Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

ปล่อยวาง

Male Vocalist

Male Vocalist, big voice, smooth jazz, R&B, city pop, e-piano, slap bass, brass section, harmony vocals.

Девушка и лесовик (Э. Асадов)

bard-trip

bard-trip, Slavic folktronica, woodland downtempo, rustic electronica, moss-jazz, pastoral IDM, forest hip-hop, neo-bard wave, neo-Slavic shamanism, mushroom trip, post-pagan vocalization, gentle reverb, male vocals throughout, gusli

With you (AIdata remix of eve rain's song)

This remixed dissonant avant-garde jazz jam band rendition of "With you" opens with female vocals

This remixed dissonant avant-garde jazz jam band rendition of "With you" opens with female vocals, over prepared piano, brushed drums, and upright walking bass. shifting beneath layered harmonies. A female chorus swells, minimal breakbeat textures remain sparse yet emotionally sparkling creating repeating hooks throughout.

彼岸花の口づけ

Mood Kayō

Mood Kayō, Shōwa Era Pop, Psychological Horror, Haunting Balla, Female Vocals, Clean Delivery, Melancholic, Breathy, Ethereal, Subtle Kobushi (Bridge/Outro), Whispered Backing Vocals, Reverb-heavy Electric Guitar (Group Sounds style), Upright Bass, Brushed Drums (Jazz style), Mournful String Section (Violins, Cello), Haunting Shakuhachi Flute, Dissonant Koto Plucks, Subtle Taiko (Heartbeat Rhythm), Unsettling, Melancholic, Nostalgic, Ethereal, Suffocating, Parasitic, Body Horror

彼岸花　　#Rock#Flower

[Neo Hedonist Rock + Poetic Destruction Pop + SHINJYUKU-KEI + Nu-JAZZ + Noir Rock] melancholic

[Neo Hedonist Rock + Poetic Destruction Pop + SHINJYUKU-KEI + Nu-JAZZ + Noir Rock] melancholic, Alt pop meets Japanese noir, with stiff mechanical drums and poetic dissonance. Use strong vocoder effect on verses and bridge, keep chorus clean. Vocal style: smoky, husky, theatrical, low-mid range with nasal edge, dry and sultry texture, minimal vibrato. Occasional vocal fry at phrase endings. Phrasing should feel detached, almost spoken, with sudden biting accents. The delivery is theatrical—shifting between whispery and sharp, biting tones. She sounds bored, but dangerously seductive. Lo-fi erotic rock with jazz undertones and urban decay. Contrast with raw vocal in chorus for emotional impact. She’s a radical individualist, obedience is not in her vocabulary. Verse: strong vocoder, robotic texture. Bridge: vocoder with cinematic distortion. Chorus: clean, raw vocal, explosive and theatrical.

雑草

A masterpiece

A masterpiece,grunge Rock, Punk,heavy Rock, Alternative Rock * experimental avant-garde jazz * math rock * frenetic polyrhythms * jagged guitar lines * scattered percussive bursts * weaving delicate synth pads with deep bass swells * Sporadic, angular jazz chord stabs intersect with airy polyphonic textures * all enveloped in immersive Dolby Atmos 3D spatial audio,

Lasciami Amarti

Stile: jazz caldo

Stile: jazz caldo, notturno, ritmo sostenuto 110 BPM. Tonalità: A minore. Voce: maschile baritono, calda e intima, con fraseggio espressivo. Strumentazione: piano Rhodes, chitarra jazz arpeggiata, contrabbasso pizzicato, batteria con spazzole, sax tenore per solo. Arrangiamento: intro parlata, strofe leggere, ritornelli più ricchi con sax di sostegno, assolo centrale, finale intimo. Atmosfera: fumosa, avvolgente, poetica. Testo: [inserire il testo strutturato qui sopra].

The Way You Love Me (Cover)

Opening with mellow vinyl crackle and subtle

Opening with mellow vinyl crackle and subtle, robotic vocal chops, warm synth pads and jazzy chord progressions create a laid-back lofi vibe. Layered finger snaps, tight kick, soft hi-hats and playful basslines pulse under airy electric keys. Glitchy chopped samples, bitcrushed textures and AI-inspired arpeggios drift in and out, with breakdowns focused on granular synths and digital ambiance. Sections subtly evolve with filtered effects and new motifs, maintaining an immersive, hypnotic atmosphere past 3:50.

