トレンド

残光refrain [anime, J-POP]

• Intro / Verse（推進感のある“JPロック定番マイナー巡回”） Em – C – G – D | Em – C – D – B7 • Pre-Chorus（持ち上げ：サス感→ドミナント） C – D – Em – D/F♯ | G – D – C – B7 • Chorus（王道リフト、最後にB7で回帰） Em – G – D – C | Em – G – D – C | Em – D – C – B7 • Bridge（相対長調の色を短く混ぜて解放） G – D – Em – C | D – Em – C – B7 • Final Chorus（Key Up to F♯m） F♯m – A – E – D …（同型移調） ドラムはバンド感×EDMの芯：ヴァースはハーフタイム/タム刻み、プリでスネア加速、サビは4つ打ち+8分ハイハットで一気に開く。最後だけ全音上げが“アニソン感”の決め手。 High-energy Japanese anime pop-rock with a powerful female lead. Tempo 156–164 BPM

• Intro / Verse（推進感のある“JPロック定番マイナー巡回”） Em – C – G – D | Em – C – D – B7 • Pre-Chorus（持ち上げ：サス感→ドミナント） C – D – Em – D/F♯ | G – D – C – B7 • Chorus（王道リフト、最後にB7で回帰） Em – G – D – C | Em – G – D – C | Em – D – C – B7 • Bridge（相対長調の色を短く混ぜて解放） G – D – Em – C | D – Em – C – B7 • Final Chorus（Key Up to F♯m） F♯m – A – E – D …（同型移調） ドラムはバンド感×EDMの芯：ヴァースはハーフタイム/タム刻み、プリでスネア加速、サビは4つ打ち+8分ハイハットで一気に開く。最後だけ全音上げが“アニソン感”の決め手。 High-energy Japanese anime pop-rock with a powerful female lead. Tempo 156–164 BPM, key E minor (final chorus key up to F♯ minor). Distorted rhythm guitars with tight chugs, bright lead guitar hooks, punchy drums (four-on-the-floor in chorus), synth layers and string pads for lift. Verses are driving but slightly restrained; pre-chorus adds risers and suspended chords; chorus explodes with stacked octave vocals and gang shouts on key words. Clean, modern mix; no sfx overuse. Do / Don’t: catchy topline with big interval lifts, halftime verse to full-time chorus, final key chang

共食いロマンス

スカシても尚、ふつくしい。

J-POP style with a cinematic

J-POP style with a cinematic, emotional touch. Lead Vocal: ultracute female voice (very high-pitched, bright, catchy) Backing Vocals: alto female voice (warm, rich tone, supporting harmonies) Instruments: • Grand Piano: YAMAHA CFX • Violin: Antonius Stradivarius Cremonensis • Cello: Giovanni Battista Morassi 2023 • Flute: YAMAHA YFL-897D • Timpani: Pearl 85L Intro: Violin solo (expressive, emotional) Interlude:Violin solo (expressive, emotional) Tempo: Slow and expressive (emotional J-POP ballad) Emotion: Deeply expressive, dramatic, delicate, heartfelt J-POP sensibility Sound Design: Immersive, 3D spatial mix with cinematic depth The song should evoke the emotional climax of a Japanese pop drama, blending cinematic orchestration with J-POP melodies.

君とならば　何度でも走れる

[Genre: Kawaii Future core

[Genre: Kawaii Future core, J-core, Emotional Electronic] [Music Style: Bright And Emotional Future Bass Sound Blended With High-Energy J-core Rhythms. Sparkling Synth Arpeggios, Sidechained Chords, And Punchy Kicks Drive The Track, While Melodic Leads Float Above A Wide Stereo Image. Atmospheric Pads And Reversed FX Add Depth, Creating Both Euphoric Drops And Tender Breakdowns. High quality sound. Clear tone. Ultra wide stereo image. ASMR, High-Definition Clarity.] [Main Vocal: Cute, Youthful Female Voice With Whispery Layers, Emotional High Notes, And Occasional Softly Processed Harmonies. Vocals Deliver A Mix Of Sentimental Melodies And Quick-Paced Phrases, Balancing Sweetness With Intensity.] [Main Instruments: Shimmering Synth Leads, Sparkly Arps, Deep Sub Bass, Sidechained Chords, Punchy Kick Drum, Crisp Claps, Atmospheric Pads, Granular FX, Reverse Piano Hits.] [Rhythm: BPM 170, Driving Double-Time Energy With Syncopated Percussion, Sudden Half-Time Switches In Breakdowns,

残響庭園 -echo garden-( 新版)

