New Songs

Между кодом и сердцем.

[Vocal style: male

[Vocal style: male, deep and resonant; rhythmic spoken‑singing with emotive undertones] [Delivery: confident yet vulnerable, blending rap flow with melodic phrasing] [Mood: contemplative, introspective, with moments of intensity]

Thirst For the Night

rock

rock, female vocals, haunting rock, powerful metal-female vocals, ethereal falsetto, metal, aggressive gothic piano

Ma victoire(version femal)

🔥😍🔥Педиковатый_Пассажир_(18+)_[extended_version]_10

MarkBisMark Style. Russian noir jazz-blues

MarkBisMark Style. Russian noir jazz-blues, 86 BPM. Hypnotic bit, hand percussion ritual (no brushes), virtuoso performance on all instruments. Ultra-low gritty baritone male vocal — intimate, close-mic’d, Odessa-inflected melancholy, crystal-clear diction. Minimal angelic female backing vocals (whispered, choruses only). Instruments: Nikolo Amati upright bass, fingerstyle blues guitar, alto sax filling all silences. Two sax solos: mid-track + final 45-sec outro (lyrical, rain-like phrasing). Lyrics: poetic, tender, no slang — themes of longing, digital alienation, quiet heartbreak. Final whispered chorus → full sax solo fade into rain & train. Runtime: 6:55. Studio-clean. No truncation of outro or solos.

Duality

Dark R&B Soul Trap duality integrated

Dark R&B Soul Trap duality integrated, 125 BPM balanced walk both sides, 808 sub-bass 40-55Hz foundation grounded strength, Piano melancholic hopeful masculine feminine keys dance, Strings emotional depth vulnerability strength coexist, Acoustic guitar fingerpicked tender truth masculine hands feminine heart, Synth pads warm both energies flowing integrated, Trap snare precise masculine structure feminine grace balance, Hi-hats delicate powerful rhythmic duality honored, Vocal delivery male mature comfortable emotional depth complete, King voice embracing full human spectrum wisdom, Breakdown emotional climax duality celebrated openly, Production intimate powerful masculine feminine merged seamless, Wisdom earned single parenting both parent roles embodied, God energy divine duality neither side chosen complete, Emotional honesty vulnerability strength integrated wholeness, Complete human toxic masculinity rejected feminine wisdom embraced, Both mother father energies present

Cosmic Customs Constablulary

[Genre: 1930s Big Band Swing

[Genre: 1930s Big Band Swing, Scat, Jazz, Calypso elements] [Tempo: Fast, energetic, and joyous] [Instrumentation: Powerful, brash Trombone and Trumpets on the main melody and flourishes. A fast walking Upright Bass and quick, shuffle Drums with heavy tom-toms and wood blocks to suggest a Latin flair. A playful, high-pitched Clarinet or a piercing Alto Sax for the solos. The sound should be bright, brassy, and have a strong, driving four-on-the-floor beat, incorporating Latin percussion like Maracas and Guiro subtly. Imagine the energy of a Cotton Club performance mixed with a beachside street parade.]

MAGNETIC HOUR

[Style] Jazz-Breakbeat / Glitch-Folk

[Style] Jazz-Breakbeat / Glitch-Folk, 140 BPM (halved to 70 for Verse 2), Rapid and inventive Percussion, Dial-Up Synth Leads, Lo-fi Saxophone Chops. [Instruments] A Sub-bass that "jitters" like a bad connection, Modem-Screech Risers, Radiator-Pipe Snares, and a Hyper-Fast Saxophone Sample that has been bit-crushed and sliced into "fractions." [Vibe] Frantic, Hazy, Obsessive, Dusty. real as fuck

夢追う勇気

BPM 145. Wa-fu shamisen-led phonk × Jersey Club with boom-bap dust. 1–2 bar SHAMISEN riff = main hook all song

BPM 145. Wa-fu shamisen-led phonk × Jersey Club with boom-bap dust. 1–2 bar SHAMISEN riff = main hook all song, front/loud, looped with variations, tremolo, slides, staccato chokes, octave jumps + quick call/response fills; NO synth lead. Intro: shrine ambience, paper rustle, wind, kane/bell hits, low taiko, tape hiss. Verse: HALF-TIME pocket, dusty boom-bap swing hats, tight clap/snare, minimal pad; sparse breathy shakuhachi/hichiriki replies. Pre: taiko rolls + rising tom ladder, widen shamisen doubles, gong/bell swells → one-breath “ma” drop, faint bell tail. Chorus: DOUBLE-TIME Jersey bounce, syncopated kicks, fast claps, hard impacts; shamisen brighter/aggressive with ensemble doubles; taiko on downbeats; 808 glides only on transitions. Vocals: raspy male but CLEAR, fast-retune AutoTune, crisp consonants, no robotic formant. Mix: wide stereo, heavy sidechain, gritty tape sat + controlled hard clip

Néa ft Big Ross (ma batterie)

Style : Rap mélancolique / Urbain Instrumentation : Séquence de piano minimaliste et entêtante (arpèges mineurs)

Style : Rap mélancolique / Urbain Instrumentation : Séquence de piano minimaliste et entêtante (arpèges mineurs), beat boom-bap moderne, nappes de synthé discrètes.

