New Songs

We Are What We Lost

90s street punk song

90s street punk song, fast tempo (180–200 BPM), raw and energetic, DIY basement band vibe. Sounds like teenagers just learning their instruments—slightly messy timing, imperfect playing, but full of enthusiasm and attitude. Distorted guitars with simple power chords, slightly out-of-tune bass, fast and chaotic drumming that occasionally rushes or drags. Vocals shouted rather than sung, group chant choruses, rebellious but earnest tone. Include a surprise trumpet line that comes in unexpectedly during the chorus or bridge—slightly off-key, bright and brash, almost like a school band instrument being pushed into punk music. The trumpet should contrast with the distortion but feel natural in its chaos, adding a weird uplifting energy. Lo-fi garage recording quality, like a demo tape from the 90s underground punk scene. Imperfect, loud, youthful, urgent, emotional. No polish, no modern production sheen—just raw teenage punk spirit and noise.

Release

psychedelic pop

psychedelic pop, shoegaze

frozen-reflections.

Cinematic indie rock ballad. Clean electric guitar with heavy reverb and delay plays a slow

Cinematic indie rock ballad. Clean electric guitar with heavy reverb and delay plays a slow, arpeggiated melody. A deep synth bass provides a sustained low-end foundation. Mid-tempo drums enter with a heavy, gated snare on the backbeat and a steady kick pattern. Male vocals transition from a breathy, intimate baritone in the verses to a powerful, belted tenor in the choruses, frequently utilizing falsetto for melodic flourishes. Orchestral string pads swell during the transitions, adding harmonic density. The arrangement features a wide stereo field with panned guitar layers and atmospheric synth textures. 72 BPM, Key of E Minor.

White cup tea

dreamy electro-pop

dreamy electro-pop, synthpop, minimal electronic

Olympic shadow

Cinematic Industrial Rock / Dark Electro with orchestral undertones • Driving synths like molten metal • Heavy percussion

Cinematic Industrial Rock / Dark Electro with orchestral undertones • Driving synths like molten metal • Heavy percussion, almost like thunder • Ethereal female vocals, cold yet commanding • Occasional distorted whispers, like ghosts of the wronged

Hold On, Hero

dystopia and R&B anime opening

dystopia and R&B anime opening, emotional but catchy melody, seductive breathy female vocal, soft and intimate verses, smooth and addictive topline, strong but clean chorus, heavy punchy drums with strong impact, groovy bassline, cinematic and polished production, slightly edgy but mainstream friendly, chainsaw man vibe, rich layered sound, professional mixing and mastering quality, well-balanced EQ and compression, ultra high quality sound, wide stereo image, clear and sexy tone vocal, powerful but clean overall sound, catchy hook melody, easy to remember, addictive chorus,smooth vocal tone, not aggressive

Soffio Viva la Vita

YODELING ALPINO DAL VIVO FUSSION RAP NATALE BASSO PROFONDO DUET MIX HARMONY FEMALE VOCALS SENSUALE DIVA CUORE E BARITONO GUTTURALE CANTANTE MASCHILE VOCE PAROLA PARLATA TRANCE&DANCE HOHOHO

YODELING ALPINO DAL VIVO FUSSION RAP NATALE BASSO PROFONDO DUET MIX HARMONY FEMALE VOCALS SENSUALE DIVA CUORE E BARITONO GUTTURALE CANTANTE MASCHILE VOCE PAROLA PARLATA TRANCE&DANCE HOHOHO, DISCO galattico giradischi scratch FX stratificato su RAP cinematografico HIP HOP TECH9 texture classiche e coro angelico distante, QUARTETTO A CAPPELLA VOCE CANTO GREGORIANO RE*MIX UNIVERSAL TUNE<S!^^🦋OHMMMMM LIVE XMAS RAP DEEP BASS BARITONE GUTTURAL MALE LEAD SINGER VOCAL SPOKEN WORD HOHOHO, galactic turntable scratch FX layered over cinematic RAP HIP HOP TECH9 classical textures and distant angelic choir, QUARTET A CAPPELLA VOCALS GREGORIAN CHANT 🌟🌸🌞🌿🌈 🌱🌞🌺🌹🌻🌼 🌬️🍃💨💖🌿🌟 🌍❤️🌈🌞🌸🌺 🎉🎉👻🎃🎈 🌙🌟✨🎁🎶🎉 🧚‍♀️ OHHH SIII LET*S GO!🧚‍♂️🦄🌟💖✨ 🎆🎇🌟🎶🎉 🌟🎉🎶✨🌟🌈 🌙✨🌟🎶🎊🎉 👯‍♀️👯‍♂️💃🕺🌟 🎉🎶🌈✨🎉 🎶❤️🌅🎼

