トレンド

Culpa:咎と杯

Ultra catchy cinematic rock

Ultra catchy cinematic rock, addictive chorus, unforgettable hook, emotional rhythmic energy, smooth powerful male vocal, deep husky tone, gritty emotional texture, emotional falsetto, punchy drum groove, driving electric guitar riffs, melodic lead guitar, deep bass pulse, energetic band sound, soaring chorus, tight rhythmic flow, dramatic nighttime atmosphere, polished rock sound, anthem-level chorus energy

The heavy clears

キリストをまとう

Acoustic worship duet with intimate male and female vocals in German and English

Acoustic worship duet with intimate male and female vocals in German and English, centered on warm steel‑string guitar. Fingerpicked patterns and gentle strumming create a flowing, organic groove with subtle percussive taps on the guitar body instead of full drums. Soft upright bass, light piano voicings, and airy pads support spacious, reverberant vocals and tight harmonies. Dynamics rise from quiet, reflective verses into open, soaring choruses with crowd‑singable melodies, gospel‑influenced chord movements, and heartfelt ad‑libs that maintain anthemic worship energy in an unplugged setting.

負けそうな君に送る応援歌

Chill melodic hip-hop with soft detuned piano leads

Chill melodic hip-hop with soft detuned piano leads, lazy swung drums, warm sub-bass and hazy lo-fi textures. Intimate female rap-singing flows, relaxed tempo, wistful nighttime mood, gentle vinyl crackle and subtle ambient pads. Emotive but laid-back delivery, melodic hooks floating over minimal chilled trap-inspired grooves, cozy headphone vibe for late-night motivation.

よりよくなる / Getting Betterer

young female voice

young female voice, girl singing, adolescent voice, straight tone, pure tone, no ornament, crystalline, clear and bright, fully resonant, two voices in unison, neo-acoustic, art rock, slowcore, nylon guitar processed with effects pedals, ring modulator, bitcrusher, fuzz pedal, half-time vocals over busy instruments, sparse cold electronics, tape noise, wide stereo panning, hard-panned instruments, dry separation, eighth note guitar patterns, sixteenth note hi-hat, snare with reverb, minimal kick drum, Japanese, 92 bpm

月代の流転 (feat. 摩訶)

[Genre & Style] Hyperactive Acoustic Math Metal

[Genre & Style] Hyperactive Acoustic Math Metal, Dark Tribal Dance, Avant-Garde Folk, Big Beat [Vocals] Hauntingly beautiful clean vocals, Clean androgynous falsetto, Expressive emotional vibrato, Ethereal singing alternating, [Rhythm & Groove] Frenetic Fast Tempo, Infectious Groove, Syncopated Polyrhythms, Dual-layered Temporal Groove, Extreme Dynamic Range, Relentless rhythmic string-quartet plucking as primary groove engine, [Percussion] Relentless Tribal Percussion, Heavy Four-on-the-Floor Kick, Explosive Tom-toms, Wood Block, [Instruments & Playing Style] Frenzied Banjo, Mandolin Tremolo picking, Screaming Oboe, English Horn, Bass Flute, Accordion, Drone, Aggressive Staccato, [Tone, Harmony & Mood] Dissonant Harmony, Oriental Scales, Japanese Scale, Shamanic Trance, Ritualistic, Horror, High Tension, [Production & Mix] Raw Energy, High Fidelity, -Piano, -Synthesizer

Gabber Milk

Gabber Chaos

Gabber Chaos, 210 BPM. Extreme distorted gabber kick, no groove, pure straight violence. Industrial noise layers, feedback, radio static. Ritual taiko hits, metallic snare. Dark, chaotic, ritualistic, merciless. No melody, no harmony, only pressure.

