New Songs

Фильмофил

bossa nova

bossa nova, jazz-pop, jazz fusion

multiples

Indie pop with electronic and funk influences. Features a clean

Indie pop with electronic and funk influences. Features a clean, syncopated electric guitar riff, a prominent synth bass with a rounded, sub-heavy tone, and a steady drum machine beat. The arrangement includes layered female vocals with a dry, intimate delivery in the verses and harmonized stacks in the chorus. A rhythmic vocal chop sample is used as a melodic hook during instrumental breaks. The track features a bridge with a stripped-back arrangement of bass and drums before a final build. 115 BPM, G minor, 4/4 time signature.

Platinum Keyholes

garage rock

garage rock, alternative rock, 1970s live room, tube amp breakup, spring reverb, slapback delay, fuzz pedal riffs, palm muted power chords, overdriven bassline, tom heavy drums, room mic punch, tape saturation, mono vocal stack, shouted hooks, half time breakdown, midtempo stomp, raw catharsis, nocturnal grit

Fever Dream

A powerful female vocalist with harsh gritty attitude

A powerful female vocalist with harsh gritty attitude, alternating between intense melodic lines and feral growls, echo and reverb on the song. Psychedelic spooky groove progressive metal with fast hypnotic riffs, heavy downtuned bassline, heavy rhythmic pulse, and dark theatrical energy, Trippy horror vibes, chaotic whispers, and a warped wonderland mood, The singer sounds unhinged, seductive, and commanding, like a predator playing with her prey, Driving tempo, punchy chorus hooks, twisted playful ad-libs in parentheses, No choirs, no orchestras, just brutal groove, swirling psychedelia, and confident female dominance, Make the delivery sharp, weird, and addictive — a dangerous wonderland fever dream. Crazy banjo in the breakdown

WANDER THERE

SUNO CHORUS DEVELOPMENT LAYERED AND RESOUNDING ECHOES OF DISTANT WONDER AND DRAMATIC DISPLAYS SUNO [ARTISTIC LICENSE -THE VOICE ON THE THRONE! BRINGING IT !]AWAKINING cinematic folk-pop

SUNO CHORUS DEVELOPMENT LAYERED AND RESOUNDING ECHOES OF DISTANT WONDER AND DRAMATIC DISPLAYS SUNO [ARTISTIC LICENSE -THE VOICE ON THE THRONE! BRINGING IT !]AWAKINING cinematic folk-pop, reflective journey song, intimate female vocals, soft piano intro, delicate cello, fingerpicked acoustic guitar, brushed snare, pedal steel swells, warm bass, close room mics, tape saturation, plate reverb, gradual emotional build, sparse opening, lift-to-chorus arc, 72 BPM, half-time groove, hopeful introspection, male vocals

研究者の闘い

punk rock

punk rock, powerful vocal, major scale, major key, code I-IV-V, major C, major G, major F, Intense, dark, upbeat, uptempo, passionate, aggressive, dashing, fast tempo, Energetic, Battle theme

Take me away

platinum electro reggae global r b 96 bpm one drop groove modern dub bass drone nyabinghi hand drums udu clay resonance Reggae

platinum electro reggae global r b 96 bpm one drop groove modern dub bass drone nyabinghi hand drums udu clay resonance Reggae, Ska, Rock, Pop Rock guitar chops glossy synth plucks sidechained trance pads micro pitch vocal widener plate hall vocals ping pong chorus throws granular frost fx tape stop transitions mono sub bass binaural atmos imaging hook first arrangement anger release festival uplift

Tecktonic

House electronic fusion at 130 BPM with a hypnotic four-on-the-floor groove

House electronic fusion at 130 BPM with a hypnotic four-on-the-floor groove, deep bassline, soft pads, analog synth pulses, and techno-leaning drive; verse-like sections feature Portuguese guitar melodies and reverb-rich space, the build adds violin and filtered synth risers, and the drop opens with sax stabs and electric violin lines, Wide cinematic, soulful, immersive mix, emotional, soulful, electric, electronic, hypnotic, violin, rich, saxophone, bassline, soft, steady, techno, deep, robotic vocal stabs, 'Crazy Frog' style lead melody