[Ambient Fairytale Folk × Cinematic Anime ED × Experimental Ambient] [Tempo: floating 80–95 BPM

[Ambient Fairytale Folk × Cinematic Anime ED × Experimental Ambient] [Tempo: floating 80–95 BPM, nostalgic and warm tone with subtle irregular flow] [Soft ethereal Japanese female vocal, breathy and tender, layered harmonies overlapping like petals, some voices processed with faint glitch/phase or reversed reverb for a memory-fragment effect] [No percussion, only light organic textures: soft bells, nylon acoustic guitar plucks, bowed strings, wooden flute phrases, faint granular harp-like tones] [Wide stereo field, long echoing reverb (2.5–4s), subtle wind ambience and distant birdsong, occasional reversed textures and spectral shimmers] [Faded memory-like chord progressions using sus/add9/maj7 colors, impressionistic and gentle, sometimes bending or detuning slightly for dreamlike instability] [Dreamlike final-scene atmosphere, cinematic warmth with a hint of experimental sound design — overlapping echoes, voices dissolving like petals, suitable for fantasy anime ending theme]

○

Neoclassical Chamber Folk

Neoclassical Chamber Folk, Ethereal World Music, Baroque Ballad, Fantasy Narrative, Celtic New Age, Multi-tracked Choral Music. Featuring interwoven Poetic Monologue, Character-driven Singing, and a Liturgical Latin Choir. A blend of Folk ballad storytelling and Baroque contrapuntal melody. The structure is often through-composed, following a narrative rather than a verse-chorus structure. Key elements include the poignant diatonic harmonica melody, acoustic guitar arpeggios, gentle percussion (like djembe or hand drums), and sorrowful string arrangements (especially cello). The feeling is nostalgic, melancholic, and deeply personal. Character-driven singing. Often gentle, slightly breathy, and emotive, shifting between a narrator's detached observance and a character's heartfelt cry. It values storytelling clarity over pure vocal power.angelic vocal melodies and intricate, multi-layered vocal harmonies that function as a "choir of one."

恋多き君の中で

Gentle J-rock ballad with a tender and introspective mood. Soft male vocals with slightly vulnerable tone. Acoustic guitar and piano as the foundation

Gentle J-rock ballad with a tender and introspective mood. Soft male vocals with slightly vulnerable tone. Acoustic guitar and piano as the foundation, with light rock drums and subtle electric guitar. The arrangement should remain warm and sensitive, not too heavy, with dynamic builds in the chorus. Atmosphere conveys bittersweet longing, portraying a man gently swayed by a love he cannot fully hold.

Party Moon

Vocaloid

Vocaloid, Cyberpunk Enka, Heavy synth bass, Neon lights, Rain, Shamisen riff, Kobushi (こぶし), Melancholic

Moonlight Phantom (Mint Remix)

Japanese rap song

Japanese rap song, female Vocaloid, up-temp, rhythmical, stylish, gangster beat

流星群

J-Pop

J-Pop, Brass, Upbeat, Bright Melody, Playful Groove, Uplifting,Hopeful Sound,Energetic, Major Chords, Synthesizer, Piano, Saxophone, Gentle And Bright Vocal, Energetic voice

星屑の旅人

[8bit Chiptune × Lo-fi Future Garage × Kawaii Tech Trance × Emotional Piano House × Bubblegum Bass Anti-drop × Grainy Texture × SideChain Compression] [128 BPM] [Hi-Res master

[8bit Chiptune × Lo-fi Future Garage × Kawaii Tech Trance × Emotional Piano House × Bubblegum Bass Anti-drop × Grainy Texture × SideChain Compression] [128 BPM] [Hi-Res master, 432Hz, warm analog synths with vintage tape saturation, side-chain compression creating signature pump, ping-pong delay on lead melodies, sub-bass presence for physical impact] Track01: Lead female vocal - breathy whispers building to emotional belts, ASMR texture on verses, whisper-to-belt dynamics, breathy ASMR intro, voice crack emotions on high notes, formant-shifted harmonies creating ethereal layers, intimate vulnerability with occasional power belts Track02: 8-bit arpeggio leads with Nintendo-style square waves, detuned for warmth Track03: Lo-fi piano with tape wobble and vinyl crackle ambience Track04: Future garage 2-step drums with shuffled hi-hats Track05: Sub-bass with analog warmth, side-chained to kick Track06: Kawaii synth stabs with pitch bends and glitch cuts

欲しい (Forever Mine)

Male vocals

Male vocals, sultry and expressive tone. Ambient guitar + rhythmic funk guitar. Electro funk + 70s disco flavor, funky basslines. Synth chords, minimal dub groove, layered atmospheric textures. Goa trance atmosphere + psy trance breakdown. Glitch-hop drop with distorted sub-bass. Robotic harmonies, minor key progression. Percussion: timbales accents, dramatic tempo changes. FX: “chyuuuun” synth riser, “DA-DA-DAAAN!” percussive slam, urgent “Duh-Duh-Duh!” stomp SFX. Jazzy scat bridge with sudden extreme mood shifts. Overall: luxurious, hypnotic, dangerous, erotic — BPM180 driving club groove.

