New Songs

Happy Key

Better Than Your Dreams

dream pop

dream pop, trip-hop, darkwave, 92 BPM, smoky female vocals, breathy verses, vocoder harmonies, soft Rhodes, detuned synth pads, worldbeat percussion, gated reverb snare, sidechained sub-bass, tape delay throws, dusty vinyl crackle, analog saturation, halftime beat, late-night ache, 80s new wave

Neue Welt

Minimal techno intro

Minimal techno intro, atmospheric electronic art-pop track in A, major at -105 BPM, blending Krautrock groove, experimental pop and hypnotic female vocals, Soft, steadv motorik-stvle kick, rounded bass and subtle percussion create a gentle forward pulse, Glassy synth pads, thin arpeggios and lightly phased electric guitar lines weave a lace-like texture, with tape-echo and warm reverb, Al female vocal, intimate and airy, almost whisper-sung, with soft harmonies and distant wordless oohs, trance-like, mantra-style phrases in the choruses, Arrangement slowlv evolves with filters, swells and reverses, ending in a dreamy, weightless outro

Nikt mnie nie rozumie ;) #REL

raw anarcho punk

raw anarcho punk

Neighbor’s Back Door

industrial nu metal

industrial nu metal, gothic industrial, drop d tuning, palm-muted chugs, downtuned seven string, double kick barrage, clanging foundry percussion, detuned synth stabs, distorted bass guitar, gang shout hooks, screamed lead vocals, whisper stack adlibs, spring reverb snare, tape saturation, brickwall mastering, minor key menace, 110 BPM half-time, syncopated breakdowns, cold steel groove

Don’t Stop

a dance pop track driven by a strong punchy bassline and an infectious electronic groove female vocal smooth confident and slightly playful inspired by the energy of EDM

a dance pop track driven by a strong punchy bassline and an infectious electronic groove female vocal smooth confident and slightly playful inspired by the energy of EDM, house, dance-pop, electro house style dance hits the funky groove of groove is in the heart and a touch of Pop, R&B, Funk, Soul style funk pop bounce clean simple and catchy structure with minimal lyrics tight drums groovy bass crisp claps and bright synth accents the chorus should feel effortless and repetitive built for dancing include a breakdown with spoken style choreography instructions studio version polished warm and rhythm focused female vocal smooth tone confident playful delivery dance pop electro pop funk pop groove driven strong bassline punchy kick crisp claps funky rhythm electronic groove rhythmic focus minimal arrangement catchy hook repetitive chorus simple structure spoken breakdown dance instructions club vibe studio version polished mix warm sound

Otis Redding -(Sittin’ On) The Dock of the Bay-

At 120 BPM

At 120 BPM, bounce trap/Afro-fusion track opens with lush Rhodes chords and tactile percussion—congas, wood blocks, crisp shakers—creating an earthy pulse. A deep Amapiano logdrum bass propels the groove, while sparse acoustic guitar plucks dart beneath soaring, soulful male vocals. The cinematic soundscape remains intimate and emotive, layering textures sparsely while keeping the rhythm at the heart of the arrangement.

Frikvarterets Stjerne

Pop rap with bouncy mid-tempo groove

Pop rap with bouncy mid-tempo groove, syncopated handclaps and rubbery bassline; verse stays playful and conversational, pre-chorus tightens with rising synth stabs and half-time drums, chorus opens with stacked gang vocals and a chantable hook. Close-mic lead with light doubles, ad-lib echoes on the anchor words, and quick reverse swells into each hook. Bright, punchy mix with glossy top end and a clean low end.

Deux cœurs sur la même selle

Warm acoustic folk-pop

Warm acoustic folk-pop, gentle swing groove; nylon guitar and soft brushed snare, light upright bass. Female vocals close and intimate with airy doubles in the chorus, subtle organ pad in the bridge, then a final stripped chorus with just guitar and voice., chanson

Тонкий штрих

Russian Pop Rock with electronic elements. Female vocals with a clean

Russian Pop Rock with electronic elements. Female vocals with a clean, breathy delivery in the verses transitioning to a powerful, belted chest voice in the choruses. Instrumentation features a driving acoustic guitar strumming sixteenth notes, a thick synth bass with a slight overdrive, and a drum kit with a punchy kick and a crisp snare. The arrangement includes atmospheric synth pads and a distorted electric guitar that enters during the choruses to provide harmonic density. A melodic electric guitar solo with delay and reverb appears in the bridge. Tempo is 124 BPM in 4/4 time. Key is B minor.

