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SOBER [Busy Remix]

UK hαrdcore

UK hαrdcore

ON ! MY ! WAY !

Experimental × Lo-Fi Chillhop

Experimental × Lo-Fi Chillhop, 145 BPM, Fastgroove. Sparse kick, minimal snare, bouncy percussion. Retro synth accents, low tape hiss, background vinyl crackle, subtle glitch FX. Boy vocals, dry, airy, close-mic, breath-heavy, slightly raspy. Sharp consonants, slight pitch wobble, expressive dynamics. Multiple boy vocals layered naturally to form group sound, allow micro timing differences. Maintain space between lines to emphasize breath, motion, and forward momentum. Intro: whispered count-in, slight static. Verse: sparse synths + sub bass, light hi-hat, minimal glitch. Hook: 2-layer boy vocals, airy, pan L/R, subtle echo. Final Hook: 2–3 vocal layers, selective glitch & retro synth accents, pitch & stereo variations. Break: half-time, minimal percussion, airy FX, audible inhales/exhales. Outro: hard stop, kick cut.

X-tra Hap-e

Warm

Warm, emotional alt‑pop with soft electronic textures and an uplifting melodic arc, Vocals should sit slightly back in the mix — smooth, blended, gentle presence rather than upfront or sharp, Light atmospheric pads, soft piano, warm plucks, and supportive drums, Melody should rise with hope: bright, ascending phrases in the chorus, Use a major key (C major or A major) with warm pop chords (I–V–vi–IV or vi–IV–I–V), Overall tone comforting, sincere, and heartfelt, with a gentle cinematic lift

The Last Dance at Neverland

High-energy contemporary pop and funk fusion with a tempo of 120 BPM in the key of E minor. The arrangement features a prominent

High-energy contemporary pop and funk fusion with a tempo of 120 BPM in the key of E minor. The arrangement features a prominent, syncopated slap bassline, crisp electronic drum programming with a heavy emphasis on the backbeat, and bright, rhythmic guitar scratches. Shimmering synthesizer pads and staccato brass stabs provide harmonic depth and melodic punctuation. The male lead vocal is characterized by a high-tenor range, utilizing frequent falsetto leaps, rhythmic breathiness, and Michael Jackson-inspired vocal hiccups and percussive ad-libs. The song structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format. Production is polished and commercial, featuring gated reverb on the snare, wide stereo imaging for the backing vocal harmonies, and clean, punchy compression across the mix. The bridge introduces a soaring, melodic synth lead before returning to the final high-intensity chorus and a rhythmic, instrumental-heavy outro.

Let’s Dance, Baby

Create a 3-minute aggressive J-pop Electro Pop and Future Bass track with subtle glitch and dark-cute aesthetics

Create a 3-minute aggressive J-pop Electro Pop and Future Bass track with subtle glitch and dark-cute aesthetics, infused with flamenco elements. Start instantly with a powerful hook at 0 seconds. Strong female vocal upfront: edgy, dominant, cool, slightly twisted yet expressive, with sharp attack, subtle rasp, and a dark-cute tone. High-energy delivery with fast-paced momentum and euphoric tension. BPM 120→130→145→150→110→150, key F# minor. JP/EN mix, hook-driven. Sound: clean, tight, punchy, high clarity, fast transients, bright Future Bass chords, dynamic sidechain, controlled low-end, hard-hitting drums. Add light glitch FX, minimal stutter, soft bitcrush, subtle gating, flamenco guitar, palmas, rhythmic accents. Instruments: Fender Telecaster, Gibson Les Paul + Mesa/Boogie, Yamaha Montage, Virus TI2, Moog Sub37, TR-808/909, flamenco guitar. Recording: U87 → Neve1073 → LA-2A → SSL. Mix SSL, master Manley + Shadow Hills. Output wide stereo, aggressive punch, sharp clarity.

Мы растворимся...

alternative metal

alternative metal, anthem, progressive, soft pad, viola, cello, organ, bass, guitars, drums, expressive male and female vocals

Ephemeral

Witch house gabber complextro glitchcore frenchcore psytrance fusion

Witch house gabber complextro glitchcore frenchcore psytrance fusion, dark occult atmosphere mixed with psychedelic trance and extreme hardcore speed, heavy pounding kicks at 190-220 BPM, glitchy complextro basslines with broken beat glitchcore effects, trippy psytrance leads, tempo changes between witch house sections (90 BPM), psytrance buildups (145 BPM), and gabber/frenchcore drops (200+ BPM), stuttering vocal chops, occult chanting, digital decay aesthetic, feels like a satanic ritual in a glitching cyberpunk dimension

SOBER CONTEST REMIX made with NeuroPrompt VASPS Quickmode!