Malembe, Meu Amor (Bia)”

Andamento: lento (≈ 72–78 BPM) • Tom: Ré menor (Dm) ou Mi menor (Em) – mais melancólico • Guitarra solo: frases choradas

Andamento: lento (≈ 72–78 BPM) • Tom: Ré menor (Dm) ou Mi menor (Em) – mais melancólico • Guitarra solo: frases choradas, com “blue notes” • Ritmo base: dikanza + congas suaves + reco-reco • Baixo: marcado, repetitivo e profundo • Sopros (opcional): saxofone suave para dar aquele jazz nostálgico • Ambiente: cru, pouco polido — som “analógico”, estilo anos 70 Voz rasgada, com sofrimento, quase a “falar cantando” • Uso de pausas dramáticas (“malembe… malembe…”) • Pequenos gritos emocionais (“ehhh Bia…”) • Vibrato natural, sem exagero técnico — mais alma que perfeição

Careful, it's Hot

Havana

Havana, son cubano, 90s, emotional, cinematic, hip-hop, drum and bass, scratch, 808s heavy beat, old-school, Dm, aged male baritone, wise gravelly elder voice, weathered storyteller, acoustic guitar loop, dusty vinyl samples, lo-fi tape warmth, upright bass, detuned honky-tonk piano, Instruments: muted jazz guitar, boom-bap drums with lazy swing, sparse harmonica, Processing: vinyl crackle, tape hiss, warm analog compression, Mood: old street philosopher at a bonfire, nostalgic monologue, yard poetry, no trap, no autotune, no pop, no modern production, no young vocals, atmospheric, professional studio quolity, asmr Atmosphere: quiet coffee shop, faint conversations, cups clinking, nostalgic stillness.

Senorita

《莎草紙上的密語》

Mandopop with elements of contemporary R&B and hip-hop. The track features a syncopated acoustic guitar riff as the primary melodic foundation

Mandopop with elements of contemporary R&B and hip-hop. The track features a syncopated acoustic guitar riff as the primary melodic foundation, layered with a modern trap-influenced drum kit including a crisp snare on the backbeat and rapid hi-hat rolls. A deep, melodic sub-bass follows the kick pattern. Male vocals transition between rhythmic, melodic rapping in the verses and a soaring, belting tenor in the chorus with occasional falsetto flourishes. A clean electric guitar provides melodic fills and a solo section with light overdrive and wah-wah filtering. The arrangement includes atmospheric synth pads and subtle record scratch effects. 95 BPM, 4/4 time signature.

Innen laut

Minimalistisches

Minimalistisches, emotionales Indie-Pop-Ballade. Sanftes Piano im Vordergrund, viel Raum und Stille, langsames Tempo. Verletzlicher, weiblicher Gesang mit zerbrechlicher Stimme, sehr nah und intim. Thema: Selbstzweifel, sich „zu viel“ fühlen, innere Unsicherheit hinter einer ruhigen Fassade. Kaum Produktion, erst im Verlauf leicht anschwellend mit subtilen Flächen. Fokus auf ehrliche Lyrics und rohe Emotion.

