New Songs

SCREAM LOUD

,Very long Instrumental in the intro and in the outro, ,whispering singing style,breathy vocal,Whisper singing,harmonize, angelic vocals, electronic electro-pop, melodic atmospheric,in,physical sensation and rock dark rock, whisper vocals,industrial rock ,distorted,Genre-FluidDelivery, Close-Mic Energy, Underground Ethereal Rap, Underground rock Meets Dreamy Trap, dark, ,industrial electronicwall of sound,The track is characterized by a "sensuous beat," dreamy mood, heavy bass,and sophisticated depth,Airy vocals,soft vocal,,and electronic production, which fans have described as a blend of "dark cybercore" sensory pop dreamscape,high-quality, heavy bass,and , heavy bass, and a "glitchy" aesthetic,bedroom-pop vocals blended with polished,bedroom pop, soft female vocals, angelic atmospheric, emotionally distant,Ethereal Atmosphere, Dreamy Pads, Lullaby-Like Melody, (Sweet Sound), , BedroomPop – Whispery Delivery

My Beautiful Wife

Bright Indian pop ballad with warm acoustic guitar arpeggios

Bright Indian pop ballad with warm acoustic guitar arpeggios, plush piano, gentle tabla groove, brushed kit, light hand percussion, soft bass, and lush string pads. Flute and saxophone trade countermelodies, layered harmony vocals, tasteful delay/reverb, and a bigger uplifting chorus with fuller instrumentation.

Neon Dreams

japenese edm melodic edm jersey club club french edm

japenese edm melodic edm jersey club club french edm

Ninho al Estadi Jean Bouin

Genre: Valencian Country / Urban Narrative

Genre: Valencian Country / Urban Narrative

Miss Missy

Warm voice

Warm voice, alto , 107 bpm, Eclectische cultpop, emotionele rock, scandi-pop, bedroom-pop, acoustic indie, melodic, quirky, playful voice, bready airy tone, light twang

Queen of fire (manele, laika, bollywood, balcanic fusion, oriental dance)

romanian manele bollywood laika evergreen balcanic fusion 2026

romanian manele bollywood laika evergreen balcanic fusion 2026, 110 BPM groovy quantized grid, C minor festive oriental scale with bright melodic lift to Eb major chorus, massive 808 sub bass warm deep dominant sidechain pumping, four on floor kick locked tight punchy, tupan bass drum thunderous stomping, darbuka hypnotic dense 6-7 hits non-stop, bollywood strings lush emotional soaring, sitar plucked bright ornamental, tabla driving rhythmic, bansuri flute airy emotional solo, laika evergreen bouzouki rhythmic strumming, baglama saz plucked sharp melodic, synth lead 1986 soaring catchy memorable C minor, Juno-106 pads wide lush warm, Korg M1 piano stabs bright 1986, Roland TB-303 subtle acid bass, accordion DOMINANT returnele ultra smechere jocuri virtuoso fast runs wide stereo nebunii balcanic, kanun plucked bright percussive fast fills, clarinet warm playful fills counter-melody, violin balcanic ornamental soaring trills dense, synth brass fanfare tutti explosive hits, sharp claps t

Você Vê Real

Brazilian phonk

Brazilian phonk, 110bpm,authentic Ginga style, mysterious and confident energy, male vocals, deep expressive male voice, melodic cowbell-driven rhythm, clean heavy 808 bass, punchy baile funk groove, crisp snare patterns, rolling hi-hats, hypnotic repetitive structure, dark urban atmosphere, minimalist underground production, medium tempo, introspective but cool attitude, catchy hook centered around “você vê o verdadeiro eu”, vocal chops integrated into rhythm, modern Brazilian funk-phonk fusion, smooth but powerful bounce, designed for replay and looping impact, street-level authenticity, clean mix, focused on groove and presence rather than aggression or club EDM influence.

you think it's a crush

Indie pop ballad featuring breathy female vocals and a prominent acoustic guitar. The arrangement begins with palm-muted acoustic guitar strumming and a steady kick drum pulse. A clean electric guitar enters with melodic lead lines and ambient swells. The bass guitar plays melodic

Indie pop ballad featuring breathy female vocals and a prominent acoustic guitar. The arrangement begins with palm-muted acoustic guitar strumming and a steady kick drum pulse. A clean electric guitar enters with melodic lead lines and ambient swells. The bass guitar plays melodic, syncopated lines that lock with the kick. The production features heavy reverb on the vocals and occasional vocal layering for harmony. The tempo is 82 BPM in the key of G major. The bridge introduces a more aggressive vocal delivery and increased dynamic intensity with crashing cymbals and driving percussion before returning to a stripped-back final section.

Écho de Sel et de Vent

Male vocals

Male vocals, new wave, minimal wave, electronic, indie folk, voice effects sound effects, britpop, talkbox effects, elettropop, glam rock , male low voice, new wave pop, trip hop, psychedelic, oniric, echo fx

the letter f

Pop punk with brisk downstroke guitars

Pop punk with brisk downstroke guitars, galloping drums, and a punchy four-on-the-floor lift in the chorus; verse rides tight power-chord stops, pre-chorus strips to bass and clap snaps, chorus hits with shouted gang doubles and a rising octave hook. Vocal is dry and close in verses, stacked and gritty on hooks with short delay throws on the last word. Ear candy includes tape-stop pulls, reverse cymbal swells, and a final key-change lift. Bright, loud, and jangly-clean in the mix.

