Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

わたあめ

J-POP

J-POP, J-ROCK, mass rock, fusion, Japanese, Toy Box, unplugged, acoustic sound, Japanese City Soul, Chopin, Debussy, Classic piano, Lo Fi Hip Hop, Chill Jazz, acid jazz, piano jazz, jazz funk, Broadway, Broadway, bedroom pop, bedroom pop, bedroom pop, bedroom pop, dream pop, kawaii future base, kawaii future base, kawaii future base, kawaii future base, future base, Sing in a whisper, complex chord progressions, Relaxed melody, sing slowly, singing with break, R&B vocals, Breaking the melody into smaller parts, Shibuya, Harajuku, French pop, bossa nova, soul, studio quality, studio quality, High quality, High quality,

❤ 青いブランコ

jazz

jazz, bebop, groovy, funk-rock, neo soul, soul, male vocals, studio quality, heartfelt, cool, emotional

Heaven’s fall (V5 cover)

whispery female vocal

whispery female vocal, intimate piano jazz, slow tempo, late night mood, smoky bar atmosphere, minor key, soft breathy voice, close mic vocal, minimalist piano trio, brushed drums, upright bass, sensual and hypnotic, cinematic jazz ballad, noir romance, emotional restraint, deep reverb, dark elegance, mature jazz pop

Träumerei

Nu-Jazz with intense Lo-Fi Tribal-Psychedelic edge. Core obsessive guitar motif: catchy repetitive wah-wah guitar riff/theme running almost continuously

Nu-Jazz with intense Lo-Fi Tribal-Psychedelic edge. Core obsessive guitar motif: catchy repetitive wah-wah guitar riff/theme running almost continuously, simple hypnotic mid-range melody looping with subtle variations, swells, stutters and muting for addictive drive. Youthful alto female vocals and bass guitar fused as one: bold husky low-to-mid register only—no head voice—soaring locked tightly to pulsating mid-range bass loops, surging cool restraint, raw emotional bursts, whispers to gritty shouts, pitch bends, stutters, tense urban pulse. Single muted trumpet with precise effects: constant swirling wah-wah processing, heavy layered delays creating echoing trails and ghost responses, deep swimming reverb, subtle pitch bends and vibrato, quick flurries of dissonant notes, valve clicks and breathy textures, call-and-response ornaments tightly weaving around vocals and guitar riff. Massive delays/reverb on vocals, trumpet, guitar for shifting trippy hypnosis. Endless evolving loops bui

Mon Proprio est Premium!

Lo-fi Jazz-Hop “Real Harmony” (rev.2)

Lo-fi Jazz-Hop “Real Harmony” (rev.2), Hip Hop, Lo-fi cool soul-Vince-Style Suite II medium (rev.3) Tempo/Meter: 110–116 BPM, kick+snare play, late back swing feel, sub bass. pad_synth and voice leading with synth soft flute sound, work mixed choirs background response + woodwinds/strings pro section. Arc: Composed intro 8 → Head 16 → Soli 16 → Solo 16 → Bridge Drop (8: bass+brushes only) → Shout 16 → Head out → Button. Rule: tasteful, no screaming clichés, laid-back swing feel. Instruments: Rhodes, soft upright/sub bass, dusty drums, gentle tenor sax phrases; strings sextet = distant pad for hook only. Mix: pro produ

Ballad of Bonnie and Clyde

Genre: Blues Rap / Boom Bap Mood: Gritty

Genre: Blues Rap / Boom Bap Mood: Gritty, melancholic, rebellious, doomed romance. Sample Inspiration: Think of using a dusty, looping blues guitar riff, a haunting female vocal snippet (like a vintage jazz or blues record), and the iconic gunshot/revolver cocking sounds from the original song. Boom bap beat, slow tempo (75 BPM), gritty and dusty. Sample-based: a looping melancholic blues guitar riff in a minor key, heavy swinging kick and snare drums, occasional vinyl crackle and record scratches, Prompt for Verse 1: "Male rapper, gritty and calm flow, storytelling delivery. Lyrics about a hungry boy in Texas meeting a reckless girl. Blues rap, boombap backing. Prompt for Verse 2: "Female rapper, poetic but weary flow. Lyrics about the press, glamour, and the grind of being on the run. Bluesy undertone, slightly melodic in places." Prompt for Verse 3: "Male rapper, deeper, more somber and fatalistic flow. Describing the final ambush. The beat feels darker. Narrative rap."