Wahnsinn verführe mich

A brutal fusion of death metal and industrial

A brutal fusion of death metal and industrial, the track kicks off with pounding machine-like drums, detuned guitars, and distorted synths, Verses feature harsh, mechanized riffs driven by aggressive Vocaloid female growls, Dissonant synth layers and abrupt metallic hits create a twisted, unsettling soundscape, climaxing in explosive breakdowns and glitchy transitions for maximum dark, horror-fueled intensity

恋愛脳は壊れました

Minimalist glitch-pop spoken electro with a clinical

Minimalist glitch-pop spoken electro with a clinical, malfunctioning feel. Sparse detuned pad bed, filtered sub pulses like a diagnostic monitor, and bitcrushed percussion with sharp stutters and sudden cut-to-silence moments. Close-mic’d low female spoken lead, dry and intimate, with layered whispers and overlapping ad-libs that “desync” slightly in timing. Use chopped micro-samples of the lead vocal as rhythmic punctuation, plus occasional robotic formant shifts on single words (not full-time). Choruses widen subtly via stereo haze and short noise swells, then collapse back to claustrophobic dryness. Vocal performance should feel increasingly unstable: controlled deadpan drifting into anxious repetition, tiny breaks in breath, and brief strained intensity without full belting.

Wolves Howl at the Moon

[Language: English] [Genre: Street Punk / Oi!-leaning Punk Rock] [Style: raw

[Language: English] [Genre: Street Punk / Oi!-leaning Punk Rock] [Style: raw, fast, shouty, gang vocals, simple riffs, dark-sarcastic edge] [Tempo: 185 BPM] [Key: E minor] [Instrumentation: distorted guitars, punchy bass, fast drums, occasional siren/noise] [Vocals: aggressive shout-singing, crowd “HEY!” responses] [Structure: Intro → Verse 1 → Pre-Chorus → Chorus → Verse 2 → Pre-Chorus → Chorus → Bridge/Breakdown → Final Chorus (x2) → Outro]

Crimson Aftermath (Broken Lullaby)

K-pop High-impact K-pop girl group anthem with tight harmonies and stacked hooks music box Dark Symphonic Metal Psychological Horror Gothic Orchestral K-Pop Female Vocals Female Power Vocals Operatic Metal Heavy Distorted Guitars Eerie Music Box Cinematic Choir Aggressive Screams Melodic Belting Dark Fantasy Epic Emotional Conflict Haunting Atmosphere

K-pop High-impact K-pop girl group anthem with tight harmonies and stacked hooks music box Dark Symphonic Metal Psychological Horror Gothic Orchestral K-Pop Female Vocals Female Power Vocals Operatic Metal Heavy Distorted Guitars Eerie Music Box Cinematic Choir Aggressive Screams Melodic Belting Dark Fantasy Epic Emotional Conflict Haunting Atmosphere

I'd Defy The Gods

[BPM:150] [TimeSignature:4/4] [Key: minor] [Intro: ambient pad + distant guitar swells (4 bars)] [Verse: half-time feel

[BPM:150] [TimeSignature:4/4] [Key: minor] [Intro: ambient pad + distant guitar swells (4 bars)] [Verse: half-time feel, spacey drums, low guitar crunch] [Pre-Chorus: build tension, rising chords, open hats] [Chorus: full-time drive, big drums, wide guitars, stacked vocals] [Verse 2: same as verse 1 with added rhythm guitar] [Pre-Chorus 2: shortened, faster vocal delivery] [Chorus 2: add octave harmonies] [Bridge: drop to halftime → breakdown hit → scream accent] [Final Chorus: max energy, cymbal wash, final lift] [Outro: instruments strip back, emotional vocal close]

«Начни с меня весну…»

шансон

шансон, guitar, female vocals, rap

Return To Fantasy (Space Waltz)

A magnificent waltz-tasted symphony in 3/4 time signature

A magnificent waltz-tasted symphony in 3/4 time signature, 12-string acoustic guitar, complex sensitive electric slide guitar solos, psychedelic ambient full orchestra, massive choir work, complex rhythm section, grand and cinematic movie trailer style, atmospheric, lush textures, intense crescendos, huge dynamic range, intricate percussion and harmonies, Climax with immersive and awe-inspiring, sad female vocalist, B Minor, 96 bpm

CEO OF MYSELF

rap

rap, Bossy trap-pop banger with two confident female vocals trading lines. Tight, bouncy low-end and crisp hats under half-rapped, half-sung verses; synth stabs answer each bar. Chorus slams in with wide, bright leads, gang chants, and pumping sidechained pads. Bridge drops to sub, claps, and call-and-response before a final, louder chorus stacked with doubled hooks and shouted ad-libs., playful, pop, empowering, dynamic, low

Hidden Cave Man

Touhou Object Style Stage 1 Theme

Touhou Object Style Stage 1 Theme

Rave the Moshpit

modern electronicore

modern electronicore, party metalcore, high-energy and chaotic fun atmosphere, fast tempo with nonstop momentum, heavy down-tuned metalcore guitar riffs, tight palm-muted chugging, bouncy rhythmic riffs, punchy and distorted basslines, EDM and rave-inspired synths, hardstyle and techno elements, sidechained synth drops, aggressive yet playful song structure, massive festival-ready sound, polished modern production, MALE VOCALS ONLY, STRICT DUAL-VOCAL STYLE, alternating aggressive metalcore screams and energetic clean vocals, shouted chant-style clean vocals, high-energy hype delivery, exaggerated and playful vocal tone, clear contrast between screamed verses and catchy chant choruses, no emotional ballad singing, no soft pop crooning, no monotone vocals, expressive and animated vocal performance, party-themed lyrics, humor and self-awareness, moshpit energy, club-meets-metal aesthetic, no death metal growls, no djent, no atmospheric breakdowns, no sad or melancholic tone

Divine Into The Comedy's Sea World

Touhou Object Style Stage 1 Theme

Touhou Object Style Stage 1 Theme