Dirk Dwaalspoor - On The Case

The music feels like a fast-paced noir detective soundtrack

The music feels like a fast-paced noir detective soundtrack, driven by smoky sax riffs, sharp trumpet stabs, and a quick walking bass, The tension is constantly broken by slapstick chaos—sirens, shattering glass, and misfired gunshots, It’s crime jazz played with big Hollywood swagger but undercut by absurd timing, The voice is deep and overly serious, narrating grand truths while confessing clumsy mistakes, The comedy lies in the contrast: the music is slick and dangerous, the lyrics trivial and useless in solving anything, Sometimes the delivery drops to a conspiratorial whisper, promising a dark secret, only to reveal something silly, like lost shoes, This brisk noir-jazz parody mixes cinematic intensity with ridiculous absurdity, perfectly in the spirit of Naked Gun

Happy (Cover) [EG] سعيدة - Sa‘īda F 359 V5 BST

Indietronica

Indietronica, Folktronica, Experimental, Electronic, Jazz, Indie, Bouncy, Folk, Infectious, Art, [Dynamic Mastering] [Preserve the extreme shifts in volume] [DOLBY STEREO], Predominant-expressive-female-vocals, emotional, ethereal, cinematic, dynamic-range

slowcore, melodic, funk, structured emo-mathrock-jazz with instrumental emphasis

slowcore

slowcore, melodic, funk, structured, emo-mathrock-jazz, with instrumental emphasis and intricate guitar work weaving through a soft rhythmic base. focus on emotive dynamics and layered textures., jazz, emo, rock

Primavera

semba

semba, african percusion, , slow jazz, romantic, Portuguese accent, female african voice, Angolan accent, deep voice, clean sound,, guitar solo

Dlatego mężczyźni kochają zołzy

Language: Polish Jazz-pop with electro-jazz accents

Language: Polish Jazz-pop with electro-jazz accents, swingy and modern. Strong female vocals, expressive and sassy, confident and playful. Bright catchy chorus: “’Cause men, they love the divas”. Upbeat, bold, empowering diva energy. JazzPop,ElectroJazz,NuJazzGroove,ConfidentFemaleVocals,SwingyBeats,PlayfulBrass,LightSynthTextures,EmpoweringLyrics,UpbeatMood,ModernSwing,EnglishLyrics

Recipe note #Rock

Upbeat jazzy chill rock track with a stylish

Upbeat jazzy chill rock track with a stylish, piano, urban night vibe. Grid and emotions female vocal, Tempo around 130–140 BPM, key in a bright major or bluesy minor. No Interlude Blend punchy rock drums with walking bass lines and syncopated rhythm guitar. Add vibrant brass section stabs (saxophone, trumpet) for a jazzy touch. Incorporate electric piano or Rhodes chords with light reverb for sophistication. Energetic guitar riffs and smooth horn solos create a chic yet lively atmosphere. Think groovy city lights, playful yet refined., rap

Tomayto/Tomahto

Rhythmic duet song where two voices argue about how to pronounce the word "tomato" — one says to-MAY-to

Rhythmic duet song where two voices argue about how to pronounce the word "tomato" — one says to-MAY-to, the other says to-MAH-to. The song starts playful and jazzy, like a lighthearted swing or folk tune, then grows more dramatic and heated with each verse, adding faster rhythms, louder vocals, and chaotic energy. By the finale, it feels like a comical shouting match set to funky jazz drums and brass, ending abruptly with both voices sighing in defeat and saying, “Fine… let’s just call it ketchup.” Funny, theatrical, and rhythm-driven with escalating tension.

The Djenter channel 327

This maximalist lo-fi rockpop opus opens with phased electric piano

This maximalist lo-fi rockpop opus opens with phased electric piano, glitchy drums, synth bass, flamenco guitar, and Latin percussion. Verses rapidly morph through disco, J-metal, slap funk, gospel, city pop, acid rap with lush pads, orchestral swells, vocoder, scratches, and neon synths. The midsection collides dubstep, D&B, jazz chorale, synthwave, punk, Brazil phonk, power metal vocals, talkbox, aggressive guitars, and wild tempo shifts. The outro braids hypertrap R&B, glockenspiel, banjo, pedal steel, chunky 808s, hyperspeed psytrance arps, surf/metal dual guitars, and sax. Layers weave in vibraphone, Prophet synths, funky bass, jazzy pianos, gospel vocal callbacks, chip hop, trap, tape hiss, country twang, bold pads, trumpet, and dense dissonance, forging a swirling, complex, emotional fusion of house, R&B, Latin, symphonic, and rock elements.

No, Gracias [DjMomia Love&Sad Edit 💔 ☠️ 💕 💜 ♥️ 💖 💔 ☠️]

country

country, honky tonk, midwestern emo, rock en español, passionate vocals, アコースティック, voice cracks, strong bass, impactful drops, vibrant drops, jazz swing, r&b, alternative rock, female and male voices

Brisa do Amanhã (Breeze of Tomorrow)

Modern Bossa Nova with chill lounge elements. 85 BPM. Nylon-string guitar with jazzy chords

Modern Bossa Nova with chill lounge elements. 85 BPM. Nylon-string guitar with jazzy chords, brushed jazz drums, warm upright bass, and soft electric piano. Subtle electronic pads and reverb-drenched textures add a modern, airy vibe. Smooth male vocals with occasional female harmonies, intimate and romantic atmosphere, perfect for a sunset or cozy late-night mood.

Ostatni liść [remix]

80s

80s, rhythmic drums, funky bass, smooth jazz, soul vintage , R&B , analog , rhodes , spoken pop, slow acoustic guitar, women's voices emotional vocals, combine warm rhodes piano , guitar

Lovesick Game - ZEROBASEONE

male vocals

male vocals, mixxpop, experimental, R&B, contemporary R&B, artpop, artcore, orchestral, classical, elegant, jazzy