トレンド
Explore songs in トレンド. Listen to a track, open its details, or find an idea for your own music.
拷問の部屋(Chamber of Torture)
post-rock, art-rock, progressive with vocals, studio-quality recording, ultra-clean transparent mix, wide dynamic range, cinematic soundscape, ambient guitar layers with delay and reverb, slow evolving structure, emotional crescendo, natural live drums, immersive stereo field, higher male vocal range, tenor male vocal, strained high-register delivery, raw emotional performance, breaking voice without distortion, distant and fragile in verses, emotionally intense in chorus, clean signal path, no saturation, no overcompression, no deep, no baritone
Sakura Hirari In the Night
Deep Uk House, 124 Bpm, A♯ Minor, Low-Register Piano Stabs, Rubbery Donk Bassline, Sidechained Kick, Clipped Clap Pattern, Shuffle Hi-Hats, Distorted Diva Vocals, Light Autotune, Plate Reverb, Tape Saturation, Vocal Hook Repeats, Peak-Time Bounce, Bittersweet Longing, Early 2000S Club Mix
Whatever You Make It
High fidelity, Mastered, Studio recording, Analog warmth, MPC60 texture, 90s Jazzy Hip-Hop, Funky Breaks, Neo-Soul Boom-Bap, Funk Rock Rap, Upbeat J-rap, Rhodes Mark II, Bouncy upright bass, Funky wah-wah guitar, Crispy snare, Brass hits, 92 BPM, Rhythmic delivery, Mic relay, Male vocals, Smooth harmony, Cinematic punchlines, Scratches.
Espresso Eclipse
high-speed symphonic rock, violin lead, electric guitar energy, cinematic anime style, cosmic epic atmosphere, intense and heroic, dramatic build-up, Japanese-English bilingual
未完成でいい (unfinished is fine)
alt-pop, modern pop, electronic pop, japanese lyrics, female vocals, young female vocals, j-pop vocal style, angelic female voice, airy female vocals, sweet youthful vocal tone, melodic female lead vocal, upbeat pop, mid tempo, 120 bpm, fixed tempo, immediate entry, catchy chorus, chant hook, hurahura hook, repeated vocal motif, clean modern production, punchy drums, tight kick and snare, warm sub bass, sidechained bass, crisp synth layers, subtle guitar textures, dry vocal, close mic vocal, vocal forward mix, clean pop mix, studio mix, polished pop production, bright pop mix, high clarity mix, clear high end, radio pop production, open mix, high replay value
理由なんてないのに
A funky alternative rock song with a strong groove-driven rhythm, combining tight slap bass, syncopated muted guitar strumming, and dynamic live drums. The tempo is around 95–105 BPM. The bass is punchy, melodic, and forward in the mix, driving the song with percussive slap and ghost notes. The guitar uses clean tones with rhythmic scratching and occasional wah effects, creating a bouncy, restless feel. Drums are energetic with sharp snare hits and a slightly loose, human feel. The mood blends playful funk energy with emotional frustration and melancholy. The vocals are expressive, slightly raw, shifting between laid-back verses, melodic choruses, and a semi-rap rhythmic delivery in the bridge. Lyrics are about a relationship that doesn’t work for no clear reason—confusion, emotional distance, and unresolved tension. The arrangement builds from stripped-down verses to more open, melodic choruses, with dynamic contrast and groove continuity. Include a catchy, anthemic chorus, a rhythmic
I LOVE TOKYO
Dark and Atmospheric Goth Rock, Post-Punk with a cold, minimalist, and ritualistic feel. The music is driven by a strong, repetitive rhythm section: a tribal drum beat with lots of floor toms and toms, a aggressive fretless bass with lots of glissando, and a steady, hypnotic pipe organ heavy chord playing in the background throughout the track. The song features somber, Clear female vocals. The overall structure is repetitive and trance-like, steadily building a chill atmosphere, until the chorus develops into a tribal beat that makes extensive use of floor toms and toms. The intensity is derived from the hypnotic repetition and cold sound, The track should end with a sudden cut or a brief, decaying echo.
