Tendencias
Explore songs in Tendencias. Listen to a track, open its details, or find an idea for your own music.
Amores Que Matan
dembow rhythm and reggaeton drums driving the beat, bachata meets hip-hop, rap, raw rap verses layered over melodic hooks. male vocals., bachata, hip-hop, blending acoustic guitar with guzheng flourishes, reggaeton
El océano y tu
r&b, soulful guitar riffs, spacious reverb, emotional, smooth r&b, soulful, joven layered vocals, smooth, dreamy synth chords, emotional and cinematic
Quería beberte a tí
Melancholic yet playful carnival song. Latin carnival rhythm with festive percussion (congas, timbales, bass drum) and bright brass section (trumpets, trombones, saxophones). Nostalgic and emotional melody but with a festive, street-party energy. Raspy, expressive male vocal, ironic and sentimental. Backing vocals in a chorus style repeating the refrain. Atmosphere of a carnival parade: bittersweet, humorous, and lively.
Doawga Automatica
g funk, roots rock, hight output, nightcore, latin, high pitched female voice, quirky, brass band pop, funk, edm, alternative rock, alternative hip hop, modern rock, weirdcore, live performance
Sistema Roto
Latin-infused punk-rock track with a raw, passionate vocal delivery. The music features driving rhythm and brass, while the voice is hoarse yet melodic.
Catteleya -FanCee (Prod. NTLB)
Create a sensual Spanish guitar × R&B fusion ballad called “Cattaleya” by FanCee. The intro should be a 1:50 vibrant Spanish guitar solo in the style of passionate flamenco-rock, with expressive bends and flourishes like Santana. Female lead vocals only, no rap. She hums over the intro with whispered Spanish phrases like “Cattaleya… mi flor… secreta… peligrosa… cuando floreces… el mundo deja de respirar.” After the beat drops at 1:50, add deep trap-soul drums and 808s layered under the guitar. Female lead sings with a soft Spanish accent, melodic and harmonic, about the sensual and dangerous beauty of the Cattaleya flower. The chorus should be explosive with the line: “Cattaleya, mi flor, cada beso me pide más amor.” Include a poetic bridge with layered humming and whispers “Cattaleya… mi flor… Cattaleya… mi amor.” End with a soft Spanish guitar outro and hums. Vocal Style 75%, Audio Style 80%, Weirdness 15%. Medium autotune, lush reverb on vocals, heavy reverb on guitar and whispers.
Troja se ha perdido (Remix)
Sad song opens with piano outlining Arabic scales, ornamented with trills and rapid runs; acoustic and electric textures layer for warmth. Oud introduces a melodic counterline, interplaying with the piano. World percussion—darbuka, cajón, frame drum, tabla—builds a complex groove. Synthesizers add lush backdrops and subtle hooks. The arrangement alternates between reflective piano-driven verses and expansive fusions in the choruses, stacking global rhythms and tonal color for a vibrant, pop-infused world fusion.
El León Se Fue de la Carpa by AR
[Style of Music: An upbeat and anthemic Electro-Cuarteto Pop track. Driven by a classic, driving "tunga-tunga" cuarteto rhythm played by a modern arpeggiated synthesizer. Features clean, melodic Latin-pop electric guitars, a prominent and groovy bassline, and a massive, sing-along stadium rock chorus. The bridge introduces a rhythmic cocaine sniff sample as a percussive element.]
Luz en cada era (Remastered)
A gospel Catholic song opens with resonant organ chords and lush choral harmonies, joined by subtle strings and gentle piano. Verses spotlight call-and-response vocals over a steady, uplifting rhythm, building into soaring refrains with rich brass, hand percussion, and full choir.
Cruzando la Metrópoli
Electrocumbia and Colombian slowed cumbia (Cumbia rebajada) with comedic urban narration; organic accordion and guacharaca fused with warm low-end and light brass pops. Vocal Style: Male solo (baritone) lead with call-and-response backing chorus and occasional spoken lines; natural, slightly nasal timbre for comic effect. Vocal Emotion: Playful, ironic, warm, slightly exasperated; storytelling delivery in verses, jubilant in chorus. Instrumentation: Accordion (lead), brushed snare, guacharaca, plucked bajo sexto or guitar, warm electric bass, subtle brass stabs, ambient crowd pads for chorus. Key: D minor Tempo: 88 BPM Production Notes: Keep tempo relaxed and groovy; add small field recordings (street noise, vendor shouts, metro doors) as transitions; light reverb on vocals, tape saturation for vintage warmth.
Tendencias prompt ideas
These original examples and answers are in English.