New Songs

Комета

Post punk deep house cello choir

Post punk deep house cello choir,requiem cello, dark cello, viking, folk

Mrs. Claus Got A Fat Ass

Vintage 1950s soul band in a live room

Vintage 1950s soul band in a live room, brushed drums and upright bass walking heavy. Baritone male vocals, deep and raspy, start in a half-whisper and rise into a gritty belt on the hook. Horn stabs answer the vocal phrases; piano comps tight rhythmic chords. Background doo-wop harmonies swell on the choruses, tambourine and handclaps lifting the groove into a rowdy, church-meets-juke-joint Christmas jam., soul, beats, rhythmic, deep

L'Atlas des Éphémères

Crisp electronic beats and airy analog synths open

Crisp electronic beats and airy analog synths open, enveloping a deep, husky blue-eyed soul female vocal. Intimate, breathy French phrases float atop soft organic guitar riffs. Minimalist bridges strip to voice and synth, while disco-inspired bass grooves drive dynamic choruses and breakdowns.

Under the Tinsel and the Noise

Layered

Layered, reverb-laden electric guitars open with a gritty blues riff, while punchy 90s alternative drums drive the energy. Post-punk basslines cut through, syncopated and melodic, as atmospheric synths accent the electric R&B groove. Verses keep it moody; choruses burst with edgy instrumentation.

Shoulda Gone Home

grunge

grunge, hard rock, male vocals, percussion, bass guitar riffs

Love

The song opens with jangly

The song opens with jangly, indie surf acoustic guitar and mellow surf-inspired reverb. Atmospheric pads, lush chill synths, and deep 808s fill the space beneath airy soprano vocals. Subtle trap hi-hats create relaxed but intricate rhythms. The arrangement evolves, progressive and texturally rich.

She Took All My Money

rap

rap, Greasy funk-hip-hop mash: live kit with swung pocket, upright bass walking under a tight wah guitar riff, muted horns hitting stabs on the twos and fours. Male deep vocals, half-sung half-rapped, dripping attitude. Hook explodes with stacked call‑and‑response shouts and handclaps; breakdown strips to bass, rimshots, and finger snaps before full band slides back in with a horn riff outro. Warm, saturated tape feel like a 1950s soul band accidentally time-traveled into a block party cipher., funk, soul, hip-hop, deep

HAPPY NEW 2026! WELCOME TO THE GOLDEN MADNESS!

dance

dance, satirical big room edm, luxurious and crazy. sound: massive build-ups and hyper energy bass, drops, orchestral hits mixed with heavy bass, euphoric but cheeky synth leads. vocals: energetic spoken-word and group chants. use sound effects of jewelry clinking, fireworks, crowd roar. mood: ironic, opulent, chaotic, fun. ключевые слова для любого промта: over-the-top, playful luxury, satirical celebration, glamorous, shout-along anthem., playful, edm, big room, orchestral

Узбек таксист в Москве

Uzbekistan folk music

Uzbekistan folk music, Uzbek gently male vocalist, zurna, carbon deposits

The Black Edge (Winter in Gagra) - (Brass Cover)

Genre: Brass Pop Meets Marching Funk Meets Techno-Brass Style Reference: - Querbeat (Kölscher Karnevals-Brasspop Mit Popstruktur) - Moop Mama (Urban Brass

Genre: Brass Pop Meets Marching Funk Meets Techno-Brass Style Reference: - Querbeat (Kölscher Karnevals-Brasspop Mit Popstruktur) - Moop Mama (Urban Brass, Rap-Infused Horns) - Meute (Techno Mit Marching Band Arrangement) - Gallowstreet (Epischer Streetbrass Mit Massiver Bläserwand) Mood: Energetic, Rebellious, Festive, Ironic, Urban, Euphoric Feels Like A Street Carnival Crashing Into A Rave, During Christmas Time In Cologne. Tempo: 138 Bpm Time Signature: 4/4 Key: C Major Or Bright-Sounding Scale Instrumentation: - Massive Brass Section (Multiple Trumpets, Trombones, Baritone Sax, Sousaphone) - Marching-Style Drums (Snare, Bass, Toms) - Electro-Style Percussion (Hi-Hats, Claps, Layered Loops) - Funky And Driving Bassline (Sousaphone Or Synth Bass) - Synth Pads & Arpeggios (À La Meute) - Occasional Crowd Fx, Carnival Whistles, Megaphone Shout Vocals: - Male Lead Vocal

Cycles of Snow

Acoustic indie folk with soft fingerpicked guitar and gentle banjo accents

Acoustic indie folk with soft fingerpicked guitar and gentle banjo accents, warm analog room tone, close-mic’d intimate female vocal, layered airy harmonies, subtle violin swells, no percussion or only very minimal brushed snare, wistful emotional build, melancholic yet tender atmosphere spacious, quiet, sincere, fragile but glowing, slowcore, girl alt, warm, intimate, vocal harmonies experimental, punk, left-field pop, neo-psychedelia, indie-pop, melodic, female vocals, layered vocals, acoustic guitar, deep bass, 5 piece band, full drum, 90s grunge, 60s blues guitar

