Tendencias

No sé nada de ellas

psychedelic rock

psychedelic rock, progressive, alternative, experimental, creative modulations between stanzas, punchy drums, driving bassline, fuzzy guitars, smooth vocals with phaser and delay effects, production with clear, catchy melodies, ironic, 90-95 bpm

El Veto a la Pirámide

Flamenco-Bulerías

Flamenco-Bulerías, Handclap Rhythmic, Flamenco Raíz, Male Vocals, Female Voice, Voz Quejío, Spanish Guitar (Visceral), Rasgueos Viscerales, (Key: C#m), Flamenco Colectivo, Flamenco Tradicional (Accoustic), Cante Trabajo, Cante (Con Vigor y Fuerte), Echo Voice, Escala Flamenca Tradicional (Cuatro Acordes), Vibe: Flamenco Anti Dictadura del Lucro.

Luces bajas, calle viva,Anymous🙌

electronic

electronic,latino

Canción Desesperada ❦ El poeta serbio Milan Rakić

deeply passionate

deeply passionate, broken, hoarse Male voice, strong flamenco rhythm; flamenco rhythmic hand tapping, dark flame

Y Ahora Dudas v1.2

ska

ska, rocksteady, vintage soul, jamaican jazz influence

Cenizas De Junio v5.10

24/7 Heaven

k-pop

k-pop, trap, and latin pop with melancholic undertones. the production includes layered synth textures, pop, latin pop, vocal, rap, lo-fi beats, emotional melody while the male vocal alternates between melodic rap and rhythmically intricate verses. spanish and english lyrics blend seamlessly for a global pop appeal., and dynamic interplay between female and male vocals. the female vocal carries a smooth, k-pop-inspired mix of synth pop, lo-fi

Ayé, Ayé

Authentic West African folk / Afro-acoustic fusion rooted in Senegal–Mali–Guinea traditions. Avoids all Latin rhythms and patterns. Lead voice is male

Authentic West African folk / Afro-acoustic fusion rooted in Senegal–Mali–Guinea traditions. Avoids all Latin rhythms and patterns. Lead voice is male, warm, expressive, rhythmic, and slightly ornamented in Mandé style. Core instruments: kora, ngoni, calabash, bendir, soft djembe, light bass, and subtle hand percussion. Uses pentatonic and Mandé-style modal melodies, repeating kora/ngoni ostinatos, cyclical grooves, and organic dynamic growth across the three movements. Uses moderate vocal repetition, short echo phrases, and partial line repeats typical of griot storytelling. Includes vocal call-and-response (in parenthesis) between male lead and soft backing vocals. The refrain “Ayé, ayé, qué bueno es vivir” recurs multiple times and feels like a communal chant. The overall mood is acoustic, joyful, storytelling, earthy, life-affirming, entirely West African in identity.

Fuego en la Ducha

a man's passionate and beautiful voice

a man's passionate and beautiful voice, a moderately fast tempo, flamenco, Spanish flavor, Spanish virtuoso guitar, castanets, and a beautiful melody at the beginning, middle, and end of the song. The choruses stand out, are memorable, and have a driving and powerful voice.

Sin alas

Fast-paced dark corrido tumbado — Close-mic vocal

Fast-paced dark corrido tumbado — Close-mic vocal, Acoustic requinto plucks, staccato and percussive with audible fret noise. Tight bajo sexto rhythm, deep clean bass, crisp short snare rim. Dry mix, no reverb wash. Organic imperfections — slight timing drag, uneven phrases, natural breath pulls. 104 bpm. No pop sheen, no synthetic pads, no glossy vocal tuning. Emotional

Noche de Velas

Latin

Latin, Spanish guitar, sexy female vocals

Luces de Nuestro Invierno

Estilo musical “Navidad Soul Fusion”: mezcla de balada latina

Estilo musical “Navidad Soul Fusion”: mezcla de balada latina, R&B contemporáneo, leves toques de dembow sutil, pads electrónicos etéreos y orquestación ligera (cuerdas y campanillas). Inspirado en la energía viral de los hits más vistos en YouTube, Instagram, TikTok y Facebook, pero sin copiar títulos ni melodías existentes. Apply a very rich reverberation effect on both vocal tracks to create a spacious, loving, romantic, caring, passionate, atmospheric feel, enhancing the emotional depth of the song.

