Tendances

Fumée sur l’eau

Atmospheric phonk with liquid-filtered vocal chops

Atmospheric phonk with liquid-filtered vocal chops, swung drums, groovy 808 low-end, smooth cowbells, and thick sub pressure at 120 BPM; verses drift in ethereal female lead, pre-chorus opens with airy stacks and rising pads, chorus hits with pitch-shifted chant hooks and doubled ad-libs. Seamless texture shifts, reverse swells, and soft tape hiss between phrases. Dark, smooth, hypnotic mix with glossy low-end and intimate close-mic vocals., dynamic, hypnotic, groovy, slow, low, smooth, vocal, deep, female vocals

Respiration Mortelle

• Piano électrique avec un côté cristallin et réverbéré

• Piano électrique avec un côté cristallin et réverbéré, presque comme des gouttes d’eau qui tombent • Cordes modernes, très légères et éthérées, qui flottent dans l’air • Synthés pads lumineux avec une texture féérique, genre des étoiles qui scintillent • Une basse ronde et profonde, bien présente mais jamais agressive • Petits effets sonores : clochettes douces, glockenspiel, et des “particules” scintillantes qui passent de temps en temps • Beat très doux, entre 75 et 85 BPM, avec un léger sidechain pour respirer • Voix mature, chaude, légèrement traitée avec un delay et un peu d’auto-tune subtil sur les refrains pour ce côté moderne

Africa Moko

Rumba

Rumba

Le Silence Tremble

Epic symphonic metal meets dark house

Epic symphonic metal meets dark house, 124 BPM, female powerful vocal (operatic + raw edge), deep bass, punchy 4-on-the-floor kick, cinematic orchestra, choir, emotional and dark atmosphere, haunting yet explosive, club energy with dramatic build-ups and drops, wide stereo, reverb-heavy, contrast between silence and impact

C'est un poncho?

sanfona

sanfona, noir, bgm, dreamy pop, clean vocal, mocking, jazz-fusion, rhythmic pop, riff-heavy, lead synth, fanfare, energetic beats, mellow piano, ballet, string instruments, progressive

Portrait d'une gueule de bois

Motown

Motown, fast dubstep, drum and bass, deep French rap, 174-194 BPM, male voice, beatbox, shamisen plucks, distorted synth bass, warped sub drops, gated snare, breakbeat drums

J'accouche des Rois et Reines

Sacred tribal electro rock ritual

Sacred tribal electro rock ritual, 104 BPM, key D minor. Female vocal as incantatory chant, evolving from intimate whisper to powerful layered mantra. Signature: one repeating tribal pattern (frame drum + low tom) driving the entire track, locked to a soft kick pulse. Add deep sub bass and low drone for grounding. Sparse dark electric guitar swells with long reverb, entering gradually. Minimal ambient pads rising slowly. Vocal mantra (2–3 words) repeated rhythmically, becoming hypnotic. Midway, everything drops to near silence: voice alone, dry, exposed. Then sudden return with full tribal drums, distorted guitar, sub bass and layered choir. No complexity, only repetition, tension and release. Raw, primal, sacred, unforgettable.

Smells Like Teen Spirit (v5.5)

180bpm

180bpm, Deconstructed Club, Baroque Noir, Staccato Harpsichord, Aggressive Industrial Chamber, High-Speed Glitchy Polyrhythms, Subterranean Echo, Deep Smoky Contralto, Grainy Bitcrushed Vocals, Erratic Mechanical Pulses.

J’étais seule

French chanson

French chanson, pop orchestrale, ballade au piano, violons mélancoliques, cordes crescendo, tempo lent 72 BPM, ambiance douce puis puissante, voix féminine claire et émotive, progression d'intensité

Titre...

