New Songs

Life of funk

[QUALITY: MAX] [Style: Metal

[QUALITY: MAX] [Style: Metal, Funk, Classic-Rock, Acoustic, 105BPM, 11-ALGO, Slide-Guitar, Brass-Stabs, Breezy-Vocal]

State Control

raw dirty punk

raw dirty punk, sludgy guitars grind fast, hyper-melodic, dark, death metal, 140-160bpm, metal, hardcore, low, pulsating undercurrent. intermittent evil laughter and grisly flesh-chopping effects punctuate the mix, punk, guttural growls anchor this menacing death metal assault. male vocals., hardcore-punk, ominous riffs soaked in heavy distortion. thunderous double bass drums drive a relentless

Love Relapse

Dark live-style piano ballad

Dark live-style piano ballad, slow tempo (~64 BPM), minor key, intimate grand piano intro with wide pauses and low-register chords. Soulful female vocal with controlled, emotionally heavy delivery, no belting, no vocal runs. Minimal production, no drums, subtle ambient textures, very light strings entering only in the final chorus. Mood is tragic, resigned, and full of false hope. Lyrics about trying to end a toxic love but relapsing back into it. Chorus feels aching and inevitable, not explosive. Bridge nearly stripped to solo piano. Soft almost-spoken line before final chorus. Authentic emotional performance, natural room reverb, understated dynamics, unresolved piano ending.

Stand In For You

A pulsing pop-R&B blend opens with syncopated electronic drums

A pulsing pop-R&B blend opens with syncopated electronic drums, deep bass, and glossy synths layered under bold, rhythmic vocal phrasing. fusion jazz, jazz fusion, experimental, progressive rock, psychedelic jazz, romantic avant-garde, world jazz, improvisational storm, post-bop abstraction, dreamy virtuosity, euphoric tension, rhythm-forward fusion, psychedelic groove collision, expressive intensity, avant-classical flair [drum solo feature | extended solo spotlight, explosive polyrhythmic phrasing, quadruple limb independence, cross-meter layering, dynamic acceleration, gestural metric recursion, asymmetrical groove fracture, tom/cymbal motif exchange, rapid meter disintegration, speech-like phrasing with pulse denial, syncopated storm resolution, solo-in-dialogue callbacks, phrased break injections, rotating motif solo architecture, metric illusion layering, tension-release based fill logic]

Why? (Bare Knuckle Fiddlers)

Wild

Wild, cinematic, explosive gypsy folk / Celtic tavern riot energy, fast tempo 160–190 BPM. Ferocious lead fiddle ripping through the mix with sharp Balkan-style runs and fiery accents, driving the entire track. Banjo or mandolin firing rapid offbeat chops, metallic hammered dulcimer / cimbalom striking bright chaotic sparks. Upright slap bass bouncing hard like fists on a barrel. Heavy stomp percussion: boots pounding wooden floors, bodhrán thumps, table hits, claps and crowd noise forming a raw pub battlefield groove. Arrangement playful yet aggressive, instruments clashing and answering like a musical bar fight. Verses tense and prowling, chorus erupting into massive gang shouts and full-band storm. Atmosphere: smoky tavern, rogue caravan musicians, rebellious outlaw spirit. Production gritty, organic, loud, live-band chaos — as if the band keeps playing while the room explodes around them. Emotion: reckless, rowdy, unstoppable. The sound of a fiddle starting a fight.

Sekunden-Tänzer

German Indie Pop

German Indie Pop, Acoustic Folk Pop, Singer-Songwriter, Fast-Paced, Driving Piano, Uplifting, Organic, Heartfelt, Male and Female Vocals, Harmonious Duet, Acoustic Guitar, Cello, Warm, Optimistic

DJ Rale Hyperdrive Ascension Remix Classic Euro Rave Trance Music Track 5

5 minutes track last or more

5 minutes track last or more, DJ scratches increase in the song. Classic Euro Trance 140 bpm with ultra bright synths, powerful supersaw leads, long rave intro, rolling basslines, euphoric pads, emotional breakdowns, and explosive drops. 90% instrumental with minimal vocal accents for atmosphere. Energetic, euphoric, cinematic, uplifting rave feeling with wide stereo space and festival-style trance melodies.

Can't Drive Like This (Remix)

Upbeat

Upbeat, energetic electro‑swing with vintage jazz flair and modern electronic production. Bouncy 124 BPM swing groove with a punchy four‑on‑the‑floor kick, crisp electronic claps, and syncopated rhythm. Brassy horn stabs deliver bold hooks while a walking synth bassline adds a deep, groovy pulse. Female vocals are soulful and expressive with rhythmic phrasing and smooth slides. Includes a verse‑chorus structure, a breakdown with vocal chops and filtered percussion, bright high‑end EQ, warm brass accents, sidechain‑pumped synths, and subtle vocal reverb for a polished, dance‑floor‑ready sound.