флеш-память

A clean

A clean, commanding female vocal floats atop a lush ambient electronic intro—airy pads, filtered static, Opening with soft cosmic synths and celestial pads in dark minor, airy female vocals float above, Crisp 90s eurodance beats and pulsing bass drive the groove

余計なお世話

Advent 2-Step [Day 23]

Christmas 2-Step

Christmas 2-Step, High Speed, Sleigh Bells, Exciting, Cinematic, Adventure, Rushing Wind, Energetic Strings, Instrumental

Mr savage skins

ScreenRecording_12-16-2025 16-54-45_1 (Cover)

Hyperpop

Hyperpop, Happy, Fast, Edm, house elements Energetic and loud Chorus where there is the instrumental from the drops in the background while the vocalist sings fast and long notes

Lone Bounty

Spaghetti Western

Spaghetti Western,Western Traditional,Minor key,96 BPM,Deep and gritty male baritone vocal with restrained vibrato and sparse phrasing,Acoustic guitar (muted rhythmic strums with percussive attack, conveying dusty trail tension),Electric guitar (reverb-heavy single-note lines, subtle tremolo creating suspense),Electric bass guitar (slow, plodding lines grounding the scene),Trumpet (bold, piercing calls with expressive vibrato, evoking desolate landscapes),Timpani (low rumbling hits emphasizing looming drama),Snare drum (tight rim shots punctuating suspense),Cowbell and maracas (sharp percussive accents enhancing rhythm),Epic, desolate, and tense bounty hunter atmosphere, whiskey-soaked tavern moods, duels at high noon, isolated gunman feeling

Rocket Wś : Persimmon

[Style: 74 BPM / Soul-Infused Grunge Acoustic Pulse] [Guitars: Warm

[Style: 74 BPM / Soul-Infused Grunge Acoustic Pulse] [Guitars: Warm, resonant acoustic foundation with circular, swaying rhythm; layered with soft, slightly distorted ambient textures and harmonic feedback for depth.] [Drums: Sparse but dynamic taps; natural organic sways punctuated with light tom accents and brushes to enhance tension without losing intimacy.] [Vocals: Raw, expressive delivery; low, gravelly hums in verses building to urgent, emotive belts; occasional airy falsetto peaks for texture and vulnerability.] [Bass: Rounded, supportive low-end; slides subtly sync with guitar resonance; slightly overdriven in peaks to emphasize emotional push.] [Production: Minimalist yet polished; high-fidelity capture of acoustic warmth and nuanced performance; delicate tape flutter, short natural reverb for spatial depth.] [Mood: Introspective but charged; intimate, human connection meets subtle grunge edge; visceral emotional weight that balances calm reflection with urgent release.]

市松人形イチに憑かれてる

horror dark pop

horror dark pop, psychological, whisper vocals, eerie female voice, minimal beat, distorted ambience, cold reverb, playful yet unsettling, slow build, creepy intimacy, meta horror mood

O come O come, Emmanuel (A Traditional Psalm)

[Style: restrained art rock · slow-burn · reverent but unsentimental] [Tempo: ~68 BPM · steady pulse · no swing] [Key: minor · modal (aeolian or dorian) · unresolved cadences] [Mood: solemn · patient · quietly hopeful · ancient weight] [Melody: chant-like minor contour · narrow range · mostly stepwise motion · gentle descending phrases with slight lift at line endings · refrain rises briefly then resolves downward] [Arrangement: sparse verses · gradual textural build · no dramatic peak or anthem release] [Instruments: dry close-mic piano or clean electric guitar · deep sustained bass · muted organ or pad] [Drums: very soft but steady kick with closed hi-hat from intro to establish clear BPM · no fills · no crashes] [Vocals: intimate male lead · low register in verses · controlled phrasing · minimal vibrato · slightly more open on refrains] [Structure: verse · refrain · verse · refrain · verse · refrain · bridge · final refrain] [Production: wide space · long reverb tails · dynamics gro

[Style: restrained art rock · slow-burn · reverent but unsentimental] [Tempo: ~68 BPM · steady pulse · no swing] [Key: minor · modal (aeolian or dorian) · unresolved cadences] [Mood: solemn · patient · quietly hopeful · ancient weight] [Melody: chant-like minor contour · narrow range · mostly stepwise motion · gentle descending phrases with slight lift at line endings · refrain rises briefly then resolves downward] [Arrangement: sparse verses · gradual textural build · no dramatic peak or anthem release] [Instruments: dry close-mic piano or clean electric guitar · deep sustained bass · muted organ or pad] [Drums: very soft but steady kick with closed hi-hat from intro to establish clear BPM · no fills · no crashes] [Vocals: intimate male lead · low register in verses · controlled phrasing · minimal vibrato · slightly more open on refrains] [Structure: verse · refrain · verse · refrain · verse · refrain · bridge · final refrain] [Production: wide space · long reverb tails · dynamics gro