New Songs

Péter dans les NightClubs (Kato ft Jon - Flowka Mix)

The track opens with lush synthwave pads and filtered atmospheric textures

The track opens with lush synthwave pads and filtered atmospheric textures, setting a hazy mood. Deep, resonant bass pulses beneath a slow, minimalist trap rhythm. Two male voices intertwine in heavily autotuned, emotive melodies, drifting over the surreal soundscape. The arrangement evolves with spacious reverb, subtle chanson-inspired melodic phrases, dense hi-hats, and glistening electronic accents, creating a hypnotic, melancholic ambiance throughout.

Ghost in the Room

Slow otherworldly waves crashing

Slow otherworldly waves crashing, cold, organ glitchsynth Atmospheric minimal, post-glitch, sleepglitch, sounds effects, reverberations, echoes effects, fading effects, amazing, sounds effects, hi-fi, acoustic, improve sound quality to Hi-Res, remove AI artifacts

LOVE FOR YOU

Dance With The Lich

dance

dance, Shiny club-pop meets fantasy EDM banger; bright synth arps, side-chained pads, and a four-on-the-floor kick. Verses ride a tight, playful groove with plucky keys; pre-chorus ramps tension with risers and filtered drums. Chorus explodes with stacked male/female vocals, saw leads, and a singalong gang chant hook. Middle 8 adds choral hits and toms for epic quest drama before a final, hands-in-the-air drop., pop

The center fielder I used to be 2

Warm big-band swing with nostalgic crooner male vocals

Warm big-band swing with nostalgic crooner male vocals, brushed drums, upright bass, and muted horns. Verses stay light and conversational with walking bass; chorus blooms with full brass hits and close-harmony backing vocals. Middle section softens to strings and piano for the reflective moment, then returns to an uplifting swing tag ending, leaving a bittersweet glow.

After 3AM

Opens with reversed ambient pads and subtle electric piano

Opens with reversed ambient pads and subtle electric piano, gradually introducing filtered guitar and deep 808 bass. Melodic rap verses float over spacious, slow trap drums—soft kick, crisp rim snare, sparse hi-hats. The smooth chorus lifts with lush synths and distant vocal chops, all bathed in long reverb tails. Bridge adds rich textural layers before a final, fuller chorus. Mix stays wide and intimate, balancing deep low end with airy, reflective ambiance—capturing late-night, introspective R

Бесконечность ✨

Acoustic Ballad / Indie-Folk (Singer-Songwriter)

Acoustic Ballad / Indie-Folk (Singer-Songwriter), female Natalie voice

Zwischen Kaffeeflecken

Neoclassical power rock metal with four aggressive cellos

Neoclassical power rock metal with four aggressive cellos, fast rhythmic cello attacks, dynamic arcs. Alternating sections with post‑rock guitars, speed‑driven metal riffs, grunge crunch and stoner‑rock grooves. Energetic, cinematic, darkly tense, with epic breakdowns, virtuosic cello runs, shifting textures, and a polished high‑end organic sound. Deep female rock vocals with a gritty edge and warm deeper range. Confident delivery with controlled rasp, subtle growl accents, and a full‑bodied tone. Clear articulation, minimal vibrato, and a focused, unforced intensity. An authentic presence with a subtle rebellious attitude. Capable of both melodic intensity and controlled punch, with steady breath control and a subtle live‑performance feel.

Spring Sun Finally Here

heavy reggae/black metal/progressive metal fusion with steelpan steel drums as a prominent lead melodic instrument throughout the entire track bright steelpan runs and melodic solos fused with crushing downtuned metal riffs and brutal breakdowns as the dominant heavy force classic laidback reggae Reggae

heavy reggae/black metal/progressive metal fusion with steelpan steel drums as a prominent lead melodic instrument throughout the entire track bright steelpan runs and melodic solos fused with crushing downtuned metal riffs and brutal breakdowns as the dominant heavy force classic laidback reggae Reggae, Ska, Rock, Pop Rock guitar deep dub bass onedrop drums offbeat rhythm guitar raspy male cleantogrowled vocals in verses and gangshouted choruses midtempo 80-130 bpm reggae groove that explodes into 150-170 bpm metal energy joyful celebratory theme about the arrival of spring sun birds singing in trees renewal and nature waking up warm uplifting atmosphere meets intense moshpit release cinematic production with bird chirps spring wind steelpan hammer hits and dub echo effects passionate liberating vibe

Музыкант

Folk Punk

Folk Punk, Acoustic Singer-Songwriter, Anti-folk, Lo-Fi, Amateur recording, out of tune acoustic guitar, wobbly vocals, drunken singalong, humorous, raw, unpolished

Abrid n Tazult.

rock

rock, Snaking Saharan groove with interlocking desert blues guitars, raw bassline, deep male lead vocals, and stomping handclaps. Call-and-response group chants ride over circular Assouf-style riffs, with traditional percussion driving an upbeat, hypnotic trance. Dynamic swells in the choruses invite crowd vocals and clapping; verses stay lean and storytelling-focused, dust and heat in the mix., male vocals, electric, rhythmic, deep, hypnotic, folk, vocal, raw, acoustic, desert blues, african rock, bassline

