Tendencias

Voz de Prefeccion (opera)

industrial sounds deep Operatic Tenor

industrial sounds deep Operatic Tenor, orchestral, johann Sebastian Bach barítono — “La sílaba lenta” Tenor dramático, ♩ = 52, legato absoluto,,

Caminando Contigo

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Warm Latin pop

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Warm Latin pop, mid-tempo (98–102 BPM), gentle toe-tapping groove. Spanish language song with smooth, expressive vocal delivery. Intimate but uplifting tone, reflective and hopeful with light playful moments. Instrumentation: soft acoustic guitar, subtle electric guitar accents, warm bassline, light Latin percussion (shakers, rim clicks, soft congas), airy pads. Modern, clean production with cinematic warmth. Chorus should feel open, melodic, and easy to sing along to — no big drops or heavy drums. Emotional mood: comforting, sincere, quietly joyful. Style inspired by contemporary Latin pop and Colombian warmth, without imitation. Avoid EDM, avoid dramatic ballad style, avoid aggressive rhythms.

BOHVNNON – LONELY NIGHTS 🌹/ Spanish Quiet Fire Remix

Instrumental flamenco guitar intro ONLY

Instrumental flamenco guitar intro ONLY, solo nylon string flamenco guitar, very strong rasgueado opening chord, traditional flamenco attack, free rhythm intro, dark minor mode, Andalusian flamenco feeling, NO VOCAL AT THE BEGINNING, NO FEMALE VOCAL AT INTRO, NO MALE VOCAL, NO PAD, NO SYNTH, NO DRUMS, NO RHYTHM SECTION, intro lasts at least 12 seconds, guitar must start the song, AFTER the flamenco intro, intimate close mic female vocal enters, Spanish-style phrasing, expressive dynamics, guitar sometime

¿Cuándo Vienes, María? (Spanglish)

Commercial Euro-dance

Commercial Euro-dance, Latin House, 128 BPM, Spanish Acoustic Guitar Lead, Nylon String, Flamenco Riffs, Bright Mastering, Heavy Sidechain, Aggressive Gravelly Male Vocals, Spanglish Lyrics, English Verse, Loud Brass Stabs, Summer Hit, Club Banger

Retando al corazón

Tema urbano lento con influencia electrónica ochentera

Tema urbano lento con influencia electrónica ochentera, tempo entre 88 y 92 BPM, atmósfera nocturna, íntima y reflexiva, La base rítmica debe ser limpia y minimalista: kick profundo, clap con reverb amplia tipo sala vintage, hi-hats suaves y aireados, El protagonismo lo llevan los sintetizadores analógicos: pads cálidos con chorus, acordes largos y envolventes, líneas melódicas simples pero emocionales, y un bajo synth redondo que camine despacio, casi como un pulso constante, La producción debe sentirse elegante, madura y cinematográfica, más para escuchar que para brincar, La voz va cercana, medio hablada, con poca agresividad, usando delay corto y reverb cálida para crear sensación de espacio y nostalgia, El arreglo crece de forma progresiva, sin drops fuertes ni cambios bruscos, manteniendo una vibra romántica, urbana y profunda, como un recorrido nocturno por la ciudad, donde la canción cuenta una historia de vida, aprendizaje y amor que resistió el tiempo

Allá Lejos

aggressive Rap-Metal fusion

aggressive Rap-Metal fusion, furious urban energy, Spanish lyrics, intense male rap vocals with guttural metal growls, distorted downtuned guitar riffs, scratchesd guitar, double-kick drums, industrial synth stabs, fast-paced, raw high-energy production

Un Jefe Entre Fantasmas

Dark Neo-Reggaeton

Dark Neo-Reggaeton, 95 BPM, Latin Gregorian chant, heavy sub-bass, atmospheric monk hymns, cinematic industrial weight, Strong male vocals, mysterious minor-key melody, ancestral instruments, deep pulsing bassline, smooth transitions, infectiously catchy melody, continuous looping Latin vocal chant in background, High Octane, Smooth Transitions.