Shoegaze Dream Rock Pop [125 BPM]

Shoegaze Dream Rock Pop [125 BPM], This [sprawling 5-minute track] features [deep Narrator vocals] alternating between [Spoken Word] and [Sung] delivery with [Studio Polish (Clean & Modern)], The voice is [pushed through an 1176-style hardware compressor] and [leveled by a DBX 165A] for [intimate, powerful weight], featuring [perfect English pronunciation] and [no autotune, natural pitch correction only], The [rhythm section is groovy and intense], driven by [raw, wooden drum tones] with a [snare shaped by a Distressor-style unit] for [concrete impact], The [melodic bass guitar] is [sidechained to the kick drum] using [elysia mpressor-style settings] for a [steady, pumping groove], [Lush analog-style pads] and [reverb-drenched electric guitars] create a [sad, melancholic atmosphere] with [wide stereo width],[granular textures], and [long delay decay times], The mix focuses on [raw emotional intensity] and [powerful peaks], delivering a [soul-driven sound] with [natural clarity]

散らぬ花なり / SAMURAI BEAT MAX

MAX炎帝ビート×Japanese Wagara Loud Rock / Samurai Core
Fast Bpm 175–185
Minor Scale With Japanese In Scale (Yo Scale Feel) Intro: Machine-Gun Shamisen Tremolo + Taiko Fill
Shamisen As Main Riff Instrument (Not Guitar Substitute)
Heavy Rock Band Arrangement Underneath Taiko Drums + Double Kick
Shakuhachi Texture In Break
Festival-Style Chant In Background Female Twin Vocals: * Vo.A: Clear Emotional High Tone (Japanese Enka-Like Expression In Verses) * Vo.B: Powerful Rock Vocal With Grit * Pre-Chorus: Harmony (Traditional Interval Feel) * Chorus: Strong Unison * Final Chorus: Unison + Octave Down Layer Aggressive Shouts In All Caps
Call & Response Parts
Dramatic Traditional Break Before Final Chorus

MAX炎帝ビート×Japanese Wagara Loud Rock / Samurai Core
Fast Bpm 175–185
Minor Scale With Japanese In Scale (Yo Scale Feel) Intro: Machine-Gun Shamisen Tremolo + Taiko Fill
Shamisen As Main Riff Instrument (Not Guitar Substitute)
Heavy Rock Band Arrangement Underneath Taiko Drums + Double Kick
Shakuhachi Texture In Break
Festival-Style Chant In Background Female Twin Vocals: * Vo.A: Clear Emotional High Tone (Japanese Enka-Like Expression In Verses) * Vo.B: Powerful Rock Vocal With Grit * Pre-Chorus: Harmony (Traditional Interval Feel) * Chorus: Strong Unison * Final Chorus: Unison + Octave Down Layer Aggressive Shouts In All Caps
Call & Response Parts
Dramatic Traditional Break Before Final Chorus

Pink Furry Donut

[128BPM

[128BPM, Driving Post-Punk Pop, Jangly Chorus-Drenched Electric Guitar via Nova, Driving Melodic Fuzz-Bass via Precious, Steady Motorik Drum Beat with Glitchy Hi-Hats via Krush, Ethereal Swirling Synth Pads via Hexa, Multi-octave Toy Baritone Lead vs. Deep Shamanic Growl, 3D Spatial Audio, -3dB Headroom, No Brickwall, 25% Human Latency, Abbey Road J37 Tape Saturation, 24-bit Depth, Absurd yet Sincere Mood]

Blind Rain

mumble rap

mumble rap, folk-ballad

桜花火 -Ouka Hanabi- / Cherry Blossom Fireworks

Grand Piano

Grand Piano, Steinway & Sons (D-274), Steinway GRAND Piano(D-274), Backing Vocals, Harmony, electronic, ambient, celebratory, sound design, cinematic, experimental

You’re Still Here

[Style] Emo trap

[Style] Emo trap, alt pop, grunge country punk, pop punk, steady, no mood-based tempo shift. Intro with slap guitar attack, cracked whisper female vocal, detuned analog pad. Drums: distorted 808s, trap hi hats, snapping snares, glitch fills unstable. Bass: deep sub bass sidechained with kick, heavy and warm. Guitars: **MAXIMUM FUZZ DISTORTION**, sharp slap rhythms in chorus, **CRUSHING NU-METAL TONE** overdrive punch in climax. Piano: only bridge, cinematic, hard attack, imperfect, slightly detuned. FX: reversed delays, detuned pads, whisper echoes, tape hiss, vinyl crackle, short silences, dynamic waves, ambient dropouts. Female vocal: very hard raspy and husky, very hard breathy, very hard strong vibrato, raw, trembling, frantic, whisper to explosive, Voice must crack, break, tremble, miss notes, collapse mid line then recover then shatter again, Chant hooks like broken room shouting, manic not polished, Delivery unsafe but alive.

I need you tonight

blues rock

blues rock, ballad, roots rock

Silver Moon (Electro-Reggae Mix)

electro-reggae

electro-reggae

The road at the edge of nowhere

Genre: Psychedelic Rock

Genre: Psychedelic Rock, Space Rock, Tribal Fusion Mood: Mystical, Expansive, Hypnotic Instruments: Fuzz guitar, phaser, wah pedal, Moog synth, tribal drums, Mellotron choir Vocal Style: Reverb-heavy, layered harmonies, occasional whispers

Crack

White Gauntlet

Synth Pop Tavern (80s Folk)

Synth Pop Tavern (80s Folk)

messy motion (dance with me)

electropop

electropop, indie rock, dance

Cloud