トレンド

消したくない this trajectory

anthemRock LOW (Below 120Hz) Mid 97% / Side 3% LOW-MID BODY 200–350Hz Mid 88% / Side 12% RHYTHM TEXTURE 800Hz–1.6kHz Mid 40% / Side 60% VOCAL CORE 1.5–2kHz Mid 82% / Side 18% SNARE CRACK 3–5kHz Mid 92% / Side 8% HIGH PRESENCE 8–12kHz Mid 65% / Side 35% GUITAR CHARACTER • heavy distorted electric guitars • thick saturated high-gain tone • powerful palm-muted rhythm riffs • aggressive pick attack • deep midrange guitar body • wide expressive vibrato sustain • occasional pinch harmonics • massive rock guitar wall VOCAL STYLE • very sweet and sugary female vocal • extremely soft and melting tone • intimate whispery delivery • breathy and airy voice texture • slightly lazy and relaxed phrasing • gentle pitch glide between notes • subtle vocal fry at phrase MASTER • punchy tight groove • Initial Transient Emphasis First 3 Seconds • strong transient attack • low-end mono stability • stereo edge clarity • micro dynamic contrast • modern loud master • aggressive but controlled limiti

anthemRock LOW (Below 120Hz) Mid 97% / Side 3% LOW-MID BODY 200–350Hz Mid 88% / Side 12% RHYTHM TEXTURE 800Hz–1.6kHz Mid 40% / Side 60% VOCAL CORE 1.5–2kHz Mid 82% / Side 18% SNARE CRACK 3–5kHz Mid 92% / Side 8% HIGH PRESENCE 8–12kHz Mid 65% / Side 35% GUITAR CHARACTER • heavy distorted electric guitars • thick saturated high-gain tone • powerful palm-muted rhythm riffs • aggressive pick attack • deep midrange guitar body • wide expressive vibrato sustain • occasional pinch harmonics • massive rock guitar wall VOCAL STYLE • very sweet and sugary female vocal • extremely soft and melting tone • intimate whispery delivery • breathy and airy voice texture • slightly lazy and relaxed phrasing • gentle pitch glide between notes • subtle vocal fry at phrase MASTER • punchy tight groove • Initial Transient Emphasis First 3 Seconds • strong transient attack • low-end mono stability • stereo edge clarity • micro dynamic contrast • modern loud master • aggressive but controlled limiti

桜前線と共に来たる憂鬱　with imaesan K

Dream Pop

Dream Pop, Lo-fi, Ambient, shoegaze ballad, Melancholic, Reverb, Piano, Japanese, analog tape saturation, harmonic lift

滅びの美学

Japanese Glam Rock

Japanese Glam Rock, 1970s Kayo-kyoku, Theatrical Rock, Melancholic Waltz, Brass section, Distorted electric guitar, Sentimental synth, Dramatic male vocals, Vibrato, Showa-era nostalgic, Slightly lo-fi, Cabaret vibe, Mono recording, Vintage vinyl noise, Crackle, Ballad, Tango

レクイエム

見えた瞬間

Psychedelic pop as the main identity

Psychedelic pop as the main identity, with modern indie pop only as the frame. Use dreamy three-part chorus harmonies, delayed answer vocals, soft oohs and aaahs, baroque-psychedelic color, and a subtly warped melodic lift. The melody should drift and curl, and the chorus should feel harmonically adventurous, swaying, and slightly unreal rather than simply bright. Add light harpsichord-like accents, chiming 12-string guitar, Rickenbacker-style clean jangly guitar, moving bass, gentle organ, soft tremolo guitar shimmer, bell-like accents, light analog synth arpeggios, tambourine, handclaps, and tight but slightly floating drums. Male vocal, slightly high, youthful, casual but emotionally drawn forward. The whole track should feel like a city afternoon slipping into a dream the moment someone appears. Stylish, magical, urban, nostalgic, harmonically rich, and memorable. Avoid heavy distortion, oversized drums, EDM, glossy pop polish, and overly clean straight-line indie energy.