Life Goes On (lofi remix)

vinyl crackle

vinyl crackle, rap, boom bap, trap, 90s, g funk, melodic low end bass, talkbox synth

Monsters Like Me

Indie Grunge / Cinematic Rock / Alternative 🎚️ BPM: 88 🎸 Instruments: Raw electric guitars

Indie Grunge / Cinematic Rock / Alternative 🎚️ BPM: 88 🎸 Instruments: Raw electric guitars, deep bass, organic slow drums, atmospheric synths, reverb-heavy ambience, vintage radio noise in the intro 🎤 Voice: Male, deep and raspy, cinematic tone, emotional and vulnerable 🎭 Interpretation: Spoken-word intro as a heartfelt confession, followed by dramatic grunge vocals; intense and raw 🎬 Mood: Melancholic, dark, introspective, yet empowering at the end Structure Intro (spoken monologue – radio transmission style) Verse 1 Pre-Chorus Chorus Verse 2 Bridge (soft and ambient) Final Chorus (explosive and emotional) Outro (guitar fades with static)

_e n v y_

experimental art pop

experimental art pop, 92 BPM, female choir stack, beatbox percussion, stacked baritone harmonies, close-mic room sound, mouth bass pulses, handclap accents, vocal octave doubles, formant shift processing, tape saturation, dry center vocal, cathedral reverb, dark uplift, ritual pulse, swung 16th feel

Scroll Until I Fade

Aggressive Brazilian phonk at 158 BPM high energy relentless drive with distorted 808 bass and metallic cowbell lead powering fast phonk drums and industrial textures in a blown-out mix with heavy clipped saturation

Aggressive Brazilian phonk at 158 BPM high energy relentless drive with distorted 808 bass and metallic cowbell lead powering fast phonk drums and industrial textures in a blown-out mix with heavy clipped saturation, high-pitched female chipmunk vocals loaded with glitch artifacts delivering hypnotic loop intensity and dark dopamine spiral nightclub atmosphere of digital doomscrolling and algorithmic worship, glitch echo vocals, distorted whispers, hypnotic tones and cyber-seductive energy (tags: brazilian phonk, aggressive phonk, cowbell phonk, glitch vocals, chipmunk vocal, industrial phonk, dark phonk, dopamine spiral, digital doom, nightclub phonk, distorted 808, algorithmic trap), negative prompt: poorly mixed, lo-fi, acoustic, happy, childish, overcompressed

Burning up my insides

heartfelt

heartfelt, male voice, rap, aggressive

Gołębie z miasta.

Comedy rap

Comedy rap, bounce beat, catchy TikTok vibe, 140 BPM, Hardstyle, reverse bass, 150 BPM, heavy kick, distorted bass, aggressive drops, dark humor theme, male vocal + crowd chants, cinematic intro with city ambience, wings flapping FX, powerful build-up and festival energy, chaotic and funny vibe punchy bass, playful but aggressive tone, male vocal with attitude, group chants in chorus, street vibe, funny but dark humor, sound effects like wings flapping, city ambience, dramatic drop before chorus, energetic and rhythmic, slightly distorted vocal for comedic effect

Separation (Synthwave Mix)

synthwave

synthwave, R&B, electro, A blend of minimalistic dark synthwave textures and bouncy R&B rhythms in D♭ major at 107 BPM driving a dark bassline, male vocals with light-lyric tenor vocal range that span from F4 to B♭5, mesmerizing vibrato and soulful head voice, The track progresses with dynamic builds and dramatic drops, blast beat sub flurries for maximum hype

Into The Light 1.1 - M Metal Dark Heavy AAA

studio recording

studio recording, rough male voice, heavy guitar riffs, Danzig, slow, heavy, brooding doom, gospel-tinged swagger, layered production, heavy guitar riffs, dark gothic, synthesizer-driven, minor-key riff, crawling, funeral march, evil-sounding choruses, snarling baritone that cracks into desperate howl then rises to righteous roar, dark, occult-tinged atmosphere in the verses, raw street-level confession, then a redemptive, almost apocalyptic lift in the choruses. The “prodigal son” theme is woven straight through without softening the heavy, gritty edge. It’s ready for a slow, doomy riff with big open chords, palm-muted verses, and a soaring, evil-sounding chorus hook.