Tendances

Ambre

female singer

female singer, romance, a little bit sad

L'ENFANT DES MARRAIT

Raucous Mississippi delta bluesy driving

Raucous Mississippi delta bluesy driving, grinding Southern rock with swampy slide guitar, gritty Telecaster riffs, harmonica wails, upright bass, and brushed-to-driving drums, Thumb-picked acoustic underpins a twangy barroom groove, with overdriven amp grit, tape slapback, and loose call-and-response backing vocals

Tasse en Faïence

French chanson-pop with light acoustic guitar

French chanson-pop with light acoustic guitar, brushed kick, conversational half-spoken phrasing, sparse playful verses, stacked-harmony pre-chorus lift, cheeky chant chorus, close-mic vocal delivery, tiny delay throws on punchlines, handclap fills and a soft riser into the hook, bright intimate radio-clean mix, acoustic, clean, bright, light, playful, chanson, vocal, soft, pop

Terrain d étoile

French drill with ominous half-time bounce

French drill with ominous half-time bounce, sliding 808s and clipped hi-hat rolls; verses stay tense and narrative-driven, pre-chorus tightens with filtered synth tension, chorus opens into a blunt chant with doubled ad-libs on the anchor line. Occasional reverse swells and stop-start drops underline the threats, while the mix stays dry, cold, and front-row intimate, male vocals

Libre (Remix)

110 BPM summer electropop with light EDM polish and hyperpop sparkle

110 BPM summer electropop with light EDM polish and hyperpop sparkle, soft tropical percussion and palm-muted guitar licks, bright synth plucks, airy pads, warm four-on-the-floor kick with sidechained bass, intimate heavily autotuned female lead vocals in the verses, layered brighter choruses with pitched ad-libs, glossy pop hooks, dreamy hopeful dance-pop lift, shimmering stereo ambience and sunlit festival energy

Parole-Manual Tache (Remix)

Max-intensity K-pop x hyperpop from the first hit: frantic 160 BPM drums

Max-intensity K-pop x hyperpop from the first hit: frantic 160 BPM drums, crunchy 808s, glittery synth leads, hypercompressed sidechain, and pitch-shifted vocal chops. Airy choir layers sit behind a masculine lead vocal, with stacked harmonies, vocal layering, hard stereo panning, glitch edits, and bright digital textures throughout.

La planète des humains

Chanson française

Chanson française, acoustic guitar, melancholy accordion, emotional piano, soulful male vocals, cinematic, atmospheric, slow tempo, introspective, strings building in chorus. raspy seasoned male vocals

Champ Magnétique du Désir

Cinematic calm Chicago blues and R&B trap album sound

Cinematic calm Chicago blues and R&B trap album sound, jazzy sampling, Chicago blues soul, massive angry 808s, heavy distorted sub bass, sharp hi-hats, hard snares, epic brass, dark pads, luxury night-club atmosphere, sensual female R&B singer with confident hot delivery, calm but seductive virtuoso vocals, autotuned melodic runs, DJ-mix vocal FX, chopped vocals, stuttered phrases, pitch drops, reverse effects, glitch ad-libs, huge hooks, determined dominant energy, powerful R&B trap drums, explosive drops, film soundtrack atmosphere, soul of blues, jazz fusion inspiration, epic female choir, legendary backing vocals, clean studio mix, expert mastering, loud polished master, modern US rap trap sound

Botox, Filtres

alternative rock

alternative rock, funk rock, college rock, upbeat pop-rock

Coeur de Plomb

French chanson noir with relentless forward-driving bass and dry small-room drums; verse stays taut on bass

French chanson noir with relentless forward-driving bass and dry small-room drums; verse stays taut on bass, kick, and toms, pre-chorus widens into phased poly stacks and layered harmonies, chorus opens with towering guitars and dense vocal walls plus double-tracked falsetto and delay throws, bridge pulls to a sparse pulse, final chorus surges wide and loud; wide dark-bright mix, artful and tense, male vocals, loud, chanson, tone, rich, dull, hypnotic, emotional, vocal, bassline, musical, bright, pop

Je suis fatiguée aujourd'hui

deep electronic experimental acid jazz

deep electronic experimental acid jazz, psychedelic downtempo, spacey synths, intricate polyrhythmic drum patterns, massive evolving sub bass, talking bass lines interacting with the vocals, aggressive low-end modulation, elastic analog bass swells, dub-inspired bass pressure, acid bass improvisations, hypnotic arpeggiators, warped tape textures, vocoder whispers, granular glitch transitions, stuttered echoes, psychedelic stereo movement, trippy hallucinogenic atmosphere, unstable analog circuitry, saturated low frequencies, sidechained bass pulses breathing with the lyrics, dark sensual groove, neurofunk-inspired bass textures, cosmic delays, dreamy yet disturbing vibe, deep resonant bass dialogue responding emotionally to the singer, immersive cinematic sound design, French experimental electronic noir, schizophrenic bass movement, melting synths, liquid low-end mutations, surreal sonic landscape, distorted sub frequencies, psychedelic bass hypnosis, broken reality atmosphere