羊は牛になりウール

Dark Minimal Techno

Dark Minimal Techno, IDM, Experimental Ambient, Waterphone, Soft Marimba, Shimmering Synth Arpeggios, Clean Crisp Hi-hats, 808 Sub Bass Kick, Industrial Clicks, Bit-crushed textures, Cold liquid atmosphere, 110BPM, Cinematic tension, High-contrast acoustics, Dry Instruments, Zero decay, Gated percussion, High-fidelity, Clean signal, Noise-free, Minimalist mixing, Sharp transients, Transparent, Pure sound, ‑Noise, ‑reverb

拷問の部屋(Chamber of Torture)

post-rock

post-rock, art-rock, progressive with vocals, studio-quality recording, ultra-clean transparent mix, wide dynamic range, cinematic soundscape, ambient guitar layers with delay and reverb, slow evolving structure, emotional crescendo, natural live drums, immersive stereo field, higher male vocal range, tenor male vocal, strained high-register delivery, raw emotional performance, breaking voice without distortion, distant and fragile in verses, emotionally intense in chorus, clean signal path, no saturation, no overcompression, no deep, no baritone

Sakura Hirari In the Night

Deep Uk House

Deep Uk House, 124 Bpm, A♯ Minor, Low-Register Piano Stabs, Rubbery Donk Bassline, Sidechained Kick, Clipped Clap Pattern, Shuffle Hi-Hats, Distorted Diva Vocals, Light Autotune, Plate Reverb, Tape Saturation, Vocal Hook Repeats, Peak-Time Bounce, Bittersweet Longing, Early 2000S Club Mix

Whatever You Make It

High fidelity

High fidelity, Mastered, Studio recording, Analog warmth, MPC60 texture, 90s Jazzy Hip-Hop, Funky Breaks, Neo-Soul Boom-Bap, Funk Rock Rap, Upbeat J-rap, Rhodes Mark II, Bouncy upright bass, Funky wah-wah guitar, Crispy snare, Brass hits, 92 BPM, Rhythmic delivery, Mic relay, Male vocals, Smooth harmony, Cinematic punchlines, Scratches.

Espresso Eclipse

high-speed symphonic rock

high-speed symphonic rock, violin lead, electric guitar energy, cinematic anime style, cosmic epic atmosphere, intense and heroic, dramatic build-up, Japanese-English bilingual

未完成でいい (unfinished is fine)

alt-pop

alt-pop, modern pop, electronic pop, japanese lyrics, female vocals, young female vocals, j-pop vocal style, angelic female voice, airy female vocals, sweet youthful vocal tone, melodic female lead vocal, upbeat pop, mid tempo, 120 bpm, fixed tempo, immediate entry, catchy chorus, chant hook, hurahura hook, repeated vocal motif, clean modern production, punchy drums, tight kick and snare, warm sub bass, sidechained bass, crisp synth layers, subtle guitar textures, dry vocal, close mic vocal, vocal forward mix, clean pop mix, studio mix, polished pop production, bright pop mix, high clarity mix, clear high end, radio pop production, open mix, high replay value

No Doubt (That’s My Life)

hip-hop

hip-hop, new jack swing, rap, bounce, drill, neo-soul, funk, jazz

理由なんてないのに

A funky alternative rock song with a strong groove-driven rhythm

A funky alternative rock song with a strong groove-driven rhythm, combining tight slap bass, syncopated muted guitar strumming, and dynamic live drums. The tempo is around 95–105 BPM. The bass is punchy, melodic, and forward in the mix, driving the song with percussive slap and ghost notes. The guitar uses clean tones with rhythmic scratching and occasional wah effects, creating a bouncy, restless feel. Drums are energetic with sharp snare hits and a slightly loose, human feel. The mood blends playful funk energy with emotional frustration and melancholy. The vocals are expressive, slightly raw, shifting between laid-back verses, melodic choruses, and a semi-rap rhythmic delivery in the bridge. Lyrics are about a relationship that doesn’t work for no clear reason—confusion, emotional distance, and unresolved tension. The arrangement builds from stripped-down verses to more open, melodic choruses, with dynamic contrast and groove continuity. Include a catchy, anthemic chorus, a rhythmic

I LOVE TOKYO

Dark and Atmospheric Goth Rock

Dark and Atmospheric Goth Rock, Post-Punk with a cold, minimalist, and ritualistic feel. The music is driven by a strong, repetitive rhythm section: a tribal drum beat with lots of floor toms and toms, a aggressive fretless bass with lots of glissando, and a steady, hypnotic pipe organ heavy chord playing in the background throughout the track. The song features somber, Clear female vocals. The overall structure is repetitive and trance-like, steadily building a chill atmosphere, until the chorus develops into a tribal beat that makes extensive use of floor toms and toms. The intensity is derived from the hypnotic repetition and cold sound, The track should end with a sudden cut or a brief, decaying echo.