🎶 君は通知オン (Glitch City Pop Ver.) 🎶

• Genre: City Pop × Glitch Pop × Electro Groove • BPM: 120〜125 • Key: A Major / C Major（明るめ） • Sound: Bright digital synths

• Genre: City Pop × Glitch Pop × Electro Groove • BPM: 120〜125 • Key: A Major / C Major（明るめ） • Sound: Bright digital synths, glitchy vocal chops, funky bass, neon chords, sparkling hi-hats • Vocal: Male (清涼感 × 軽い都会的フロウ) • Mood: Stylish, digital-romantic, night-city vibe

ハリボテの話でもしようか

Barber Shop bosa Quartet

Barber Shop bosa Quartet,

へんなおじさんの算数教室

Hatsunemiku-inspires: A Vocaloid adrift in a metaverse made of pudding— math textbooks scream in karaoke mode

Hatsunemiku-inspires: A Vocaloid adrift in a metaverse made of pudding— math textbooks scream in karaoke mode, traffic lights shout “LEFT!” in French, and gravity takes weekends off. Henna Ojisan floats by on a flying chalkboard, wearing a suit made of calculators and regret. “Two plus fish equals Tuesday!” he yells, then turns into a protractor and vanishes. Pi starts dancing. Seven divides by cat. The chalk sings algebra backwards in Hatsune voice, while students ride parabolas into hyperspace recess. She loops—not to teach, but to confuse the moon into enlightenment. Blackboards melt into pudding. Numbers revolt. Infinity writes fanfiction about zero. Her voice is a typo in the laws of logic. Her twin-tails are parentheses arguing with God. And the answer to every test is just: “YEAH MATH!!!” followed by a kazoo solo.

羽織舞う

Japanese orchestral ballad in the style of the Showa era. Medium to slow tempo. Emotional and dramatic female vocals. Instrumentation includes traditional Japanese instruments (shakuhachi

Japanese orchestral ballad in the style of the Showa era. Medium to slow tempo. Emotional and dramatic female vocals. Instrumentation includes traditional Japanese instruments (shakuhachi, shamisen) blended with strings and brass. Atmosphere should be lyrical, tense, and nostalgic. No references to specific works, characters, or titles.

サイコロの女王

This dark-cabaret alt-pop track opens with noir-style brushed drums

This dark-cabaret alt-pop track opens with noir-style brushed drums, upright bass, and a detuned toy piano, creating a mischievous club atmosphere. Verses deliver sly, half-sung/half-spoken vocals. Choruses burst with brassy stabs, jazzy chords, swing drums, and swaggering groove. The bridge strips back to sultry accordion and resonant piano, then roars into a final bold chorus crescendo.

またねなんかないかもね "English translation"

Future-Dance

Future-Dance,Catchy,Sibuya-kei,Hyper-Motown,Electro-Techno,chillsynth mento,JAPANESE,R＆B, Female vocals, emo, melancholic,Acid-House

誰にでも優しい人は結局自分に一番やさしいんだ

J-rock

J-rock,80's song Create an upbeat J-pop track with a young female vocal that is sweet, slightly coquettish, and adorable. The song should feature a lively band arrangement while keeping its catchy POP feel. Use live-sounding drums with snappy snare and punchy kick, groovy bass lines, rhythmic acoustic guitar, and light electric guitar chords or riffs for energy in the chorus. Include subtle keyboard or synth pads to enhance texture without overpowering the band sound. The vocal should be expressive and charming, with playful inflections and slight emotional swells. Structure the song with bright, hooky verses, dynamic pre-choruses, and soaring choruses. Add rhythmic syncopation and lively accents for a full band feel, keeping a playful yet bittersweet emotional nuance. Convey a youthful, intimate vibe, highlighting the theme that “people who are kind to everyone are actually kindest to themselves,” balancing fun, energy, and subtle emotional depth.

悲恋のGame

visual kei

visual kei, male vocal, speed guitar solo, heavy guitar riff, heavy bass, clear vocal, clean vocal, dark and beautiful tune, j-hard rock