Franchement… depuis que t’es là j’me sen

amour / touchant / jazz / guitare / batterie

Hát Về Em

Indie pop

Indie pop, jazz, warm male vocals, chill, gentle

все буде добре в цій країні

Electro-funk-jazz groove with a punchy syncopated bass and wah-soaked

Cosas de Cucho

sophisticated tapestry of Flamenco

sophisticated tapestry of Flamenco, Afro-Cuban rumba, and Senegalese rhythms, jagged acoustic guitars and driving percussion, mystical, atmospheric, Highly vocal-centric, characterized by mesmerizing melisma and a soulful, cross-continental warmth, Instrumentation: rich, organic texture of Winds & Keys, flutes, saxophones, and piano, Spanish acoustic guitar work, Percussion: layered West African and Latin percussion, Vocals: Colombian singing, rhythmic vocals Brass: trumpet contributions with a jazz-salsa edge

🦌おやすみ、いい子🥱 (@🧚‍♀️ねこだも🧡)

modern bass-forward classic-rock x prog-pop x disco-rock

modern bass-forward classic-rock x prog-pop x disco-rock,sophisti-pop touch,124 bpm 4/4 with occasional 7/8 tag,minor verse to major chorus lift,tight dry kick,crisp snare,bright hats,ghost notes,tambourine,sub locked to kick,bass co-lead:warm low-mid growl,clanky definition,fingerstyle pocket,melodic counterlines,octave jumps,quick fills,fretless mwah slides,harmonics break,guitars:wide stereo doubles,crunchy open-chord drive,palm-muted accents,clean arpeggios,lead guitar:singing sustain,talkbox hook,wah sweeps,lyrical bends,feedback tails,keys:grand piano hook,Rhodes,Hammond,clav,string pads,disco strings,synth-brass hits,vocals:smoky intimate lead,spoken-sung verses to soaring chorus belts,stacked harmonies,call-response hooks,bridge:organ jam then disco return,modal jazz detour,FX:phaser,reverse swells,stereo delays,filter sweeps,tape-stop,mix:transient snap,wide stereo,centered vocal+bass,mono sub,tight lows,punchy mids,clear highs,loud yet dynamic,no crowd FX,hard last-hit ending

La Piccola Italia

Italojazz

Italojazz, cinematic

Doux et Dingue Folies

PROMPT 01 — Fireplace Neo-Soul Jazz-Blues 12/8 (rev.3) Original song. Reference audio = vibe only. Mood: cozy

PROMPT 01 — Fireplace Neo-Soul Jazz-Blues 12/8 (rev.3) Original song. Reference audio = vibe only. Mood: cozy, safe, late-night warmth (PG), intimate but confident. GROOVE / TEMPO 12/8 slow neo-soul blues feel, dotted-quarter = 70–76 BPM (triplet subdivision). Deep pocket, gentle sway, modern—not traditional blues. HARMONY (Axel-style: smooth but spicy) Use warm extensions: maj9(#11), m9/11, sus13, 6/9, add9; tasteful altered V (b9/#9/#11/b13) only as approach tones. Clear arc: approach → tension → resolution. Keep chords “kind” at the start, add color progressively (never too dense). INSTRUMENTS - Rhodes main (warm, wide, slightly saturated) - Clean electric guitar fills (bluesy/jazzy phrasing, small bends, tasteful double-stops) - Round bass (supportive, occasional chromatic approach notes) - Drums: tight snare that pops (backbeat + ghost notes), 12/8 hi-hat triplets, soft kick, subtle rim clicks; keep it punchy but not aggressive - Subtle organ pad , Sub bass+5 soul voice back

