Tendances

La madeleine de Peach

Peach! et ses Ωhms

Peach! et ses Ωhms, french female rock voice, afrobeat, industrial, asymmetric rhythm, experimental, syncopated, technical rhythm, dissonant, fusion drums, complex harmony background vocals.

Chapitre VX - LE DERNIER ACCORD

At 72–80 BPM

At 72–80 BPM, A track of approximately 4 minutes. This French jazz-lofi chanson opens with upright piano beneath soft vinyl warmth, deep double bass, brushed drums, and café-inspired tape hiss. Warm female and male humming blend subtly. Swelling strings, muted trumpet, and tenor sax join, rising to a grand orchestral peak—lush violins, tasteful brass—then gently recede, ending with piano, bass, and distant trumpet in a quiet, nostalgic nocturne.

Camping un peu maudit

upbeat acoustic campfire folk

upbeat acoustic campfire folk, humorous storytelling song, male and female duet, warm and playful mood, acoustic guitar driven, light hand percussion and claps, simple folk strumming, catchy sing-along chorus, rustic outdoor atmosphere, cozy campfire vibe, cinematic storytelling, natural voices, slightly theatrical delivery, medium tempo around 100 BPM

Moulin Rouge

Style: 1930-50s french jazz chanson

Style: 1930-50s french jazz chanson, vintage cabaret, soft swing, smoky female vocal, Marilyn-inspired glamour tone, upright bass, brushed drums, piano, saxophone fills, romantic, cinematic, vinyl warmth.

Je suis dans un tel endroit- öyle bir yerdeyim ki cover

Be e Gees style 1970s-80s English disco-pop love/breakup song

Be e Gees style 1970s-80s English disco-pop love/breakup song, ultra high-quality French male vocal (Ba rry Gi bb iconic powerful falsetto lead, crystal clear, rich vibrato, light reverb and echo for depth but pristine clarity, pro studio mastering), triple tight harmonies (Ro bin & Ma urice style backing vocals), groovy energetic disco beat (100-110 BPM), funky bass guitar riffs, lively strings and brass horn layers, bright synth glows, dancefloor-pumping percussion, professional production, falsetto climbs and "ah ah ah ooh ooh" excitement for high energy

Heartbeat

Dark electro rock anthem

Dark electro rock anthem, 155 BPM, deep female vocal with controlled intensity, low register verses building into powerful melodic chorus, heavy bassline, distorted synth pulses, strong live drum presence with punchy kick and snare, sharp percussive hits, explosive drum fills and cymbal crashes, layered harmonies in the hook, subtle industrial textures, driving kick, minimal intro, explosive chorus lift, emotional but restrained delivery, modern production, punchy mix, strong rhythmic phrasing, confident tone, tension build in bridge with powerful drum energy, final chorus bigger with stacked vocals.

TP I.A MIND

French

French, spoken word, electronic

Je veux ton bien

Style Sound

Style Sound, Driving beats, Strong Music, Catchy Male Voice

Psychose

aggressive horrorcore rap

aggressive horrorcore rap, fast tempo hip hop, dark industrial beat, heavy distorted bass, hard hitting trap drums mixed with boom bap snare, cinematic horror atmosphere, tense strings, dark synth stabs, fast aggressive rap flow, underground battle energy, intense and brutal vibe

Noir profond

very melodic melancolic sadness slow flow latino very loud gangster badboy smoker voice

very melodic melancolic sadness slow flow latino very loud gangster badboy smoker voice, techno very melodic, French urban pop, Afrobeat-infused hip-hop, dark R&B, autotune texture, heavy 808 bass, atmospheric synths, melancholic piano stabs, trap drums with African percussion, emotional male baritone vocals, philosophical storytelling, dramatic strings, verlan flow, modern French slang, 95-100 BPM, minor key darkness, catchy melodic hooks, radio-ready production

Masques

Scène de nuit dans un club parisien sombre et mystérieux

Scène de nuit dans un club parisien sombre et mystérieux, lumières tamisées violettes et rouges, ambiance sensuelle et provocante. Deux personnages masqués dansent très proches, leurs mouvements fluides et audacieux, éclats de désir dans les regards. Beaucoup d’instrumentaux : piano sombre, violons dramatiques, synthés hypnotiques, percussions profondes. Fumée légère flottant autour, sons résonnants comme dans un cabaret français. Gros plans sur les mains qui se frôlent, sur les regards intenses et les lèvres près des masques. Ombres dansantes, tension dramatique et luxuriante, sensualité maximale. Atmosphère française : petits détails de Paris visibles (balustrades, lampadaires, ruelles pavées). Style cinématique, artistique, dark et sexy, énergie musicale intense et hypnotique.

