Tendencias
Explore songs in Tendencias. Listen to a track, open its details, or find an idea for your own music.
Fuego En La Sangre-1
Spanish flamenco nuevo, powerful female vocal, passionate, cajón, palmas handclaps, rasgueado acoustic guitar, fretless bass slides, string quartet accents, 12/8 compás, 92 BPM, emotional crescendo, flamenco jaleos ad-libs, Andalusian phrygian mode, authentic
Dudo que te ame
Bachata sensual with a slow swaying groove, syncopated güira, warm requinto hooks, muted bongó accents, and a rubbery bass line that leans into the pocket; verse stays intimate with close-mic male vocals and soft harmony replies, pre-chorus lifts with palm-muted guitar climbs and whispered doubles, chorus opens with stacked harmonies and a pleading lead line. Add reverse guitar swells into each lift, tiny maraca fills between phrases, and a lush, glossy mix with air around the vocal., bachata, sensual
Desde la otra orilla
Fado atlantic contemporary, deep male voice, intimate and emotional. Portuguese guitar and nylon-string acoustic guitar as main instruments. Slow tempo around 68 BPM. Melancholic violin answering the vocal lines. Ocean atmosphere, distant wind, reflective and spiritual mood. Expressive phrasing, long pauses, natural breathing, storytelling focus. Gradual emotional growth without becoming dramatic. Warm analog sound, rich resonance, sense of saudade, memory and transcendence. Inspired by the Atlantic coast, twilight, cliffs and endless horizon. Powerful final refrain with sustained notes and fading instruments.
Абсолютный Урод (Re-Cover FRANX) (MV)
Epic dark trap, 132 BPM, powerful male vocal (baritone, commanding delivery), massive 808 bass with sub‑frequencies, rapid hi‑hats, church bells (grand, cathedral‑like, appearing in the chorus), orchestral hits on the drop, deep bass trombone for low‑end weight, heavy brass stabs for intensity, hard hitting mechanical drums for rhythm, cinematic dark power theme, studio mastering, high fidelity sound.
Tan Charlatán
A fusion of Afro-rock and funky Uruguayan candombe, featuring an Argentinian male vocalist, the arrangement features a prominent cowbell playing a steady, energetic black beat; a clean-toned electric guitar delivers syncopated rhythmic hits and double-stop riffs; the bass follows a tumbao-inspired pattern with slaps, synced with the kick drum; the percussion includes a full drum kit with a crisp snare driving the pulse and a set of timbales executing rapid sixteenth-note fills and rim shots; a synthesizer provides sustained chords and percussive rhythmic accents; the tempo is 128 BPM in 4/4 time; catchy chorus
Una Oportunidad Más
Indie folk rock with steady acoustic strum and brushed kick, midsong bass warmth, and a slow-build Americana pulse; verse stays bare with fingerpicked guitar and close-mic female vocal, pre-chorus opens with harmony lift and handclaps, chorus blooms with tambourine, low organ, and stacked doubles on the hook. Dusty intimate mix, raw and human, with small slide-guitar fills, breathy pauses, and delayed ad-libs on the final words., folk rock, raw, female vocals, indie folk
Mi Flaco Tranquilo
Accusatory edge opens into sierreño romántico for female voice, with requinto lead picking melodic arpeggios, twin acoustic guitars, and tololoche anchoring the low end. Tight vihuela strums, soft ranchera drum accents, accordion fills, and close-mic vocal harmonies with plate reverb, warm, intimate, and plaintive.
vive el presente
Tempo: 100–120 BPM (energía constante, “caminar rápido emocional”) Instrumentación: guitarras eléctricas limpias en verso → distorsión abierta en estribillo Batería: clara, con caja marcada en 2 y 4 (himno) Bajo: simple, firme, muy presente Dinámica: versos íntimos → estribillo grande, liberador
TITLE: COMO LA DROGA (PARTE 3 – BOSS FINAL / REDENCIÓN OSCURA)
Dark spiritual reggaeton + dembow, cinematic church atmosphere, 98 BPM, F# minor. Deep aggressive male vocal (Latin urban) with layered angelic female choir and demonic whispers. Heavy church bells, echoing metallic chains dragging, ghostly moans, dark ambient pads, horror risers. Intro with distant bells, whispers, and chains. Drop into hard dembow/reggaeton beat with deep kick, punchy snare, sub 808 bass. Add call-and-response between angelic choir (reverb, heavenly) and demonic voices (distorted, low pitch, sinister laughter). Include adlibs like “tra tra”, “pra pra”, “ratata”, with echoes and delays bouncing in stereo. Background textures of souls crying, wind, haunted atmosphere. Chorus should feel epic and spiritual, with layered harmonies and wide reverb. Verses aggressive, raw, confrontational delivery, with minimal melody and strong rhythm. Use breakdown with only chains, bells, and whispers before final drop. Outro cinematic: fading bells, angel voices, distant demonic
Modo
Reggaeton with Latin trap edge, dembow-locked groove at a club-ready pulse, heavy bass on every beat, rolling hi-hats and punchy kick driving the tension; verse builds slow with sparse drums and dark synth under a warm male lead, pre-chorus tightens with snare rolls and filtered backing chants, chorus explodes in full perreo with layered doubles, echo throws, and gang vocal lift. Gritty but polished mix — raw street pressure with a clean club finish., seductive, clean, electronic, male vocals, beats, fresh, reggaeton, raw, strong, deep, simple, sensual, warm, latin, emotional, slow, classic, tone, hypnotic, sonic, romantic, vocal
Por Culpa del WhatsApp
Piano,Dance,Coro Vocals,Europop, Flamencomix,Poprock,energetic, Reguetónmix, Perreomix,Rock,inten se,Country, TechnoSka, Rumbamix,
FAME
argentine melodic trap like Trap, Latin Trap, Hip Hop emotional but confident rap modern latin trap beat smooth 808s atmospheric synths catchy repetitive hook slow bounce rhythm cinematic urban night vibe introspective lyrics about fame and success light autotune deep and expressive vocal delivery no reggaeton no sad piano for the fame me llama otra vez no se que hacer section use a softer slightly emotional and introspective vocal tone with reduced energy more vulnerable delivery like conflicted feelings then return to confident tone after
Ingeniería de temazos
Upbeat summer-pop at fast tempo with a looping four-chord synth progression, earworm hook sung in unison, and a repetitive topline built for instant recall. Punchy four-on-the-floor kick, glossy claps, bright pluck synths, sidechained supersaws, syncopated bass, handclaps, vocal chants, and crisp electronic fills.
Mil Razones
Latin pop, romantic acoustic pop, reggaeton beat, emotional male vocals, Spanish lyrics, sad rap outro
Hands in my pockets (Bachata Mix) - DJ Andreas Candela
[Genre: Bachata Sensual, Latin Pop, Urban Bachata] [Tempo: 124 BPM] [Instrumentation: electric guitar (lead), acoustic guitar (rhythm), bongo, güira, bass synth pad, soft piano, ambient pads] [Mood: very sensual, intimate, nocturnal. Use staccato bass slaps and syncopated bongo fills for sharp figure accents. Reverb: large room but dry in the center.]
Se muere la poesía... de Francisco Carrillo
alternative rock, soundtrack drama, male belt vocals, distorted power chords, soaring lead guitar, melodic cello counterline, mournful saxophone, Hammond organ swells, 808 sub-bass, punchy kick snare, finger snaps, hand claps, plate reverb, gated snare, 124 BPM, halftime chorus, angry release, bittersweet nostalgia
Tendencias prompt ideas
These original examples and answers are in English.