Una Cumbia De Esas

Cumbia rebajada

Cumbia rebajada, accordion, bass, cowbell, percussion, male vocals

Me Voy

Melancholic flamenco-inspired solo acoustic guitar ballad in minor key

Melancholic flamenco-inspired solo acoustic guitar ballad in minor key, slow 60 bpm. Solo acoustic guitar with passionate fingerpicking, arpeggios, rapid runs, expressive melody, rich extended chords for tension/release. Deep female alto vocal with raw emotional Spanish delivery and warm reverb. No other instruments. Clean natural acoustic sound, minimal processing. 75s "Aaaah" intro (female voice, heavy reverb). Verses emotional build-up, chorus passionate release. After chorus, 20s "Aaaah" interlude with guitar solo. 110s fading outro with repeating lines into endless "Aaaah"s and 30s silence. Mood: deep burning heartbreak, eternal love pain, dramatic regret.

No quiero contestar.

hard disco 80s

hard disco 80s, space cosmic film fx, hard dance 80s, pad saw 80s, hard synth 80s, male vocals, soft choirs vocals delays, disco bassline, hard energetic song, vocoder fx, robot voices, fx space sounds

La Extracción del Hecho

Flamenco-Causalidad

Flamenco-Causalidad, Cante Filosófico, Compás Tangos-Trance, Bajo Solista en Tango Trance, Bass and Drums Trance, Voz Cruda, Mujer y Hombre Cantan, Handclap Flamenco, Spanish Guitar (Echo), Synthwave Background, Vibe: Flamenco Trance Filosófico, Flamenco Bass, Flamemco Contra el Delirio, Flamenco Filosófico Contra el Pensamiento Mágico.

Esta Noche (Dance With Me Tonight)

Voy en Serio

trap

trap

El perno de la culpa

120 BPM

120 BPM, metal driven, gothabilly inspired, dark blues elements, old western athmosphere, male growl vocals, layered deep baritones choir, high-energy, relentless forward motion, crunchy distorted guitars, dry punchy production, brilliant sound Structure: verse - verse - chorus - musical bridge - verse - bridge - pre chorus - chorus - musical bridge - chorus - final chorus

sin palabras

EDM euro dance bluegras ska

EDM euro dance bluegras ska, male vocals

Un día más blues

blues rock

blues rock, female argentinian voice, 90-95

Fuego En La Autopista

gothic rock

gothic rock, post-punk, spanish rock, tenor strong male voice, distorted electric guitars, electric bass, 90s, chorus choirs

Last Dance (Dios Mio) Spanish

A fiery flamenco piece built on the driving Am-G-F-E progression features lightning-fast nylon-string guitar

A fiery flamenco piece built on the driving Am-G-F-E progression features lightning-fast nylon-string guitar, rhythmic handclaps, and passionate footwork patterns, Percussion blends cajón and palmas, with bursts of melodic runs in guitar breaks, Dynamics ebb and flow for dramatic tension

Se nos olvidó querernos

Style: 80s Eurodisco / Modern Synth-Pop Revival. Rhythm: A driving

Style: 80s Eurodisco / Modern Synth-Pop Revival. Rhythm: A driving, relentless 4/4 dance beat (120 BPM) with a classic "four-on-the-floor" kick drum, crisp hi-hats, and electronic handclaps. Vocalist: A male vocalist with a smooth, clear, and slightly melancholic tone (Tenor). He possesses excellent agility and stamina, delivering rhythmic verses with precision and soaring into a catchy, melodic chorus with layered harmonies. His delivery balances emotional weight with pop energy, cutting through the dense electronic mix. Harmony: An energetic and catchy progression: Em - C - G - D played on pulsating analog synthesizers and arpeggiated basslines. Melody: Features a bright, memorable Synth Lead riff as the main hook, evoking neon lights and nocturnal drives. Atmosphere: Polished, retro-futuristic production with wide stereo imaging, gated reverb snares, and shimmering pads that create a vibrant yet nostalgic soundscape.

TE ESPERARÉ (ฉันจะรอ)

Spanish Dark R&B

Spanish Dark R&B, Slow Trap, Deep Sub-Bass, 74 BPM, Eerie Ambient Atmosphere, Male Vocalist, Laid-Back Mumbled Delivery, High Clear Falsetto Stacks, Dreamy Vintage Synths, Heavy Distorted 808 Bass, High-Fidelity Spatial Audio, Cinematic Melancholy.