Ruined feelings

Progressive atmospheric rock

Progressive atmospheric rock, female vocals, introspective, restrained emotional delivery, cold reverb-drenched guitars, subtle synth pads, dynamic build, 7/8 and 4/4 time signature shifts, intimate whispered verses exploding into cathartic but controlled choruses, melancholic bassline, cinematic drums with brushed snares, minor key with modal interchange, production style: Steven Wilson meets Chelsea Wolfe, vocal tone: vulnerable yet resilient, layered harmonies in chorus, ambient guitar swells, no over-dramatization, quiet sincerity, emotional honesty, subtle symbolism, muted warm tones for hope sections, cold tones for conflict sections, final chorus with gentle resolution, fade out on a single vocal line

Импульс Бабочки. сл. [чайка- Лора] прип. С. А. Плотников. DJ NEW Плотников

Modern C-pop

Modern C-pop, K-pop, Heavy Dubstep, Glitch-hop, High-pitched cute child voice, Aggressive rap sections, Rasp, Screams, Cinematic orchestral elements, 145 BPM, Emotional and Powerful.

Океан всего благого || The ocean of all good things

Indian devotional fusion. Features a lead male vocal with a group chorus response. Instrumentation includes a harmonium providing sustained melodic accompaniment

Indian devotional fusion. Features a lead male vocal with a group chorus response. Instrumentation includes a harmonium providing sustained melodic accompaniment, a mridangam or dholak playing complex syncopated rhythmic patterns, and kartals providing high-frequency metallic accents on the beat. The arrangement follows a call-and-response structure typical of kirtan. The tempo is approximately 110 BPM, accelerating slightly throughout the performance. The vocals are delivered with a passionate, open-throated folk style, utilizing traditional Indian melodic ornaments and slides.

Split Signal Truth

Progressive groove metal driven primarily by bass

Progressive groove metal driven primarily by bass, cello, drums. Tempo 90–120 BPM with a deep, head-nodding groove and strong rhythmic pocket. Bass is the central instrument, using distorted tones, slap accents, slides, and melodic riffs that carry the song instead of guitars. Drums are tight, dynamic, and complex, featuring syncopation, ghost notes, polyrhythms, and shifting grooves. Guitars are minimal and textural, adding atmosphere or reinforcing rhythm rather than leading. Focus on groove evolution through repetition and subtle variation rather than constant riff changes. Include sections that strip down to bass and drums only, building tension before heavier entries. Occasional tempo shifts and progressive structure changes keep it unpredictable. Vocals are rhythmic and percussive, sitting inside the groove rather than on top of it. Production is warm, punchy, and low-end focused, with clear separation between bass and kick. Mood: hypnotic, heavy, confident, and groove-centric.

Angelina’s Brown Eyes

A slow

A slow, romantic 1950s rock and roll revival ballad, rooted in classic Chicano rock and traditional rock slow dance styles. Built on a gentle, swaying 12/8 triplet feel, it features a clean, vintage electric guitar playing tender, melodic arpeggios with light spring reverb. Acoustic guitars strum softly alongside a warm walking bassline. Percussion is minimal, using a simple brushed snare and light kick. The lead vocal is an expressive, yearning tenor, delivering a sweet, nostalgic melody. Lush, layered doo-wop style backing vocal harmonies provide rich, sweeping tones that elevate the emotion. The production has a warm, analog, retro sound, evoking a classic mid-century school dance. The mood is affectionate and tender, capturing the essence of a lovelorn serenade perfectly.

Акаша / Akasha (ft Alrisha NF)

[style: ethereal electronic

[style: ethereal electronic, organic house, tribal ambient, cinematic downtempo, spiritual soundscape] [mood: mystical, transcendental, deep, hypnotic → expansion → cosmic unity] [bpm: 100] [vocal: female ethereal lead, airy, distant + male low support, soft, grounding] [production: ultra clean mix, cinematic mastering, deep sub, analog warmth, high dynamic range, no harshness] [mix: female vocal wide + airy, male vocal low center support, clean separation, rich mids, soft highs] [spatial: ultra wide stereo, surround pads, long reverb tails, deep 3D field, floating layers] [fx: breath fx, whispers, reversed textures, subtle saturation, delay throws] [instruments: tribal drums, shamanic percussion, deep bass, flute, sitar textures, pads, choir, bells, violin textures] [drums: organic tribal groove, soft kick, hand drums, shaker patterns] [sound design: cosmic pads, harmonic drones, spatial textures] [energy: intro → immersion → build → expansion → peak → transcendence → fade]

Salz in den Gängen

epische Cello Punk

epische Cello Punk, Female Live

假裝不愛你

Female Vocals

Female Vocals, Cantopop, Sweet Pop, Upbeat, Catchy Viral Melody, Electronic synth, 128 BPM, Cute, High-energy, Bouncy, Tsundere

Last Piece

Female soulful vocal

Female soulful vocal, Flat and melancholic delivery, Breathy introspective flow, Lo-fi Soul-Hop, Heavy rainy day ambiance, Muffled tape saturation, Dusty vinyl crackle, Minimalist electric piano, Deep low-pass bass, Lazy boom bap beat, Distant thunder textures, 78bpm slow chill, High-end Lo-fi aesthetic

Happy Anniversary (Phonk Mix)

dark phonk

dark phonk, distorted 808 bass, chopped and screwed vocal chops, nostalgic but gritty atmosphere, Memphis-style drum patterns with heavy cowbell, detuned melodies, vinyl hiss texture, hypnotic loop-based arrangement, confident male lead vocal with layered ad-libs