🔊You love my blood 🎸🎛️🔊

Style / Genre: Experimental progressive rock

Style / Genre: Experimental progressive rock, psychedelic indie rock, psychedelic electro, punk fusion . Chaotic, unstable, surreal. Abrupt structure breaks, tempo shifts, and texture collapses. Mood / Energy: Paranoid, hysterical, obsessive, darkly playful, claustrophobic. The song feels like an irritating presence that will not leave. Tempo & Length: Mid-tempo with sudden accelerations and slowdowns. ~3 minutes total. Vocals: Male voice, hysterical and neurotic, half-sung half-spoken, frantic whispers turning into manic yells. Slight distortion and delay on voice in later sections. Instrumentation & Sound Design: • Song opens with a buzzing, saturated, mosquito-like guitar (high gain, tremolo, feedback flutter). • Detuned bass with elastic funk feel. • Broken jazz drums with electro glitches. • Acid jazz chord stabs on warped electric piano. • Sudden dropouts, noise bursts, reverse effects, brief silence moments. • Final section strips down to buzzing guitar + voice

Midnight Class

Elegant after-hours deep house rework with a classy

Elegant after-hours deep house rework with a classy, nocturnal vibe. 120 BPM, steady hypnotic groove. Deep rounded kick, smooth sidechained bassline, minimal but warm percussion (shakers, rim, ghost claps). Jazzy piano motifs filtered and evolving, lush atmospheric pads replacing orchestral strings. Male vocal is the centerpiece: seductive, intimate, confident, with whispered ad-libs, subtle vocal chops, delays, and reverb tails. Chorus hook repeats with restrained energy, no festival drops, pure late-night club elegance. Sophisticated, smooth, cinematic, modern. MABG Style signature ©.

Greatness

Opens instantly with aggressive

Opens instantly with aggressive, distorted punk rock guitars and wild alto piano, pounding punchy drums at 140 BPM, layered glitches, FX, and roaring bass riffs. Suddenly slows to 85 BPM noir—jazz-metal piano duels with noisy guitar, synth cyberpunk atmospheres, whispered horror textures, and sneering, theatrical vocals. The dynamic bass and distinctive melody drive each section, with scatted robotic, echoed hooks and demonic whispers emerging, fusing grunge, indie, and punk for a chaotic, emotional, immersive sound. power bass

Two days untill - 02

slow art pop

slow art pop, embient, solo piano, solo trumpet + mute, smooth modern jazz, flutes, hip-hop, guitar strumming, original melody, pulsating beats,

Майа

Soft jazz

Soft jazz, Christmas mood, saxophone solo, soprano voice - academic, slow jazz, clear words

Sweat at First Crack

2) “Sweat at First Crack” (Bossa Nova) Theme: First crack like “breaking a sweat”; avoid pre-crack rise then crash. “Bossa nova

2) “Sweat at First Crack” (Bossa Nova) Theme: First crack like “breaking a sweat”; avoid pre-crack rise then crash. “Bossa nova, 124 bpm, 4/4. Chords: ii–V–I in C (Dm7–G7–Cmaj7) with light jazz extensions. Nylon guitar comping, upright bass, brushes, soft shaker, tasteful piano fills. Leave pockets for vocals.”

take five extracting

This instrumental piece is a cover of take five and features a clean electric guitar playing a bluesy jazz melody with a walking bass line

This instrumental piece is a cover of take five and features a clean electric guitar playing a bluesy jazz melody with a walking bass line, The tempo is moderate, around 100 beats per minute in 5/4 timing, and the key is A minor, The guitar uses a clean tone with a slight reverb, and the bass provides a solid rhythmic and harmonic foundation, The drums are subtle, providing a light shuffle feel with brushes on the snare and cymbals, The song structure is a continuous improvisation over a 12-bar blues progression, The guitar's melody incorporates bends, slides, and vibrato, characteristic of blues lead playing, There are no vocals present, The mix is balanced, with the guitar prominent but not overpowering the rhythm section