reines du monderap rapide

Mayu - Byname of Kannaras - (French) - 2c

classical piece

classical piece, trumpets opening, strong piano, deep male vocal, plucked strings, clean e-guitar, Gregorian Chants, drums

Maison sur le sable (Remix of Дом на песке)

Genre: French coldwave / Post-Punk / Sovietwave Key: C minor Tempo: 62–70 BPM — steady

Genre: French coldwave / Post-Punk / Sovietwave Key: C minor Tempo: 62–70 BPM — steady, restrained pulse Instrumentation: – Repetitive post-punk bassline – Reverb-heavy electric guitars with slow swelling textures – Subtle analog synth pads, nostalgic and slightly detuned – Minimal, dry drum machine or restrained live drums Vocals: - low male baritone, raspy and tired - intimate, close-mic feel - restrained emotion, no shouting - phrasing slightly chopped, deliberate Mood: Fading memory, empty shoreline, quiet resignation, nostalgic but restrained Effects: – Wide reverb, cold spacious soundscape – Subtle tape saturation

Upload du chaos

Hard-sitting French rap urban agressive

Hard-sitting French rap urban agressive, Voice, clean vocal

Les Miroirs de Rastignac (2026 Version)

[Create a 92 BPM lo-fi acoustic soul and chillhop track with underground electro textures. Persona: Magnetik JLM. Begin with a long instrumental intro featuring vinyl crackle

[Create a 92 BPM lo-fi acoustic soul and chillhop track with underground electro textures. Persona: Magnetik JLM. Begin with a long instrumental intro featuring vinyl crackle, warm Rhodes jazz chords, upright bass and subtle lo-fi drums. Smooth French male vocal, intimate and clear articulation, emotional but restrained. Structure includes instrumental jazz solo sections and stripped breakdowns. Blend acoustic guitar, Rhodes, soft sub bass and minimal electro pulses. Maintain conscious, reflective mood with gradual harmonic layering. Production warm, analog, spacious yet club-compatible low end. No exaggerated ad-libs. Focus on soulful storytelling and subtle dynamic evolution.]

JE TE VOIS

female vocals

female vocals, french rap vocals, confident female delivery, mature female voice tone, charismatic dominant presence, seductive dangerous energy, cyberpunk rap, futuristic rap style, mid tempo groove, rhythmic spoken rap flow, sharp articulated phrasing, internal rhyme cadence, punchy hook repetition, addictive chant hook structure, underground cyber rap aesthetic, industrial electronic influence, cyber noir atmosphere, mechanical rhythm focus, driving kick snare groove, syncopated hi hats, sub bass pressure, distorted synth bass, glitch texture accents, digital ambience layers, dark electronic production, club compatible rhythm bounce, high replay value hook, vocal forward mix, modern rap production, precise articulation, confident performance energy, 128 bpm

On the road

Midtempo (90–100 bpm)

Midtempo (90–100 bpm), the song rides a steady, open groove anchored by gentle, sustained acoustic guitar with wide voicings and delicate fingerpicking. Clean electric guitar adds sparse melodic lines, touches of spring reverb and subtle delay, and melodic slides for a sense of distance. Drums are soft: round, deep kick, brushed snare, minimal cymbals, and strictly no fills. Bass holds long roots, weaving the song together with a gentle push. Occasional pedal or lap steel paints desert colors, while chorus sections introduce airy Hammond pads and subtle backing vocals for width. Verses are minimal; choruses expand with wider stereo imaging. The airy mix features long reverbs, gradual dynamic intensification, and a slow fadeout reminiscent of a road disappearing into the horizon.

Belle-mère en PLS

High-energy comedic Broadway musical pop song designed for dancing and theatrical humor. Bright bouncy piano

High-energy comedic Broadway musical pop song designed for dancing and theatrical humor. Bright bouncy piano, funky bassline, clapping rhythm, playful brass stabs, and colorful orchestral hits. Upbeat tempo around 125 BPM with dynamic breaks for jokes and audience reactions. Female lead vocal extremely high-pitched and squeaky as if she inhaled helium, cartoon-like, playful and exaggerated with expressive theatrical delivery. Include background choir responses, audience laughter, giggles, cheering and applause to create a lively stage atmosphere. Verses light and rhythmic, then explosive Broadway-style chorus with call-and-response between the singer and the chorus shouting “PLS ! PLS ! Belle-mère en PLS !”. Mood joyful, cheeky, absurd and over-the-top, like a humorous Broadway comedy scene about mothers-in-law panicking when their sons fall in love. Production bright, colorful and playful with big musical theatre energy and catchy sing-along hooks.

À l'étranger d'Osaka

male vocals

male vocals, sensual sweet vocals, melodic lyrics, russian style, folk punk rock , Japan music element.