I Got Reincarnated as My Childhood Friend's Demon Lord Stepsister's Bath Water

真人間サイコパス

Push the backing guitar higher in the mix. Fragile

Push the backing guitar higher in the mix. Fragile, trembling, emotionally raw female vocals. metal BASS driven type：M•A•D（Monster•Attack•Dynamite） electric guitar driven wobble bass Vocal style: ethereal, soft, delicate, clear, slightly airy Tone: fragile and emotional, calm yet expressive Pitch: high to mid-high, smooth transitions Vibrato: subtle, gentle Expression: conveys a sense of longing and melancholy Gender: female Language: Japanese Tempo: [140-160] Genre: [J-pop, ballad, or gentle acoustic] Additional instructions: emphasize clarity and emotion, maintain a dreamy atmosphere, ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

薔薇に口づけ

trip hop

trip hop,rock,Female Vocals

雨さがり Rain-Sagari

Genre: Shibuya-kei inspired urban indie funk pop

Genre: Shibuya-kei inspired urban indie funk pop, light hip-hop pop phrasing. Mood: rainy, playful, slightly melancholic, quirky, self-rescuing. Theme: from a cafe window, a red-umbrella self goes to laugh at a damp hidden self. Lyrics focus: keep Japanese lyrics strange, visual, intimate, lightly ironic; highlight “雨に寄りかかれない,” “しとしとしてる自分,” “どうだまいったかって.” Instruments: tight funky bass, dry guitar chops, electric piano, muted synth stabs, crisp drums, subtle percussion, tiny rainy FX. Vocals: Japanese female vocal, playful spoken-sung delivery, elastic timing, gentle push-pull, cute not childish. Harmony: jazzy major-minor colors, 7th/9th chords, bright chorus lift. Tempo: 96-104 BPM, light bounce. Structure: 7 sections: [Verse]→[Pre-Chorus]→[Chorus]→[Bridge]→[Chorus]→[FinalChorus]→[Outro]. Production: dry mix, tight low end, upfront intimate vocal, minimal reverb. Overall: urban, witty, colorful rainy-day funk pop with Shibuya-kei charm.

休む

[hyperpop

[hyperpop, klezmer, world fusion] [energetic, playful, cheeky, confident, bouncy chaos, plus vibe energy, quirky groove, dynamic flow, mischievous, lively, fast-moving, uplifting but edgy] [clean female vocal, clear lead vocal, highly intelligible, playful tone, energetic delivery, whimsical charm, expressive phrasing, spoken inserts, quirky adlibs, vocal-forward mix] [hyperpop synth stabs, punchy electronic drums, distorted bass pulses, klezmer clarinet runs, festive violin accents, balalaika plucks, chaotic rhythmic switches, goofy vocal chops, glitch fx, bounce grooves, playful fills, layered textures] [dynamic structure, sudden energy bursts, stop-start moments, catchy hooks, chaotic but controlled pacing, playful breakdowns] [clean modern production, crisp vocals, punchy mix, wide stereo, polished sound, controlled low-end]

カルマッチョ

Style: Comedic yet serious visual kei deathcore

Style: Comedic yet serious visual kei deathcore, macho gym anthem, over-the-top energy, crowd participation, festival atmosphere Genres: Visual kei, Deathcore, Metalcore, Djent Tempo: 170 BPM with halftime drops and crushing breakdowns Dynamics: Explosive verses, chant-driven build-ups, huge singalong choruses, dramatic pauses, brutal breakdowns, triumphant finale Instruments: Down-tuned 7/8-string guitars, djent riffs, heavy bass, double-kick drums, sharp snares, gang chants Vocals: Japanese male vocals, fry screams, guttural growls, energetic shouts, crowd-response chants, melodic hooks Language: Japanese Special Effects: Crowd chants, stomp effects, impact hits, sub-drops, whistles, arena ambience Production: ultra-dense aggressive mix, massive low-end, heavy compression, punchy drums, loud modern mastering

Burn it down!

横浜牌シャッフルジャングル(for lune.)