Digital Siren

funky bubblegum dance chanson version of Bach Toccata and Fugue in D minor

funky bubblegum dance chanson version of Bach Toccata and Fugue in D minor, Cyber‑Bass, Synthwave / Cyberwave, Infrasonic 0-20hz, bass layered with 40-140hz bass, 150bpm robotic rhythm, war drum bass boosted, subwoofer friendly, repetitive hypnotic grooves, lifts the listener into an otherworldly euphoria, rich, complex, harmony, galloping bassline+kick, strong cosmic reverb, inevitable, seductive raspy rapped vocals

[Intro] (Instrumental) [Verse] Imagine if I had done any of this [Outro] (Instrumental)

Key: Only use black notes on piano. (In terms of actual notes it doesn't all have to be a piano instrument silly) Tempo: 130bpm. Vibes: Intense build up to obama quote and then intense hard dance.

Key: Only use black notes on piano. (In terms of actual notes it doesn't all have to be a piano instrument silly) Tempo: 130bpm. Vibes: Intense build up to obama quote and then intense hard dance.

Тишина

Steirerherz im Takt

Style: Austropop

Style: Austropop, guitar‑driven pop Mood: cheerful, earthy, warm, connecting, danceable Instrumentation: catchy guitar riff, harmonica accents, choir in the chorus BPM:

「カランコロン花火」

Shimmering J-pop ballad over gentle acoustic guitar and light percussion; male vocals soft and close-mic’d in the verses

Shimmering J-pop ballad over gentle acoustic guitar and light percussion; male vocals soft and close-mic’d in the verses, lifting into a wide, melodic chorus. Subtle piano doubles the topline, bells highlight the “カラン コロン” motif, and the last chorus blooms with airy backing harmonies and a warm, rising string pad.

When Everybody’s Gone

A slow hard rock edged R&B track opens with lush vocal harmonies

A slow hard rock edged R&B track opens with lush vocal harmonies, a smooth, flowing melody layered over subtle funk guitar and grooving bass. Atmospheric synth pads add depth, building tension. Midway, a burst of djent guitar injects intensity, before returning to a deep, soulful vocal finish.

🔹ATLANTEAN SIGNAL 🔹

✨𝕭𝖎𝖆𝖓𝖈𝖆 𝕾𝖐8✨

✨𝕭𝖎𝖆𝖓𝖈𝖆 𝕾𝖐8✨

Untitled

Sea Shanty × Psytrance

Sea Shanty × Psytrance, 145 BPM, minor key (D# minor suggested), festival intensity, hypnotic trance synths, rolling arpeggios, deep punchy kick, shaker/percussion layers, layered male/female choir, call-and-response lines, chantable lead, Structure: [Intro] 4 bars, soft a cappella male shanty, airy synth background [Verse1] 8 bars, lead male vocals, syncopated with trance bassline [Chorus] 8 bars, ensemble + lead, chantable, repeated over rising synth arpeggios [Verse2] 8 bars, lead vocals with minimal ensemble, rhythmic for trance alignment [Bridge] 4 bars, vocal layering with trance pads, dramatic tension [Final Chorus] 8 bars, maximal choir + lead + full trance drop [Outro] 2 bars, whispered lead + airy choir, fading but hypnotic

What we where, What we are

Reflective

Reflective, mid‑tempo atmospheric folk ballad with restrained dynamics and emotional weight. Instrumentation is minimal and spacious: warm acoustic guitar, subtle piano, low ambient pads, and gentle percussion that breathes rather than drives. Lead vocal is deep, raw, gritty, gravel‑rough, and unmistakably cowboy — weathered, lived‑in, and honest, with a low register that carries quiet authority and emotional restraint. Delivery feels reflective and grounded, never dramatic, like a man looking back across years of change. Harmonies are sparse and human, slightly rough, supporting without smoothing the edges. Production is open and cinematic, allowing silence and space to speak. Mood is thoughtful, grounded, and contemplative, exploring what was, what is, and the distance between, without resolution or sentimentality.

Обираю себе

hang drum

hang drum, r&b

still breathing

Shoegaze Rock

Shoegaze Rock, Dream Pop atmosphere, Industrial Rock rhythm, Minimal Techno mechanical pulse, Post-Punk bass drive, motorik groove, dual guitars: post-punk cutting rhythm guitar + shoegaze wall-of-sound guitar, fuzz reverb delay guitars, dreamy shimmer guitar layers, deep bass groove, 808 sub pulse accents, industrial metallic percussion, machine-like rhythm precision Vocal: FEMALE, raspy, husky, voice must crack, clear vocal delivery

Young spring rules the planet

clap

clap, melodik, serenity, pleasant atmosphere, pop, serenity, vocals, feel-good vibe, masterpiece, serenit, experimental synth, tribal beats, dynamic cadence, klavier, indy rock, melodic doom metal, syncopated rhythm, エレクトロニック, grim and dark mood, progressive edm, alternative dance, theremin, philosophical, melodic exciter, alternative rock, rythmé, surf rock, action music, sweet, drone metal, top 40, edm, techno, acid trance, party music, mediation, funeral, euro disco, remix, dark jungle, korean traditional, erratic breathy sounds, 70 bpm, haunting female vocals, smooth bass, ambient trance, british rap, minimalist drums, lost, pandeiro, demon, whimsy, poppy, роскошный, альтернативный инди, парящий вокал, медитация, джазовые элементы, албанский, гюира, дарк-синтвейв, very slowly, тайна, мистический, reggae, slowtempo