bridge-chorus format, with a breakdown section featuring stuttering electronic effects and a building drum roll leading into the final climactic chorus.
Faryad x Erfan Tahmasbi
post rock folk-fusion
post rock folk-fusion, persian styled rabab, arabic influenced, sufi rock melody, A sad and dark fusion starts with spacious, airy synth pads and lush reverb, layered with subtle progressive techno pulses, Grunge-tinted guitars and wide stereo panning build a 3D soundscape, while progressive rock rhythms drive dynamic shifts, Background whispers and dark psychedelic ambient textures weave throughout, Emotional Persian vocals float over the arrangement, adding haunting richness amid shifting electronic and alternative tones, ‑fast bpm
Dert Defteri
sad piano trip hop emotional turkish spoken word deep melancholic atmosphere 70 bpm d minor minimal cinematic arrangement soft fragile male voice whispering to emotional intensity intimate and haunting analog warmth tape saturation cold empty space long reverb distant echoes noir mood simple sparse piano broken chords soft arpeggios lots of reverb and delay chord progression dmbbfc loop alt dmgmbba ambient dmcsus2bbmaj7a deep warm minimoog bass lowpass filtered long sustained notes subtle glide background detuned saw drone with slow lfo filter movement atmosphere soft noise wind pads reverse reverb reverse piano tape hiss structure piano drone intro soft spoken word bass fades in emotional build no drop slow fading outro mood sad lonely introspective poetic empty night invisible feeling inspired by Trip Hop
sad piano trip hop emotional turkish spoken word deep melancholic atmosphere 70 bpm d minor minimal cinematic arrangement soft fragile male voice whispering to emotional intensity intimate and haunting analog warmth tape saturation cold empty space long reverb distant echoes noir mood simple sparse piano broken chords soft arpeggios lots of reverb and delay chord progression dmbbfc loop alt dmgmbba ambient dmcsus2bbmaj7a deep warm minimoog bass lowpass filtered long sustained notes subtle glide background detuned saw drone with slow lfo filter movement atmosphere soft noise wind pads reverse reverb reverse piano tape hiss structure piano drone intro soft spoken word bass fades in emotional build no drop slow fading outro mood sad lonely introspective poetic empty night invisible feeling inspired by Trip Hop, Electronic, Alternative Rock
Jag är här
Swedish nu-metal in Scandian accent. Powerful pounding drums. Artistic expression. 1993 shady Eurodance. Upbeat 95bpm. Grunting dirty male falsetto with scoop beatboxing unapologetic contemporary and probably in hypnose states. Dark krautrock techno synth and pounding slap bass hollow drums and piano-driven uplifting epic hip-hop melody. A Capella storytelling spoken word and duet boss battle smart unique vocals in overlapping stems. Accompanied by live cheering clapping Singing audience sing-a-long and a powerful syncopated stamping children choir. Ambient drone.
Swedish nu-metal in Scandian accent. Powerful pounding drums. Artistic expression. 1993 shady Eurodance. Upbeat 95bpm. Grunting dirty male falsetto with scoop beatboxing unapologetic contemporary and probably in hypnose states. Dark krautrock techno synth and pounding slap bass hollow drums and piano-driven uplifting epic hip-hop melody. A Capella storytelling spoken word and duet boss battle smart unique vocals in overlapping stems. Accompanied by live cheering clapping Singing audience sing-a-long and a powerful syncopated stamping children choir. Ambient drone.
La Última Nota
A 90s-style melancholic J-Rock and Trip-Hop instrumental. High-tempo (approx. 135 BPM) featuring a prominent
A 90s-style melancholic J-Rock and Trip-Hop instrumental. High-tempo (approx. 135 BPM) featuring a prominent, bright acoustic guitar playing a driving, repetitive minor-key melody. Layered with a gritty, lo-fi sampled drum breakbeat with heavy compression. A warm, melodic electric bassline drives the rhythm. In the chorus, add soaring, distorted electric guitar leads with long sustain and heavy reverb, mimicking a violin's emotive quality. Background features cold, atmospheric synth pads and industrial percussive textures. Mixing style: Analog, slightly lo-fi, nostalgic, and cinematic. female vocal seductive, melodic
HOY NO VA A IR POR MI.
Hypnotic raw alternative rock with distorted cello creating warm
Hypnotic raw alternative rock with distorted cello creating warm, repetitive, slightly imperfect riffs (less abrasive, more emotive). Dirty but soft-edged bass, dry minimal drums with a loose human feel. Expressive male vocals, raspy but intimate and vulnerable, shifting into fragile falsetto. Slightly theatrical but subtle, close and emotional. Electric violin textures with gentle dissonance, soft glissandi and expressive melodic lines (less aggressive, more atmospheric). Occasional microtones used tastefully. Lo-fi, saturated and warm production with tape-like texture, light noise, string scrapes and human imperfections. Feels like a single live take. Mood: reflective, intimate, slow-living, slightly dreamy. A quiet morning, sunlight through the window, time standing still. Unique, organic, imperfect, emotionally immersive.
DELETED Multiple
BPM 135
BPM 135, Electronic intro with repeating distorted synth sample, glitchy effect, Morse code sound, energetic guitar riff, drum fill, explosion into heavy riff, Fast rap verses, aggressive delivery, electronic beats, building intensity, Melodic pre-chorus, emotional male vocals, tension building, Whispered refrain, minimal instrumentation, dark atmosphere, Explosive chorus with screamed + powerful clean vocals, full heavy band, distorted guitars, powerful drums, anthemic hook, cathartic release, Outro with whispered acapella fading into final explosive chorus, big finish, heavy guitars, dramatic ending, Genre: Nu Metal, Rap Metal, Alternative Rock, Electronic Rock, Vocals: Dual male vocals: fast aggressive rap in verses baritone voices, powerful melodic clean + raw screamed vocals in chorus tenor voices, whispered intimate vocals in refrain, high emotional intensity, raw energy
Rock Prompt Ideas
Energetic Rock Song
A powerful rock song with driving guitars, thundering drums, and raw energy
Cinematic Rock Intro
An epic cinematic rock intro with building tension and soaring guitar solo
Acoustic Rock Ballad
A heartfelt acoustic rock ballad that builds into a full band arrangement
Punk Rock
A fast and furious punk rock track with rebellious attitude and three-chord energy
Classic Rock Anthem
A classic rock anthem with soaring guitar riffs and fist-pumping chorus