時と踊る時計職人
warm fusion with expressive violin lead, emotional and lyrical atmosphere, violin as main melodic voice with rich vibrato and dynamic phrasing, smooth expressive electric guitar supporting and occasionally harmonizing, acoustic piano with warm chord voicings and gentle touch, tight and tasteful drums with light groove, slightly jazzy feel, warm and defined bass, melodic and supportive, lush strings adding depth and cinematic warmth, rich harmonic progression, melodic and emotional phrasing, interplay between violin and guitar, expressive call and response, gradual dynamic build, uplifting and comforting mood, focus on strong memorable melody, emotional swells, and expressive articulation, include an emotional violin solo section with dynamic intensity and phrasing, modern high-definition production, clean mix with clear separation, defined low end, warm mids, smooth highs, no harshness, wide stereo image, natural reverb, spacious yet intimate, radio-ready mix, high loudness master.
エンドロールはまだ先で
Dreamy swaying psychedelic pop with a Japanese emotional core but a western-sounding melodic feel. Use shimmering mandolin as a key texture, warm analog synth layers, melodic bass, modern tight drums, and glowing electric guitar with subtle chorus and delay. Male vocal, youthful, slightly tired but emotionally melodic, intimate in the verses and more open and addictive in the chorus. Strong hybrid Japanese-English hook writing, with repeated phrases like “Not over yet,” “Sleep tonight,” and “Tomorrow can wait,” while the verses stay mostly in Japanese. The melody should feel catchy, bittersweet, hypnotic, and uplifting. Aim for an 80s-inspired psychedelic pop sweetness in the topline and harmony, but with modern clean production and contemporary instrumentation. Layered backing vocals, dreamy shimmer, gentle motion, and emotional lift. Not heavy rock, more psychedelic pop with modern band arrangement. No EDM, no trap, no overly glossy commercial pop.
残響の四月 (Echoes of April)
A melancholic symphonic rock + city pop + jazz-influenced ballad at 88–96 BPM in A minor, featuring a soft yet grounded Japanese female vocal with restrained emotional delivery, The song opens with an intimate instrumental intro led by a soft piano and deep cello, creating a heavy, calm, and emotionally weighted atmosphere, no drums at the beginning, no vocals in the intro, The piano establishes a delicate and reflective harmonic base, while the cello provides a dark, sustained low-end foundation that suppresses brightness and adds emotional depth, As the arrangement develops, a subtle city pop bass enters with a smooth and controlled groove, followed by minimal soft drums using brushes, maintaining a slow and restrained rhythm, Clean electric guitar adds gentle melodic phrasing in the background, while light jazz harmony (maj7, add9, 9th chords) enriches the emotional texture without making the track feel too bright, Strings (violin + cello) gradually expand the arrangement, focu
J 41 The Night is Priceless Ver 2 Paid Plan
Japanese Dramatic Soul, 1970s Kayōkyoku + Enka-infused Cinematic Ballad, A minor, 68 BPM. Mature husky female vocals with deep chest resonance, emotional storytelling, warm intimate phrasing. Sweeping strings (restrained), solo shakuhachi, subtle taiko, analog vinyl warmth, tragic yet dignified, wide stereo, understated dynamics.
自分を生きろ Am I alive
Pop Punk, Grunge, Psychedelic, Art Rock, Kraut Rock, Garage Rock, Industrial rock, Alt-pop, Guitars: fuzz, distortion, major chords, downstroke, Drums: 808 kick on every beat, snare on 2 and 4, hi-hat fast constant, Bass: short sustain, kick-synced, Guitar 1: sharp slap-style percussive rhythm (constant attack) Guitar 2: tremolo-picked walls + fuzz (verse tension bed) Vocal: female, raspy & husky,voice must crack, break
スキップしながら旅しようよ - 青春パンクVer.
