Tendencias

Tocar Con Amor

jazz

jazz, Smoky Andalusian folk-jazz blues: nylon guitar with Phrygian flourishes, hand percussion and palmas, upright bass walking lazily, brushed snare and muted trumpet fills. Female vocals, earthy and intimate, start close and hushed, then rise into a raw, raspy belt on the chorus. Subtle choir-style harmonies join later, creating a warm, healing swell around the lead line., healing, jazz blues

Superviviendo a la IA

Funky soul with Argentine male vocals

Funky soul with Argentine male vocals, crisp Hammond organ through a Leslie speaker, warm Rhodes piano, and Moog bass accents. Virtuosic drums drive a tight groove with rock energy, while cello adds depth and electric FX guitar throws wah, delay, and fuzz bursts across the mix. Thick, analog, high-impact arrangement. fx sax,

Tribal Shadows

kizomba

kizomba, trap R&B, zouk

CONTIGO SE PARA EL TIEMPO

Voz femenina

Voz femenina, coros gospel,bolero ballad, Spanish R&B, Latin jazz, 92 BPM, brushed drums, upright bass, Rhodes chords, nylon-string comping, pocket horn lines, muted trumpet, hand percussion, M/S stereo, vintage stage mics, plate reverb, warm tape saturation, bittersweet nostalgia, tender uplift, swung eight-note feel

NO LLEGO A TIEMPO... ( Robert Rozhdestvensky, 1978 )

Rimas y rimas

Uses the same style. Is spanish from Spain

Uses the same style. Is spanish from Spain, with C and S sound, not latin spanish

A Tiempo

[Estilo Rap-Rock Indie Comercial

[Estilo Rap-Rock Indie Comercial, duro pero intenso con flow, voz masculina rap rápida y grave, voz femenina melódica potente, hooks pegadizos con multitud y ecos, riffs de guitarra enérgicos, batería firme, construcción dinámica, tensión y energía desde el primer beat, comercial y bailable, final explosivo de unión, poético y visual, listo para Suno] Si quieres, puedo hacer una versión ultra-hit

Algo Bello Pa'l Camello

rap

rap, 120 BPM fast Mexa trap rap; male vocals flipping between machine-gun double-time verses and laid-back melodic hooks. Clean, heavy low-end with tight kicks, crisp hats, and sharp percs. Dark, detuned synth beds swirling under the vocal, with aggressive drops, risers, and tape-stop transitions into each hook. Minimal breakdown in the middle, then a final section that slams in harder with dry, upfront dissing and explicit bravado., male vocals, hip hop, rapid, minimal, smooth, clean

La voz que no era mía

Core sound: Symphonic and power metal first

Core sound: Symphonic and power metal first, with cinematic grandeur and dark synth crossover energy, Lyrics & mood: Anthemic resilience, hope, and struggle; communal release, heroic conflict, and spiritual uplift, Production palette: Big choirs, orchestral layers, driving percussion, heavy guitars, and polished high-impact builds, Language & vocals: strong dramatic chorus hooks, Usually avoids: Minimal acoustic singer-songwriter, lo-fi chill textures, and drone-only ambient pieces. 140-160 BPM

Valiente

Lush orchestral pop with male vocals and a lively string quartet; 80-90 BMP

Lush orchestral pop with male vocals and a lively string quartet; 80-90 BMP , verses stay intimate with pizzicato strings and soft piano undercurrent, then chorus swells with legato violins, bold brass accents, and timpani rolls, Energy arcs from reflective to triumphant, with call-and-response backing harmonies and a soaring final refrain that pushes the vocal to the edge

Sol, Cielo y Mar

folk

folk, Warm live-band roots reggae with analog tape haze; loping Fender Jazz bass and sharp skanking guitar on 2 & 4, Hammond organ swells under raw female vocals and tight harmony trio on the hook. Easy sunlit sway, tambourine and hand drums lifting the groove; final chorus blooms with ad-libs and call-and-response., jazz bass, soulful, warm, steady, rich, uplifting, harmony, roots reggae, raw

NO SOMOS MÁQUINAS.

Fast Spanish punk rock

Fast Spanish punk rock, 190 BPM, aggressive male vocals, raw garage sound, distorted guitars, simple loud bass, fast drums, sarcastic and angry tone, chant-style chorus, chaotic energy, live rehearsal vibe, shouted gang vocals in chorus.

Dímelo

mariachi

mariachi, EDM drop, Mexican regional, trumpet fanfare, guitarrón, electronic bass drop, grito mexicano, pop fusion, emotional build, festive but heartfelt

SAETA // VOZ EN LA SOMBRA

MABG Style signature ©

MABG Style signature ©

Antorcha Roja

Heartwarming Acoustic Pop-Rock

Heartwarming Acoustic Pop-Rock, Female Vocals, Uplifting, Guitar, Strings, anime style,

Mírala Cómo Va

male vocal create an upbeat reggaeton track inspired by reggaeton

male vocal create an upbeat reggaeton track inspired by reggaeton, Latin pop, Latin hip-hop s dura the instrumental should feature bright synth leads catchy electric guitar riffs punchy dembow drums bouncing sub bass retro 80s style stabs and playful percussions the mood is energetic sexy and dancefloor ready female lead vocals in spanish with flirtatious confident lyrics celebrating beauty and attitude backed by rhythmic chants and harmonized backing vocals include a catchy hook with vocoder effect the tempo is 92 bpm key in a minor

Feliz Contigo

pop balcánico

pop balcánico, melodías suaves, gancho pegadizo, guitarras potentes, vocalista femenina , rap melódico, pop japonés indie, entrega emocional

Quedaos en el Planeta Azul

Cromosoma de Helecho

Flamenco-Poético-Prehistórico

Flamenco-Poético-Prehistórico, Basslines, Spanish Guitar, Marimba de Huesos (Solist), Voz Susurro Revolucionario, Natural Sounds, Trombone Deep, Earthquake Basslines (Solist), Tribal Drums, Vibe: Prehistoric Flamenco, Metáfora Prehistoric, Flamemco Tribal Triásico, Flamenco Anti Simulacro, Flamenco Pangea.

Bajo la Miel de la Piel - SAN1project & SUNO

kraut-electro

kraut-electro, electro-chanson, 100 BPM, fingerpicked ukulele, metallophone ostinato, detuned harmonium, matte frame drum, steel harmonics, analog bass drone, modular arpeggios, filtered noise pulses, tape echo, spring reverb, delayed dubbing, wide panoramic mix, polyphonic youth choir, reflective melancholy, night longing