Ziglibity en fête

Ivorian highlife with lively ziglibity groove

Ivorian highlife with lively ziglibity groove, tight percussion and rolling guitar leads; verse rides talky bass, palm-wine chord stabs, and call-and-response choir swells; pre-chorus lifts with handclaps and rising toms; chorus lands on a chant hook with stacked harmonies and short vocal shouts. Close-mic lead, warm room chorus, bright punchy mix with celebratory percussion fills and a brief guitar-solo break.

Oléron, rochers sanglots

chanson douce piano qu en penses tu

chanson douce piano qu en penses tu

Danse Dans La Poussière

Afro house roots-fusion at 96 BPM with hypnotic circular groove

Afro house roots-fusion at 96 BPM with hypnotic circular groove, warm tribal pulse and subtle glitch textures. Organic calabash percussion, layered hand drums, airy shakers, clean soukous-inspired guitar picking, marimba melodies, sparkling xylophone accents and deep rounded bass. Female French vocals with natural sensual tone, intimate and emotional, lightly doubled in chorus for viral chant effect. Verses minimal with drums and guitar, pre-chorus rises through village choir harmonies and atmospheric vocal swells, chorus explodes into catchy call-response hooks with subtle vocal chops and rhythmic glitches. Final section adds energetic soukous guitar curls, handclaps and trance-like repetition. Acoustic room ambience, earthy and warm mix, organic yet modern, emotional sunset energy, afro-electronic hybrid, addictive hook, festival-ready but intimate.

La vraie beauté

K-pop dance-pop with female vocals

K-pop dance-pop with female vocals, bright synth stabs over tight dance drums, rubbery bass, and crisp claps; verses stay playful and rhythmic, pre-chorus strips to airy pads and rising filters, chorus bursts with stacked gang vocals and a bouncing lead hook. Sparkling risers, chopped vocal FX, and a sassy dance-break tag lift the transitions. Crisp, glossy, front-of-mic mix with punchy low end and wide top-end shine., bright, k-pop, rhythmic, vocal, female vocals, playful

Douceur Sauvage (Psytrance Didgeridoo & Flûte)

Psytrance-infused cinematic dark pop around 138 BPM with rolling offbeat basslines

Psytrance-infused cinematic dark pop around 138 BPM with rolling offbeat basslines, hypnotic didgeridoo drones and driving four-on-the-floor kick. Aquatic side in soft intimate French vocals over shimmering arpeggiated synths, ocean ambience, airy pads and evolving didgeridoo undertones. Scorpion side in raspy French vocals riding tribal percussion fused with psytrance drums, deep growling bass, syncopated didgeridoo rhythms and stuttering rhythmic accents. Concert flute riffs morph into psychedelic leads, filtered runs and echoing call-and-response motifs. Expansive stereo imaging, sweeping filters, gated reverb tails, tension-building risers and a cinematic psytrance outro with whispered lines, distant aggressive ad-libs, enveloping ocean waves and spiraling didgeridoo and flute patterns.

Allô ? Où sont passés les...

High-energy comedic Broadway musical pop song designed for dancing and theatrical humor. Bright bouncy piano

High-energy comedic Broadway musical pop song designed for dancing and theatrical humor. Bright bouncy piano, funky bassline, clapping rhythm, playful brass stabs, and colorful orchestral hits. Upbeat tempo around 125 BPM with dynamic breaks for jokes and audience reactions. Female lead vocal extremely high-pitched and squeaky as if she inhaled helium, cartoon-like, playful and exaggerated with expressive theatrical delivery. Include background choir responses, audience laughter, giggles, cheering and applause to create a lively stage atmosphere. Verses light and rhythmic, then explosive Broadway-style chorus with call-and-response between the singer and the chorus shouting “PLS ! PLS ! Belle-mère en PLS !”. Mood joyful, cheeky, absurd and over-the-top, like a humorous Broadway comedy scene about mothers-in-law panicking when their sons fall in love. Production bright, colorful and playful with big musical theatre energy and catchy sing-along hooks.

AIMER - AM.ORE

Toi

R&b moderne

R&b moderne, Afro, voix féminine

Pitis sans popa, pitis sans moman

Authentic 19th-century Louisiana Creole Folk

Authentic 19th-century Louisiana Creole Folk, 112 BPM. Rhythmic acoustic guitar strumming, solo melodic fiddle, dry wooden percussion. Natural soulful female vocal, historical dialect, warm acoustic space, minimal production.