New Songs

Ember | The One

Fuego y Raíz

Primary Style + Subgenres: Afrobeat Progressive Metal

Primary Style + Subgenres: Afrobeat Progressive Metal, Jungle Fusion, Polyrhythmic Metal Secondary Style + Subgenres: Afro-Latin Ritual Groove, Cyclic Percussion, Earth Pulse Tertiary Style + Subgenres: Industrial Ambient, Metallic Textures, Subtle Noise Exotic Instrument: Surdo drums with ceremonial metal chimes Era / Epoch Influence: Contemporary mythic Afro-Latin urban ritual Rhythm & Percussion Concept: Intense polyrhythms, layered percussive pulses, dynamic accent shifts Instrumentation: Standard: Electric guitars, bass, acoustic drums Exotic Instrument: Surdo drums with ceremonial metal chimes Vocal Setup: Amaru: Tenor, expressive and commanding Killa: Sopran, sustained high overlays Yupanqui: Bass, grounding pulses Production Aesthetic: Expansive stereo field, layered textures, fiery energy

Mon fils

Rap hip hop street scratch

Rap hip hop street scratch

Into the Void

Dreamy alt-pop × ambient glitch × synthwave with floating melodies

Dreamy alt-pop × ambient glitch × synthwave with floating melodies, soft distortion, nostalgic textures, emotional vocals, and a hypnotic, ultra-catchy chorus — Weirdness: 24% | Style Influence: 90%

Operation Krümelsturm

Orchestral Fantasy Soundtrack In The Style Of Howard Shore (The Lord Of The Rings)

Orchestral Fantasy Soundtrack In The Style Of Howard Shore (The Lord Of The Rings), Featuring Live-Sounding Instruments, Deep Choir Textures, Mystical Woodwinds, Dramatic Strings, And Cinematic Percussion. Emotive And Immersive, With Natural Room Ambiance And Dynamic Expression – Evokes Enchanted Forests, Magical Creatures, And Eerie-Yet-Playful Wonder. Perfect For A Live Theatrical Performance With Mysterious And Whimsical Elements. Childish Vocals Spukiger Kinderfunk-Brass mit düsterem Tuba-Groove, Moop-Mama-Rap-Vibe, Saxophon-Solo, Turntable-Cuts, Call & Response, atmosphärisches Waldsounddesign (Nebel, Knacken, Tierlaute, Wispern). Tempo: ca. 95 BPM Stimmung: Kindgerecht unheimlich, verspielt düster, melancholisch charmant. Lead: Comic Rapstimme + Kinderchor (Dialog-Elemente), Flüster-Samples

Goose

{Singer Songwriter}

{Singer Songwriter}, {Post Rock}, {Indie Rock}, {Avant Pop}, {Violin}

Don’t Rush (Cover)

This lively cinematic spaghetti western

This lively cinematic spaghetti western, funk, and lo-fi fusion opens with buoyant piano chords, harmonica licks, and timpani, joined by syncopated brass stabs and brushed snare. Lo-fi crackle and turntable hiss saturate the mix, while a close, muffled male vocal gives it a cozy, vintage parlor vibe.

Nicotine-Patch Band-Aid's Suck...

Opening with a loping melodic guitar

Opening with a loping melodic guitar, fat syncopated bass, off-kilter programmed drums, and slacker vocals lagging the beat, the verses electro synths. Choruses blast heavy guitar, rock dance beats, house percussion, , and fairy-tale melodies; sporadic country and norteña touches appear. The bridge fuses emo and pop hooks, surging into a drum & bass-fueled climax. Clever transitions tie in ambient fantasy rock, energy bursts, alt rock angst, folkrock dynamics, sad deep male vocals, resonant bass, fairy-tale synths, understated pedal steel, Wurlitzer, horror punk intensity, conversational harmonies, vengeful and unique, all anchored by a persistent, melancholic riff.

Incompatible Love (Tak Sejalan)

female vocals

female vocals, guitar, RnB, sad, romantic flute, emotional, basa, drum, pop

君は星々 (You are all the stars) #ゆめのゆめ500

An emotional and refreshing mid-to-up-tempo pop-rock track with bright

An emotional and refreshing mid-to-up-tempo pop-rock track with bright, shimmering guitars, rhythmic clean strumming, and dynamic, uplifting chord progressions. Features energetic bass lines, crisp drums with tight snare hits, and light synth layers that add sparkle and a sense of open air. Soft piano lines support the harmony, enhancing the sparkling texture and emotional flow. The mood is youthful, vibrant, and slightly nostalgic, with a breezy, ocean-like atmosphere that feels light, open, and forward-moving. Vocals are kawaii Japanese whisper female vocals, soft and airy with a slightly breathy, gentle nasal tone. The voice feels intimate and close-mic’d, fragile yet warm, with natural imperfections and an acoustic, organic presence—like she’s half-awake in a dream. Singing remains cute, expressive, and high-fidelity, carrying emotional release and momentum while blending delicately into the sparkling instrumental mix.

Otto’s Kitchen (Hard Tech-Trance Tool)

Hard tech-trance weapon designed as a DJ tool and live-set driver. Relentless rolling kick

Hard tech-trance weapon designed as a DJ tool and live-set driver. Relentless rolling kick, tight punchy low end, mechanical bass movement. Dark hypnotic arpeggios, acid textures, minimal melodic content. Mantra-style spoken vocals, dry, commanding, never sung. Multiple long builds with instrumental-only drops. Industrial tension, forward momentum, no breakdown softness. Immersive spatial stereo design with rotating FX and controlled reverb. Club-focused, warehouse-ready, late-night energy. Trance as pressure. Trance as motion.

