New Songs

⏰Безумный часовщик⏰(The Mad Watchmaker)

punk rock

punk rock, horror rock, alternative rock, More high frequencies

Tjasam

Young Maltese Boy

Young Maltese Boy, Assyrian Classics, Assyrian Man, punchy indie pop track kicks off with clean electric guitar riffs and tight drums, layered over a pulsing synth bass. Minimal Djent. The verses feature sparse instrumentation, while the chorus bursts with lush synths and a bright, upbeat groove. Energetic bridges use syncopated claps and airy pads. Oud and daburka

Przystań Nadziei

“Photographs of the Fire”

Post-grunge / alternative rock

Post-grunge / alternative rock, Nickelback-inspired. Male gritty lead vocals, raspy and emotional, strong chest voice. Mid-tempo (90 BPM), minor key. Crunchy distorted guitars, big anthemic chorus, heavy bass, punchy rock drums. Theme of regret, lost love, self-reflection, and redemption. Polished radio-rock production with a powerful arena-style chorus.

Ceilings in Neon

pop

pop, Shimmering techno-pop with a steady four-on-the-floor pulse and bright side-chained synth pads. Female vocals riding a driving bassline; verses stay tight and rhythmic, then the chorus blooms with wide supersaw chords and octave-doubled topline. Subtle arpeggios and filtered builds lead into a euphoric drop, with stacked harmonies on the hook and a final uplift in the last chorus., inspirational, techno

Nullpunkt i Sektor Epsilon

Futuristic post-punk

Futuristic post-punk, cold synth, cinematic sci-fi. Tempo: 100-104 BPM. Key: D minor. Distant, restrained, intelligent, timeless. low station-like drone, filtered noise as life-support ambience. Solo cello enters close-mic, bow noise audible, slow fragmented notes like broken memory logs. Minimal analog pulse bass fades in, steady but emotionless. Dry, almost spoken female vocal, intimate and cold. Sparse beat with muted kick, metallic clicks, subtle sequencer ticks. Cello plays short, tense phrases between vocal lines. Bass opens slightly, pads widen but remain icy. Vocal gains light doubling with synthetic harmony, no drama. Restrained expansion. Wide cold pads, sub bass steady, cello holds long sustained notes. Vocal melodic but distant, emotionally controlled, no belting. Beat drops out. Cello solo with reverb tails, glitch artifacts, vocoder whispers. Feeling of observation and repetition. Elements slowly mute. Station drone returns. Final cello note dissolves into silence.

I Try to Dance This Trance

trance

trance, chillwave,, slow vocal, club atmosphere

My beautiful Zayna.

Female vocals

Female vocals, clear and strong, incorporating yodeling, guttural chants, and ethereal harmonies. Male throat singing and tribal backing choir. Genre: Shamanic Folk / Ethereal Arctic Pop. Tempo: 75 BPM. Instruments: Frame drums (shaman drum), jouhikko (bowed lyre), kantele, khomus (jaw harp), bone flute, singing bowl, wind chimes, animal bone rattles. No Arabic instruments. Structure follows the original. The chorus is anthemic and tribal with call-and-response. Features a solo on khomus or willow flute. Bridge is sparse and spiritual. Vibe is primal, mystical, intimate, and deeply connected to the Arctic landscape, like a ritual under the northern lights.

By Your Heart

Kingdom of Leaves and Iron (Remix of "The Parkway of Lovers" by Arcfirefly)

Fantasy style rock

Fantasy style rock, Wooden flutes, slow dramatic, fiddle,

雨露凌りゃそれでいい

Beat Bounce Blues 4

Electro Jazz

Electro Jazz, Bounce, Blues Rock, Delta Blues, Swamp Rock, New York Hip Hop, French House, Detroit House, 808 Layers, Subwoofer Bass, strong beat, downtempo, no vocal, wide stereo

トワイライト・ポッピング

Vocaloid

Vocaloid,Kawaii Future Bass,

Starter Village

Wintergaten Marble Machine Swedish nyckelharpa Pyrophone Toha harp Cimbalon Contrabass Clarinet Alto flute

Wintergaten Marble Machine Swedish nyckelharpa Pyrophone Toha harp Cimbalon Contrabass Clarinet Alto flute

Advice From the Grandparents

Modern comedic opera

Modern comedic opera, exaggerated theatrical delivery, mezzo-soprano lead with emotional swings, chaotic children’s chorus, rapid recitative sections, dramatic pauses, playful orchestral chaos, humorous timing, sarcastic tone, operatic intensity applied to mundane domestic stress, over-the-top but relatable, clear diction, comedic emphasis

Scottish Nights

A tension-driven bardcore dubstep instrumental unfolding in three dramatic acts

A tension-driven bardcore dubstep instrumental unfolding in three dramatic acts, blending medieval folk instrumentation with cinematic bass music. The track begins warm and communal, using lute melodies, frame drums, and wordless male vocal hums to evoke fellowship and triumph. Unease gradually creeps in through dissonant drones, warped reverbs, and distant animalistic echoes. As the narrative darkens, distorted string plucks, fractured dubstep rhythms, and deep basslines reflect a reversal of fate. The final act strips back to cold ambience and sparse melody before erupting into a surreal, transcendent climax of blooming synthetic pads and glitching motifs, like a prophetic vision tearing through reality. Epic, Cinematic, big room spatial.

amor envenenado

Sinister Latin-trap meets dark phonk and midtempo dubstep: warped cowbells

Sinister Latin-trap meets dark phonk and midtempo dubstep: warped cowbells, distorted 808 bass, and swung drums under eerie bell and synth motifs. Female vocals in Spanish, sultry and menacing, half-whispered in the verses, exploding into a shouted, hook-heavy chorus with layered gang vocals and pitched-down ad-libs. Drops hit with bitcrushed leads and aggressive bass growls, then pull back to spacious, reverb-washed breakdowns before slamming back in., dubstep, beats

Vinnie jam

The drum solo begins at around 92 bpm with a reggae-inspired one-drop feel

The drum solo begins at around 92 bpm with a reggae-inspired one-drop feel, starting softly with only open and closed hi-hat patterns combined with cross-stick rimshots on the snare, played in slow, swaying sixteenth notes full of ghost notes that echo like distant bird calls, gradually introducing the bass drum on every other beat to create a waking heartbeat pulse while the audience breathes along in anticipation. From there the energy ignites as the kick-snare pattern grows, shifting from classic one-drop to rapid sixteenth-note kicks, incorporating tom runs that sweep from floor tom up to high tom with the illusion of double pedal using a single pedal, while snare rimshots turn into sharp pistol cracks alternating with swelling buzz rolls, the hi-hat opening fully to create a rushing wind-like sound, culminating in a first big paradiddle-diddle fill between rack tom and floor tom with heavy crash accents. The madness then fully unleashes as double bass enters in explosive sixteenth

Симфония Страха(new version]

symphonic power metal

symphonic power metal,symphonic orchestra,mysterious,tense,slower tempo, female vocals,electric guitars,bass,drums,synth,dramatic

I give my all to you, I give my all

A fast

A fast, energetic Polish hip-hop track at 120–130 BPM fuses synthwave and dance-pop elements: bold, arpeggiated minor synths, distorted 808 bass, punchy trap drums, and pumping sidechained textures. Male vocals alternate between monotone rap, aggressive bursts, and dynamic ad-libs. A DJ’s sung chorus offers melodic relief, while layered synths and instrumental build-ups drive the catchy, uplifting groove. Spoken word sections and musical breaks boost the dynamic range, all anchored in a clear, upfront mix with an electric rhythmic intensity.