Heavy Iron Doors

industrial nu metal

industrial nu metal, trap metal crossover, 162 BPM, guttural male chants, detuned 7-string chugs, glitch guitar stabs, distorted bass synth, machine room kick, snapped snare rimshots, stutter edit fills, kotsuzumi hits, handclap locks, plate reverb, parallel compression, sub drop impact, breakneck halftime switch, arena gang vocals, dark synthwave lead, maximum intensity opener

There's a Little Red Devil

Outlaw Country

Outlaw Country, male vocal, steal guitar, twin Fiddle. song is about the tounge, and how it gets us into trouble. Traditional Country, old Hank Sr style.

Strobe Steelwave (Remastered)

hardstyle

hardstyle, euphoric hardstyle, harmonica lead, distorted kick drums, reverse bass, pitched snare rolls, stomped offbeat claps, choir stabs, vocoder hook, wide supersaw chords, 140 BPM, festival breakdown, rawphoric drop, accusatory chant, anthemic defiance

jeppis jepulis

saxophone melody

saxophone melody, strong bass line, early 70s soul

Midnight On Your Mind

tech house

tech house, electro house, 128 BPM, four-on-the-floor kick, offbeat open hat, syncopated bass stabs, distorted synth lead, uilleann pipes hook, violin harmonics, sidechain pumping, stereo delay throws, granular breakdowns, drop builds, anthemic release, clenched euphoria. Female vocals.

There's a Little Red Devil (Rockabilly)

Outlaw Country

Outlaw Country, or, Rockabilly, male vocal, steal guitar, twin Fiddle. song is about the tounge, and how it gets us into trouble.

Mean x Mean (Mashup) (WIP)

High-fidelity PCM reconstruction

High-fidelity PCM reconstruction, 24kHz to 48kHz neural upscaling, intimate Gothic Americana production, close-mic acoustic fingerpicking with audible fret squeaks and wood resonance, deeply tender yet painfully awkward conversational vocal delivery, clean grain vocal tone with fragmented phrasing and delayed transients. Instrumentation features a low-end heavy brooding upright bass captured with a vintage condenser for woody thump, weeping lap steel guitar drenched in analog bucket-brigade delay positioned hard right in the stereo field, sparse brushed snare drum lightly marking downbeats, dark and dusty mix topology, tape saturation on the master bus adding a subtle low-mid bump, vocals sit entirely dry and dead center to enhance the uncomfortable closeness, minimal compression allowing wide dynamic range, high-pass filtering on acoustic rhythm, overall somber and spacious landscape.

THE ROUGH TRADE by Diógenes

Style: Nu-metal with tribal Candombe drums. Heavy distorted bassline. Junk percussion (scrap metal hits). Vocals: Gritty

Style: Nu-metal with tribal Candombe drums. Heavy distorted bassline. Junk percussion (scrap metal hits). Vocals: Gritty, weathered male voice with a strong, rolled "R" accent (Rioplatense-English style). Fast-paced rap delivery, switching to rhythmic tribal chanting. Instructions: Emphasize the "R" sounds. Deep 33Hz sub-bass pulses. Tempo: 105 BPM (Heavy, limping swing).

I NEED THE ANTIDOTE

Concrete Jungle Crown

modern hard rock

modern hard rock, female vocals, extended guitar solo at some point in the song, hard and heavy breakout session during the bridge

#3: My Only Question - [camelCase]

Deep soul rap

Deep soul rap

The Weight I Set Down

Alternative rock with post-grunge influences. Features a clean

Alternative rock with post-grunge influences. Features a clean, arpeggiated electric guitar intro that transitions into heavy, distorted power chords. A driving drum kit uses a standard backbeat with frequent crash cymbal accents and double-time fills. The bass guitar follows the root notes of the guitar progression with a thick, overdriven tone. Male vocals range from a melodic, breathy baritone in the verses to a powerful, belted tenor in the choruses. A bridge section features a clean guitar melody with subtle delay and reverb before a final crescendo. The track concludes with a solo acoustic guitar outro. Key of E minor, 145 BPM.