Goose {Chinese Translation}

{Singer Songwriter}

{Singer Songwriter}, {Post Rock}, {Indie Rock}, {Avant Pop}, {Violin}

Seas Opening Up

Female

Female, catchy, spiritual, , guitar, uplifting, piano, upbeat, heartfelt

Nina Sings The Blues

exhilarating

exhilarating, driven by piano and smoky female vocals, raw, soulful, blues

with my whole damn heart

Darkwave / Electro-Noir

Darkwave / Electro-Noir, Moody, bass-heavy, with a brooding beat and smoky vocals, rolling bass synth, airy reverb on vocals, slow build into the chorus like a wave, pulsing atmosphere

Miss Maybe v2

[POP] [tongue-in-cheek intro] [bouncy synth plucks] [clean snap texture] [head-bob rhythm] [playful callout energy] [ALT-POP] [sarcastic lift] [snare flicks] [riser wink] [tempo nudge] [mock-crowd reaction] [DANCE-POP] [confidence build] [layered percussion] [bright saturation] [strut-forward motion] [stereo bounce] [POWER-POP] [full attitude peak] [kick-drive impact] [bold vocal hooks] [mod pop] [chant-style cadence] [POP] [smirking outro] [element peel-back] [quick fade] [filter soften] [lingering sass]

[POP] [tongue-in-cheek intro] [bouncy synth plucks] [clean snap texture] [head-bob rhythm] [playful callout energy] [ALT-POP] [sarcastic lift] [snare flicks] [riser wink] [tempo nudge] [mock-crowd reaction] [DANCE-POP] [confidence build] [layered percussion] [bright saturation] [strut-forward motion] [stereo bounce] [POWER-POP] [full attitude peak] [kick-drive impact] [bold vocal hooks] [mod pop] [chant-style cadence] [POP] [smirking outro] [element peel-back] [quick fade] [filter soften] [lingering sass]

Phase Ÿg : High Beams

Style – Ultra-Epic Hyper-Rave Anthem / Futuristic Unity / 133 BPM [Beats: Stadium-scale four-on-the-floor kick with massive low-end weight; thunderous claps layered with crowd-sized impacts; rolling hi-hats that swell and collapse like waves; precision glitch cuts and full-silence dropouts to magnify the return.] [Bass: Titanic sub pulses that bend and glide between notes; long

Style – Ultra-Epic Hyper-Rave Anthem / Futuristic Unity / 133 BPM [Beats: Stadium-scale four-on-the-floor kick with massive low-end weight; thunderous claps layered with crowd-sized impacts; rolling hi-hats that swell and collapse like waves; precision glitch cuts and full-silence dropouts to magnify the return.] [Bass: Titanic sub pulses that bend and glide between notes; long, rising bass notes that build anticipation across bars; distorted surges used sparingly for peak emotional spikes.] [Synths/Leads: Monumental supersaw stacks; cinematic arpeggios racing upward; heroic lead motifs with pitch dives and octave jumps; call-and-response stabs that feel like a signal firing across the crowd.] [FX/Pads: Celestial pads stretching wide like open skies; massive risers that feel gravitational; granular spark showers; vocal fragments transformed into rhythmic chants.] [Vocals: Anthemic lead delivery—bold and emotional; layered harmonies stacked tall and wide; falsetto lifts at peak mom

アンガー スターティング メランコリー -live version-

BACK LINE live hardcore performance in a packed 300-capacity underground live house. Dark and emotional digital hardcore rock based on the original arrangement of “アンガー スターティング メランコリー” with slight live variations. Sold-out venue filled with heavy air

BACK LINE live hardcore performance in a packed 300-capacity underground live house. Dark and emotional digital hardcore rock based on the original arrangement of “アンガー スターティング メランコリー” with slight live variations. Sold-out venue filled with heavy air, low murmurs, distant cheers, and restrained crowd tension. Massive PA delivering deep, oppressive sound pressure. Guitars and bass following original riffs with slower, heavier live weight, extremely heavy kick and tight snare pressing the rhythm forward. Dirty distorted male vocal in SAN’s live style, low, emotional, bitter, faithful to original phrasing. Subdued crowd presence, quiet shouts, bodies swaying slowly, floor vibrating. Amp hum, feedback noise, dark room reverb. Drum stick count-in before the song. Heavy and introspective live performance.

Два сына - 01

Smoky acid modern jazz

Smoky acid modern jazz , art pop, 90 bpm, baritone saxophone, double bass, piano. bright melody, raspy male vocal. Slow, flute, timpani, relaxed groove. echo effect, chillout

Le jour où les mots tombent

French chanson introspective et apaisée

French chanson introspective et apaisée, tempo lent ~70 BPM. Voix masculine française chaude, naturelle, proche du micro, émotion contenue, sincère, incarnée, sans emphase dramatique. Instrumentation sobre : piano acoustique en accords espacés, silences assumés, cordes très légères et aériennes (violons/alto), basse feutrée et ronde, texture organique. Ambiance : nocturne douce, lumière intérieure, calme profond, maturité émotionnelle. Structure : couplets narratifs → refrain épuré et répétitif → pont contemplatif → coda spirituelle bilingue français/anglais, murmurée, non-duelle. Intention : transformation intérieure. Les mots tombent, la défense s’arrête, l’homme devient présent, responsable et vrai. Pas de colère, pas d’accusation, seulement lucidité, compassion et sécurité émotionnelle. Style chanson française cinématographique, élégante, intemporelle, intime.