No estás solo

Romantic Pop love Ballade With 80s Synth Pads Orchestra Strings

Romantic Pop love Ballade With 80s Synth Pads Orchestra Strings , epic orchestral Pop , 2000s, E- guitar solos, majer chords

Cuando El Cielo Oye Mi Susurro

Dream Pop

Dream Pop, Alt-Pop, Emo Trap, Pop Punk Ballad, Cute Catchy Melody,Techno Pop, Country Pop, Acoustic Pop, Reggaeton Punk ,140Bpm, No Mood-Based Tempo Shift, Intro: Slap Guitar + Cracked Whisper Vocal + Detuned Analog Pad, N No Soft Piano Intro, Drums: Distorted 808S, Trap Hi-Hats, Snapping Snares, Glitch Fills That Feel Unstable, Bass: Deep Sub-Bass, Sidechain With Kick, Heavy But Warm, Guitar: Sharp Slap Rhythms, Tremolo Walls In Verse, Overdrive Punch In Chorus, Dreamy Washed Layers In Bridge And Final, Piano: Cinematic, Hard Attack But Imperfect And Slightly Detuned In Bridge And Break, Fx: Reversed Delays, Detuned Pads, Whisper Echoes, Tape Hiss, Vinyl Crackle, Breath Left In, Short Moments Of Silence, Female Vocal: Very Hard Raspy And Husky, Very Hard Breathy, Very Hard Strong Vibrato, Raw, Trembling, Frantic, Whisper-To-Explosive, Voice Must Crack, Break, Tremble, And Miss Notes, Let The Voice Collapse Mid-Line, Then Recover, Then Shatter Again, Occasional Hints Of Warmth,

Como tú ( Son cubano)

son cubano. voz femenina. montuno coro masculino

son cubano. voz femenina. montuno coro masculino

El hombre que tiembla

Delicate fingerpicked Spanish guitar opens

Delicate fingerpicked Spanish guitar opens, joined by sparse, haunting piano and subtle gothic rock percussion. Reverb-drenched electric leads drift above a minor-key bed. The raw, emotional male vocal sits close and exposed, with swelling strings and soft toms building intensity in each chorus.

We are the Brujas -Live Version

Symphonic Rock Live at Wembley Stadium

Symphonic Rock Live at Wembley Stadium, Use lyrics exactly as provided; no ad-libs, Tempo slow-mid and spacious, Start with slow guitar riff — no vocals, After 4 bars enter lead vocal over the riff, Include a mid-song reprise (Structure: slow riff intro → vocal with full band → orchestral swell → mid-song riff section → huge chorus → extended double finale: first climax (full band + crowd), second climax even bigger with guitars, piano, strings in slow-motion power, Arena ambience: 80k crowd roar, claps on 2&4, deep stadium reverb, Mix: soprano lirico-spinto forward; guitars wide; drums; orchestra broad; crowd under, Texture: molten, emotional, cinematic, widescreen, Clip Volume: Lead +4 | Guitars -1 | Bass -2 | Drums -1 | Organ -1 | Strings -1 | FX/Crowd -3 | Master -0, 5, gradual, refresh, smooth voice singing, dynamic rhythm, emotional build-up, original key, polyphony, dreamy vocalizations, 432hz, melódica, vibe, powerful percussion, pulsing bassline, mastered

🎼 “Eclipses en el Pecho”

ranchera + guitarra + trompeta + violines fuertes + piano profundo.

ranchera + guitarra + trompeta + violines fuertes + piano profundo.

Cariño a Plazo Fijo

Chilean-inspired Indie Pop Ballad. Intense

Chilean-inspired Indie Pop Ballad. Intense, dramatic, and emotional female vocals. The music builds from a soft, melancholic acoustic guitar/piano intro to a powerful, rhythmic beat and cinematic strings in the chorus and bridge. Use powerful, raw vocal delivery. (Guitarras Acústicas, Piano Dramático, Drums potentes, Cuerdas Cinematográficas)

We are the Brujas -Live Version

A Ritual Song Cinematic Structure: Tribal Percussion

A Ritual Song Cinematic Structure: Tribal Percussion, Whispered Invocations, And Baroque Soprano Solos. Main Female Vocal Is Ethereal And Dramatic, Channeling A Modern Priestess. Sections Are Low, Rythmic, Ritualistic – Like Sacred Chants. French Sections Are Sung In Clear, Angelic Baroque Style, Floating Above The Earthly Ritual. Tempo Evolves From Slow Whispered Devotion To Trance-Crescendo. Use Layered Female Choirs, Echoes, War Drums, Drones, And Subtle Synth Ambience. Final Coda Returns To Whispered. Ethereal, Mystical, Transcendental. Genres: Ritual Ambient + Baroque Crossover + Dark Ethno-Electronic Voice: Female + Choir Style Slider: 0.8 Weird Slider: 0.6 Exclude Styles: Pop, Edm, Hip-Hop Clip Volume: Start Soft → Rise Slowly → Peak Mid-Section → Fade To Hush