High-energy Japanese melodic punk, fast 180-200 BPM, driving drum beats, tight punchy bass, bright and crunchy overdriven power chords, simple anthemic melodies, youthful gang shouts, raw earnest male vocals, nostalgic summer sunset atmosphere, early-2000s style seishun punk arrangement, hooky shout-along choruses, compact energetic song structure
メッシの様になって
Psychedelic Pop, 90s Alternative, Beatlesque 3-part harmonies, Baroque pop, Upright bass loop, Mellotron flutes, Jangly 12-string guitars, Lo-fi breakbeats, Chromatic basslines, 105 BPM, Acid rock energy, Wurlitzer electric piano., フルベース, ロックギター, indiepop, indie rock
毒華命題 / Venom Logic
Dark cyber-industrial trap / breakbeat at 138 BPM, venomous and playful female vocal with whispered taunts, Korean pentatonic lead motifs, distorted reese bass, sharp synth stabs, whip-crack snares, taekwondo-like tom rhythms, stop-start drops, seductive menace, neon underground club energy, chaotic but precise, aggressive cinematic build, antihero aura
I got my new phone!
Denpa pop hardcore breakcore 8bit synthwave future bass gothic fusion, 170-190 BPM, high-pitched cute female vocals, 8-bit chiptune melodies, hardcore gabber kicks, breakcore chopped breaks, synthwave lush pads and retro synths, future bass supersaw drops, gothic dark atmosphere with cathedral reverb, video game sound effects (notification dings, camera clicks, button presses), neon-drenched retrowave aesthetic, cute but chaotic, obsessive phone addiction theme, Japanese vocals, dramatic contrast between sweet vocals and heavy beats, nostalgic 80s synthwave meets modern hardcore, kawaii demon energy
To My Holy Child
Alternative Metal, Nu Metal, Experimental Metal Irregular Rhythms With Changing Time Signatures And Sudden Tempo Shifts Guitar: Power Chord–Driven Riffs With Occasional Dissonance, Harmonic Accents, And Minor Ethnic-Style Scale Touches Bass: Strong, Driving Lines Tightly Locked With Guitar Rhythms Drums: Frequent Tempo Changes, Abrupt Stops, Explosive Fills, And Dynamic Contrast Vocals: Expressive Clean Vocals Without Shouting; Alternating Between Whispering, Chanting, Soft Melodic Singing while maintaining controlled dynamics and emotional containment, And Tense Emotional Phrasing; Layered Harmonies For Contrast Mood: Ritualistic, Hypnotic, Solemn, Meditative, Slowly Intensifying; Devotion Transforming Into Collective Downfall Song Structure: Highly Unpredictable Arrangement With Sharp Dynamic Contrasts, Sudden Transitions, And Evolving Sections Focus: Emotional Expression Over Technical Perfection.Intro Purpose: Create Tension, Not Energy. Restrained Performance Controlled Energy
砂塵の中で
rumba flamenca,arabic folk,world dance.minor.BPM132.powerful female vocals,raspy passionate vocals.oud (fingerpicked),darbuka (arabic rhythm),electric guitar (rasgueado,distortion),synthesizer (pads,leads),bass guitar.a woman walks alone in the desert,meets a caravan and falls in love with a young man,but says goodbye in the sandstorm,he is a traveler who never stops
夢渡りの子 (Yumewatari no Ko)
Fantasy / Cinematic / Japanese Ambient BPM: 82 Vibe: Epic, emotional, ethereal, and magical Vocals: Male vocal: deep, raspy, and warm; a calm presence that shifts from divine authority to empathy, Female vocal: soft, embracing, and ethereal — tender yet powerful, Instruments: Light taikos, shakuhachi, koto, atmospheric piano, cinematic strings, harp, ethereal synths, and mystical orchestral elements, Interpretation: Begins dark and divine, with the male vocal speaking and singing softly, representing the Gods, The female voice enters as a gentle awakening — the flame of resistance, In the middle, she speaks with courage and emotion, while the male voice answers in low, almost human tones, revealing that even the Gods can feel, Ends serene and triumphant — the rebirth of the world
トレンド prompt ideas
These original examples and answers are in English.