Avant-garde electro swing cabaret

Avant-garde electro swing cabaret, breakcore jungle glitchcore, French cabaret insanity, chaotic theatrical energy, ritualistic female choir chants, militant festival chant energy, powerful unison female choir, chopped amen breaks, disco-funk slap bass groove, jazz brass stabs, vocal chops, pitch-down glitches, tape-stop effects, manic female vocals, chiptune arps, oriental synths, shamisen percussion, fuzzy phaser guitar, carnival textures, beautiful chaos that still grooves、tribal tom fills distorted crowd chants circus rave atmosphere glitch brass explosions broken idol anthem energy haunted dancefloor vibe hyperactive call-and-response ceremonial rave chaos tribal tom fills distorted crowd chants circus rave atmosphere glitch brass explosions broken idol anthem energy haunted dancefloor vibe hyperactive call-and-response ceremonial rave chaos Compact radio-edit structure, fast progression, concise arrangement, strong hook focus, avoids extended instrumental sections

PARTY CRASH HEROES

Fast aggressive distorted guitar riff intro

Fast aggressive distorted guitar riff intro, male vocals, BPM 245, key D minor, emo rock × alternative rock × EDM × cyber trance fusion, high-energy live drums starting immediately with punchy snare and driving double-time kick, no energy drop when vocals enter, powerful palm-muted rhythm guitars continuing through verse, energetic vocal delivery from the first line, tight bass locked with kick, rising trance synth layers building tension before chorus, explosive anthemic chorus with massive power chords and bright supersaw lead synth, wide stereo guitars, big reverb and echo vocals, festival-scale emotional rock sound, modern polished production, about 3 minute song

向日葵の棘 Sunflower’s Thorns(Sunflower... cover)

J-Rock with elements of alternative metal and orchestral pop. Distorted electric guitars play heavy power chords and palm-muted riffs. A prominent string section provides melodic counterpoint and sustained pads. The drums feature a driving backbeat with frequent crash cymbal accents and rapid double-kick patterns. A clean electric guitar performs arpeggiated figures during quieter sections. The bass guitar follows the kick drum with a thick

J-Rock with elements of alternative metal and orchestral pop. Distorted electric guitars play heavy power chords and palm-muted riffs. A prominent string section provides melodic counterpoint and sustained pads. The drums feature a driving backbeat with frequent crash cymbal accents and rapid double-kick patterns. A clean electric guitar performs arpeggiated figures during quieter sections. The bass guitar follows the kick drum with a thick, overdriven tone. Vocals consist of a male lead with a wide dynamic range, shifting from rhythmic spoken-word delivery to powerful melodic belting and occasional raspy textures. The tempo is 165 BPM in 4/4 time. The arrangement uses high-contrast dynamics between sparse verses and dense, layered choruses.

釜ヶ崎ブルース

boogie rock

boogie rock,blues rock,funk rock.minor.116BPM.powerful husky baritone vocal.electric guitar(riff-driven blues boogie),2nd electric guitar(gritty rhythm chords),electric bass(funky walking groove),tenor saxophone(raw blues fills),electric piano(driving comping),drums(heavy backbeat).a day laborer in Kamagasaki with no guaranteed work tomorrow,drinking through the night,living rough but still standing,Osaka dialect blues.fade out ending

Lulu

Modern percussive piano composition

Modern percussive piano composition, Immediate impact from first note, Relentless rhythmic motif, dry and mechanical tone, Minimal harmonic movement, Physical, repetitive, almost obsessive, Japanese spoken word, emotionless, detached, Voice secondary to piano, No melody in voice, No musical phrasing in voice, Sparse, cold atmosphere, Silence-forward mix, No cinematic elements, No classical romantic style, No jazz improvisation, No drums groove, No singing, Long instrumental piano section after first chorus, Voice completely silent during interlude, Final chorus repeated twice with a short pause before second repetition

Coins in my pocket (Remastered)

feel-good

feel-good, electronic, soft, gentle piano, pad, shoegaze, nostalgic, mellow, sensitive, delicate harmony, celt, lo-fi, sweet strings, celts, folklore