French rap

French rap, playful hip-hop, quirky trap, comedic rap

Why do I do this

emo gothic post-punk

emo gothic post-punk, dark wave, cold wave, goth rock, post-punk revival, atmospheric rock, emotional hardcore, post-punk ballad Grave male vocals, clean melodic singing throughout, cold solemn delivery on verses, emotionally raw chorus, intimate whispered pre-chorus, layered vocal harmonics on bridge, anthemic resolved delivery on final chorus chorused bass guitar prominent in mix, distorted reverb guitar, gated reverb drums, dark synth pads, cold wave atmospherics, wall of sound on choruses, dry stripped bass on bridge, melodic lead guitar solo with heavy reverb and delay, clean reverb guitar on intro and outro melancholic, introspective, vulnerable, cathartic, emotionally raw, identity-driven, deeply personal, atmospheric, brooding, resolving BPM 120, D minor, dynamic range from sparse cold verses to anthemic emotional choruses, peaks at guitar solo, resolves into intimate bridge, closes on single reverb guitar fade

Clin D Oeil

pop Alternative

pop Alternative, discothèque expérimentale, Synthwave, rythmes driven, Catchy Male Voice

Étoile à retrouver

Boogie-driven electronic groove with deep house and experimental funk elements. Tight

Boogie-driven electronic groove with deep house and experimental funk elements. Tight, chopped drum breaks with swung timing, crisp hi-hat rolls, and humanized groove. Warm, bouncy walking bassline interacting with punchy kicks. Lo-fi percussive violin (bowed and plucked) leading both rhythm and melody, supported by muted acoustic guitar strums. Use stop-start dynamics and sudden silences, with occasional shifts between straight and triplet feels. Male vocal: youthful, clear tone. Smooth, fast-flowing rap with sharp articulation, layered with more aggressive backing accents. Short, catchy hook. Overall: groovy, playful, slightly unpredictable, with strong rhythmic interplay and space.

Silence, soudain

[Style: dark

[Style: dark, male baritone voice, between slam and melodic rap, semi-sung delivery, expressive phrasing, electro piano, very dark atmosphere, heavy cellos, muted trombone, church bells in refrain sections, no chorus structure, big musical breaks with drops after each verse, low-frequency elements used in intro and refrain sections, high-frequency elements used in drops, use provided audio for melody, provided vocal must be preserved and used consistently throughout the entire track]

Le bien et le mal

73. Quelqu’un que j’aimerais rencontrer

Prompt: Intimate bedroom acoustic (1 minute)

Prompt: Intimate bedroom acoustic (1 minute), guitar + voice only, in the style of AURORA. Soft fingerpicked guitar, warm and close recording. Airy, breathy female vocals, fragile and emotional, almost whispered. Minimal, raw, no production, no drums. Gentle, introspective mood with slight emotional lift at the end. Theme: questioning self-worth, rejecting self-optimization, embracing quiet growth and kindness. Spoken-sung verses, simple poetic lyrics. Chorus intimate but haunting and memorable.

Amies En Murmures

French boom-bap trap hybrid

French boom-bap trap hybrid, 92 BPM, dark minimal beat, swung drums, tight punchy kick and snare, crisp hi-hat triplets and off-grid rolls, deep sub bass glides, filtered piano and detuned bell motifs, distant vinyl crackle, subtle reversed textures, female French rap lead, cold confident delivery with slight seductive undertone, precise staccato articulation, layered whispers and airy ad-libs, strategic drops for fast–slow flow switches, spacious mono-focused vocal with short plate and slapback delays

GÉNÉRATION VITRINE

88 BPM

88 BPM, dub reggae, roots reggae, sub-bass riddim, skanking guitar chops, Hammond organ stabs, hand drums, rimshot snare, delay throw echoes, spring reverb, tape saturation, mono kick, offbeat syncopation, sparse intro, dropout breaks, call-and-response chants, gritty street urgency, ancestral pride

Change pas d’station

Rock and Roll Rockabilly

Rock and Roll Rockabilly, 160 BPM, Upbeat, Vintage, Playful, Danceable, Piano Lead, Electric Guitar Clean, Upright Bass, Shuffle Drums, Handclaps, 50s Style, Male Vocals, Energetic, Storytelling

Ce qu'on tait, ce qu'on dit

French pop

French pop, electropop, quirky indie pop