Cool Autumn Air

128 BPM

128 BPM, industrial nu metal, cyberpunk rock, gated kick, djent palm mutes, distorted baritone guitar, rap-metal cadence, trap snare rolls, sub drop impacts, synth brass stabs, factory clang percussion, stadium tom fills, sidechain pumping, overdriven bass synth, shouted hook, dark synthwave lead, halftime breakdown, revenge catharsis

Без смысла (Remix)

dark metal

dark metal, dark folk, dark ambient, 90 BPM Vocal: clear male the bass cantate Instrumental: violoncello, psaltery, artel, wheel lyre, relentless double bass drums, electric guitar, Moods: the chase, anxiety, late spring, worry, narrative Atmospher: winter evening, slovene folklore, fairy tale, fantasy, slavic paganism, nature, bird songs, winter forest, late spring

Plastic Flag Parade

Late 1970s British punk track

Late 1970s British punk track, uk82, with a surprisingly strong memorable pop melody, but performed in a raw, amateur way, heavy, aggressive, raw, dirty, fast (180-220 bpm)

There's a Little Red Devil (Honkytonk)

Outlaw Country

Outlaw Country, or, Rockabilly, male vocal, steal guitar, twin Fiddle. song is about the tounge, and how it gets us into trouble.

Синя вічність (М.Магомаєв Cover-Remix) - SAN1project & SUNO

UK garage / soul latnj / downtempo ambient

UK garage / soul latnj / downtempo ambient, Male vocals, quiet, close to the microphone, half-whisper, with a soft hoarseness and vulnerable intonation. The mood is gloomy, intimate, melancholic and a little detached, but emotionally tense. The arrangement is minimalist: deep sub-bass, dry clicking beat, sparse electronic textures, muted synths, lots of air and dark space in the mix. The vocals should sound restrained, almost indifferent on the outside, but with hidden pain and inner drama. The chorus is not shrill, but hypnotic, with tension building through multi-layered backing vocals, atmospheric reverberations and dense low frequencies. The overall aesthetic is nocturnal, cinematic, cold, stylish, disturbing.

Swap Meet Marbles

industrial nu metal

industrial nu metal, cinematic horror, male shouted vocals, gang shouts, detuned seven-string riffs, syncopated palm-mutes, distorted bass synth, glitch chopped drums, halftime breakdowns, tape-saturated mix, spring reverb snare, stereo delay throws, comb-filtered backing vox, abrupt dropouts, unstable arrangement, broken-machine energy, late-night dread, 120 BPM

Island Of Pogo Pogo

rock

rock, Hyper-fast ’77 NYC punk blast at ~200 BPM. One guitar hard-panned and blown out, down-picked power chords; bass locked to the root, slightly overdriven. Drums full-on sprint with constant eighth-note hats and frantic snare. Male vocals, shredded and snotty; gang “oh” choir on choruses. Brief stops for shout-backs and handclap hits to keep it playful and sarcastic., nursery, punk, simple

The Bear

country rock

country rock, alt-rock, 92 BPM, swung eighths, acoustic guitar palm-mute, electric guitar harmonics, distorted baritone guitar, tom-heavy drum groove, syncopated bassline, pedal steel slides, tape saturation, spring reverb, parallel compression, wide room mics, bittersweet nostalgia, tense release

Fed [EXPLICIT]

Contemporary R&B and Pop track at 100 BPM in the key of G# minor. The arrangement features a syncopated sub-bass

Contemporary R&B and Pop track at 100 BPM in the key of G# minor. The arrangement features a syncopated sub-bass, crisp electronic drum kit with a sharp snare and rapid hi-hat rolls, and atmospheric synth pads. A clean electric guitar provides rhythmic staccato chords and occasional melodic fills. The vocals consist of a female lead performing melodic verses and a male lead delivering rhythmic, rap-influenced lines. The chorus features layered vocal harmonies with heavy reverb and delay. Occasional synth swells and filtered transitions mark section changes. The production is polished with a wide stereo image and prominent low-end presence.

Before the Grand Council.Between two Worlds.Conflict.

symphonic gothic metal

symphonic gothic metal,symphonic orchestra,rock opera,cinematic,medium tempo,choir,tense,dramatic,disturbing,emotional,electric guitars,bass,drums,powerful,operatic,symphonic metal,ambient,epic