Gaslighting

[intro – extended 90 second instrumental build

[intro – extended 90 second instrumental build, ultra heavy deathcore, drop g guitars, eerie clean guitar harmonics slowly stacking, distant rumble bass, rising tension, then blast beat eruption] [main style – hyper aggressive deathcore, 230-260 bpm, brutal guttural growls, absurdly happy sarcastic lyrics, face-melting tremolo guitars, echoing destruction drums, massive distorted bass] [verse sections – nonstop blast beats, tremolo riff walls, chaotic pinch harmonics, relentless speed and aggression under goofy cheerful gaslighting lyrics] [chorus – gigantic guitar wall, gang shouts, huge bass drops, explosive drums, sarcastic “everything is great” style hook] [solo – insane technical shred, dive bombs, tapping runs, screaming harmonics over blast beats] [breakdown – crushing downtempo chugs, sub bass hits, cavernous growls] [outro – full chaos climax, max speed blast beats, stacked guitars, long catastrophic final chord]

La Verdad de un Amigo

Cinematic orchestral banda fusion with male lead vocals and powerful female choirs; starts intimate with soft brass

Cinematic orchestral banda fusion with male lead vocals and powerful female choirs; starts intimate with soft brass, strings, and nylon guitar, then swells into a heroic, emotional climax with full band hits, timpani swells, and soaring choral harmonies doubling the hook, banda

Aelira Nae Thal

[faroese folk-pop with rock influence and heavy yodeling

[faroese folk-pop with rock influence and heavy yodeling, playful bagpipes vibe, 6/8 at 96 bpm, key e minor, instruments: lead cello motif (tarja signature, warm and present), tagelharpa low drone bed, fiddle/violin folk lines, central bagpipes as main ostinato and hook (smallpipes or uilleann pipes), frame drum + soft shakers, foot stomps + handclaps, airy pad very low, natural room ambience, vocals: tarja female soprano lead, close-mic, clear diction, lots of yodel passages, call-and-response feel, uplifting ending, production: organic dynamics, wide but not glossy, no early fade]

Paredão - Raichi (Pelúcia Zika)

geek

geek, aggressive beat, male vocals, aggressive eletronic, bass boosted, dark, electronic, hardbass, russian hardbass

🎸 “Prendi in mano i tuoi anni”(Live Italian)

🎚️ BPM: 146 🎛️ General mood: Modern hard rock with hints of new wave and art-rock. 🎤 Voice: male

🎚️ BPM: 146 🎛️ General mood: Modern hard rock with hints of new wave and art-rock. 🎤 Voice: male, raspy timbre but able to open up into a powerful belt in the choruses Energy, theatricality, crowd power, rock that breathes and then explodes. Stadium rock, verses, full rock in the choruses, half-time in the bridge. Chorus: powerful belt, harmonies in thirds and fifths. Guitars: hard rock + New Wave accents in the breakdowns, glam octaves in the intro. Bass: pulsating, slightly distorted, very present. Synth: post-punk/art rock pads, light arpeggios in the pre-choruses. Bridge: crowd chorus + intimate voice that explodes in the finale. Intro: the band talks to the audience ...

Бабиник АКАй.

Гитарный рифф с эффектом дилэя задаёт остроугольное настроение

Гитарный рифф с эффектом дилэя задаёт остроугольное настроение, бас динамичный и плотный, барабаны играют прямую ритмику с резкими сбивками. В куплетах звук чуть суше, в припеве инструменты расширяются, добавляя лёгкую перегрузку. Вокал хриплый, экспрессивный, насыщает трек сырой энергией. Бридж предлагает короткую инструментальную развязку с минималистичной гитарой и гипнотичным басом., alternative rock, industrial, atmospheric, pop rock

Gravel in My Teeth

metal

metal, Downtuned sludge-metal crawl, mid-tempo churn at ~85 BPM. Guitars tuned absurdly low through blown-out fuzz, bass a grinding wall under primal, roomy drums. Male vocals: growled verses, shouted hook with gang backups. Chorus opens into a wider, more anthemic drone-chord feel; bridge hits a halftime collapse with feedback and pick scrapes before a final lurching chorus.

Celestime Hearts [Close and Beyond]

aetherpunk

aetherpunk, shimmering synths; victorian wonder meets interstellar adventure, epic, ticking clockwork rhythms, uplifting, orchestral, cosmic choirs, celestial; brass, electronic, orchestral-electronic

FIRE-The World Ablaze-

Bright emotional gothic rock fused with new wave and emo rock

Bright emotional gothic rock fused with new wave and emo rock, uplifting atmosphere, emotional and hopeful mood, shimmering synth layers, melodic electric guitars, energetic band sound, emotional build-up and explosive chorus, clear and transparent male vocals