時と踊る時計職人

warm fusion with expressive violin lead

warm fusion with expressive violin lead, emotional and lyrical atmosphere, violin as main melodic voice with rich vibrato and dynamic phrasing, smooth expressive electric guitar supporting and occasionally harmonizing, acoustic piano with warm chord voicings and gentle touch, tight and tasteful drums with light groove, slightly jazzy feel, warm and defined bass, melodic and supportive, lush strings adding depth and cinematic warmth, rich harmonic progression, melodic and emotional phrasing, interplay between violin and guitar, expressive call and response, gradual dynamic build, uplifting and comforting mood, focus on strong memorable melody, emotional swells, and expressive articulation, include an emotional violin solo section with dynamic intensity and phrasing, modern high-definition production, clean mix with clear separation, defined low end, warm mids, smooth highs, no harshness, wide stereo image, natural reverb, spacious yet intimate, radio-ready mix, high loudness master.

エンドロールはまだ先で

Dreamy swaying psychedelic pop with a Japanese emotional core but a western-sounding melodic feel. Use shimmering mandolin as a key texture

Dreamy swaying psychedelic pop with a Japanese emotional core but a western-sounding melodic feel. Use shimmering mandolin as a key texture, warm analog synth layers, melodic bass, modern tight drums, and glowing electric guitar with subtle chorus and delay. Male vocal, youthful, slightly tired but emotionally melodic, intimate in the verses and more open and addictive in the chorus. Strong hybrid Japanese-English hook writing, with repeated phrases like “Not over yet,” “Sleep tonight,” and “Tomorrow can wait,” while the verses stay mostly in Japanese. The melody should feel catchy, bittersweet, hypnotic, and uplifting. Aim for an 80s-inspired psychedelic pop sweetness in the topline and harmony, but with modern clean production and contemporary instrumentation. Layered backing vocals, dreamy shimmer, gentle motion, and emotional lift. Not heavy rock, more psychedelic pop with modern band arrangement. No EDM, no trap, no overly glossy commercial pop.

残響の四月 (Echoes of April)

A melancholic symphonic rock + city pop + jazz-influenced ballad at 88–96 BPM in A minor

A melancholic symphonic rock + city pop + jazz-influenced ballad at 88–96 BPM in A minor, featuring a soft yet grounded Japanese female vocal with restrained emotional delivery, The song opens with an intimate instrumental intro led by a soft piano and deep cello, creating a heavy, calm, and emotionally weighted atmosphere, no drums at the beginning, no vocals in the intro, The piano establishes a delicate and reflective harmonic base, while the cello provides a dark, sustained low-end foundation that suppresses brightness and adds emotional depth, As the arrangement develops, a subtle city pop bass enters with a smooth and controlled groove, followed by minimal soft drums using brushes, maintaining a slow and restrained rhythm, Clean electric guitar adds gentle melodic phrasing in the background, while light jazz harmony (maj7, add9, 9th chords) enriches the emotional texture without making the track feel too bright, Strings (violin + cello) gradually expand the arrangement, focu

J 41 The Night is Priceless Ver 2 Paid Plan

Japanese Dramatic Soul

Japanese Dramatic Soul, 1970s Kayōkyoku + Enka-infused Cinematic Ballad, A minor, 68 BPM. Mature husky female vocals with deep chest resonance, emotional storytelling, warm intimate phrasing. Sweeping strings (restrained), solo shakuhachi, subtle taiko, analog vinyl warmth, tragic yet dignified, wide stereo, understated dynamics.

自分を生きろ Am I alive

Pop Punk

Pop Punk, Grunge, Psychedelic, Art Rock, Kraut Rock, Garage Rock, Industrial rock, Alt-pop, Guitars: fuzz, distortion, major chords, downstroke, Drums: 808 kick on every beat, snare on 2 and 4, hi-hat fast constant, Bass: short sustain, kick-synced, Guitar 1: sharp slap-style percussive rhythm (constant attack) Guitar 2: tremolo-picked walls + fuzz (verse tension bed) Vocal: female, raspy & husky,voice must crack, break

スキップしながら旅しようよ - 青春パンクVer.

High-energy Japanese melodic punk

High-energy Japanese melodic punk, fast 180-200 BPM, driving drum beats, tight punchy bass, bright and crunchy overdriven power chords, simple anthemic melodies, youthful gang shouts, raw earnest male vocals, nostalgic summer sunset atmosphere, early-2000s style seishun punk arrangement, hooky shout-along choruses, compact energetic song structure